Thursday, June 12, 2025

Original Production Animation Cel of Lady Tremaine (Wicked Stepmother) from "Cinderella," 1950

 

Original hand inked and hand painted production animation cel of Lady Tremaine (Stepmother) set on a lithographic background from "Cinderella," 1950, Walt Disney Studios; Numbered 42 in ink lower right; Size - Lady Tremaine: 6 x 4", Image 8 x 11 3/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!
 
"Well, why not? After all, I'm yet a member of the family. And it says, "by royal command, every eligible maiden is to attend." - Cinderella
"Yes, then it does so. Well, I see no reason why you can't go... if you get all your work done." - Stepmother
"Oh, I will! I promise" - Cinderella
"And if you can find something suitable to wear." - Stepmother
I'm sure I can! Oh, thank you, Stepmother. (she leaves) - Cinderella
Mother! do you realize what you said?!" - Drizella
"Of course. I said "if." - Stepmother
"Oh... "If." (Stepmother, Drizella, and Anastasia softly laugh)


The 1950 Walt Disney feature film "Cinderella" was based on the French version of the tale by Charles Perrault, entitled "Cinderella" and written in 1698. The film was the second in the series of great Princess films developed by Disney, the first being Snow White in 1937. The character of Cinderella is usually front and center in the pantheon of Disney Princess merchandise, perhaps because she is the only Princess not to be of a noble blood line who ended up marrying a Prince and becoming royalty.

Eleanor Audley (TV and film actress as well as familiar radio and animation voice talent) was filmed while she was dressed and speaking as the Stepmother; and as she performed scenes outlined in the film. Those film reels were used by animator Frank Thomas to convey even more realism to the character. Although the framed images were not directly copied by the animator, they were used as reference for lifelike movements. Eleanor Audley also voiced the Stepmother and her articulation conveyed the fire and raw power of the character. She could be sharp and curt in telling Cinderella what chores to do while lying in bed and slowly stirring her cup of tea, or her voice could be calm are cruel while watching as her daughters viciously destroyed Cinderella's dress.

Frank Thomas did a phenomenal job of controlling the Stepmother's actions to make sure that they were were not wild and out of control; but rather calculated, cold, and precise. The story of Cinderella presented a situation where a villain lived and interacted with her victim day after day under the same roof. The actions of the Stepmother seemed even more cruel because not only were both she and Cinderella animated in a very realistic fashion, but because of the close proximity the cruelness of the villain could be seen as even more intense by the reactions on Cinderella's face. If all this were not enough, the Stepmother's arsenal of evil was compounded by her two ill mannered daughters Anastasia and Drizella; as well as Lucifer the cat, who delighted in trying to kill Cinderella's mouse friends.

"Often, patrons would be horrified or dismayed by the behavior of a villain, but more people actually hated the Stepmother more than any other villain we ever created." - Ollie Johnson and Frank Thomas from "The Disney Villain," 1993
 
This cel is from the scene when Cinderella hands the invitation to the King's Ball to Lady Tremaine, while she is practicing music with her daughters Drizella and Anastasia. The invitation states that every eligible maiden can attend the Ball, and her Stepmother agrees IF she can get all of her work done. Lady Tremaine and the stepsisters, fearing that Cinderella will upstage them at the Ball, end up deliberately keeping her busy, with no time to spare in order to prepare a dress suitable for the Ball. This is great original hand painted and hand inked production animation cel of the wicked Stepmother as she is holding the invitation to the Ball and she says "Of course. I said "if." A great piece of vintage Walt Disney animation artwork from the full length masterpiece "Cinderella!" The dialog for the scene is below:
 
"Well, why not? After all, I'm yet a member of the family. And it says, "by royal command, every eligible maiden is to attend." - Cinderella
"Yes, then it does so. Well, I see no reason why you can't go... if you get all your work done." - Stepmother
"Oh, I will! I promise" - Cinderella
"And if you can find something suitable to wear." - Stepmother
I'm sure I can! Oh, thank you, Stepmother. (she leaves) - Cinderella
Mother! do you realize what you said?!" - Drizella
"Of course. I said "if." - Stepmother
"Oh... "If." (Stepmother, Drizella, and Anastasia softly laugh)

Wednesday, June 11, 2025

Original Production Animation Cels of Bambi and a Frog on a Courvoisier background from "Bambi," 1942

 

Original hand painted and hand inked production animation cels of Bambi and a Frog over a Courvoisier air brush background from "Bambi," 1942, Walt Disney Studios; WDP stamp lower left; Walt Disney Productions stamp verso; With original Courvoisier Galleries label; Size - Bambi & Frog: 4 3/4 x 7"; Image 6 3/4 x 8 3/4"; Unframed; Unframed.

 To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Whatch gonna call 'im?" - Thumper
"Well, I think I'll call him Bambi." - Bambi's Mother
"Bambi... Yep, I guess that'll do all right." - Thumper

"Bambi," 1942 is a full length animated film by Walt Disney Studios and based on the book "Bambi, A Life in the Woods" by Austrian author Felix Salten. The film was released by RKO Radio Pictures on August 13, 1942. "Bambi" received three Academy Award nominations: Best Sound (Sam Slyfield), Best Song (for "Love Is a Song" sung by Donald Novis), and Best Original Music Score. In June 2008, the American Film Institute presented a list of its "10 Top 10" (the best ten films in each of ten classic American film genres) and "Bambi" placed third in the animation category. In December 2011, "Bambi" was added to the National Film Registry of the Library of Congress.

The story centers on Bambi, a white-tailed deer, his parents (the Great Prince of the forest and his unnamed mother), his animal friends Thumper (a pink-nosed rabbit), Flower (a skunk), and his childhood friend and future mate, a doe named Faline. Walt Disney wanted all of the animals to be more realistic and expressive than those in "Snow White". He had Rico LeBrun, a wildlife animal painter, come into the Disney Studios to lecture to the animators on the structure and movement of animals. The animators went on excursions to the Los Angeles Zoo and Walt Disney set up a small zoo at the Disney Animation Studio with animals such as rabbits, ducks, owls, skunks, and a pair of fawns aptly named Bambi and Faline; so that the artists could see first-hand animal movement. Animator Marc Davis created the final design of Bambi by incorporating LeBurn's realistic study of deer anatomy but exaggerating the character's face by making his proportions baby-like; including a short snout and big expressive eyes.

"Bambi" was Walt Disney's favorite film he ever made, and it is not too surprising given his love of nature films. The special effects, particularly the water, and the lush hand painted backgrounds create a wonderful environment that allows the viewer to be totally immersed into the film. Combined with a great story of friendship and complete success in the creation of characters; the film is able to provide amazing feelings of both happiness and sadness, as the viewer watches Bambi grows up from fawn to deer.

Although the character of Bambi was designed by Marc Davis; animation was accomplished by Frank Thomas, Milt Kahl, Eric Larson, Ollie Johnson, and Preston Blair. The voice of Bambi was provided by four different actors, corresponding to the different ages of Bambi as he grew older: Bobby Stewart (baby), Donnie Dunagan (young), Hardie Albright (adolescent), and John Sutherland (young adult). Donnie Dunagan was also the performance model for the character, with the animators integrating his facial expressions onto the face of Bambi.

These are wonderful full figure and eyes open original production animation cels of Bambi and a Frog that have been set on a Courvoisier air brushed pond surrounded by cattails background. A beautiful and rare piece of vintage Walt Disney original production animation artwork that is perfect for any collection!

Original Production Animation Cel of Goofy and Percy from "How To Ride A Horse," 1941

 

Original hand painted and hand inked production animation cel of Goofy and Percy from "How To Ride A Horse" segment of "The Reluctant Dragon," 1941, Walt Disney Studios; Set over a Courvoisier air brush background; WDP stamp lower right; Numbered 125 in ink lower right; Copyright Walt Disney Productions stamp verso; With original Courvoisier Galleries label; Size - Goofy & Percy: 6 x 4", Image 8 3/4 x 11 1/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"No truer has ever been uttered than those of Confucius, or some other philosopher, who said, "The outside of a horse is good for the inside of a man"" - Narrator

"How To Ride A Horse," 1941 is an eight minute Goofy cartoon made by Walt Disney Productions and directed by Jack Kinney. The short was originally released as a segment of "The Reluctant Dragon" on June 20, 1941; but was later released as a standalone cartoon on February 24, 1950.

In 1938, one year after his last session as the character Goofy, Pinto Colvig (the original voice actor for Goofy) had a falling out with Walt Disney and quit the studio, leaving Goofy without a voice. According to film critic Leonard Maltin, this event is what gave birth to the "How To..." Goofy cartoons of the 1940's; in which Goofy had little dialogue and a narrator (often John McLeish) was used as the primary voice of the shorts. As a stand in for limited Goofy dialogue, the Disney Studio would often reuse Colvig's voice taken from prior recordings or they hired George Johnson to imitate Colvig. The "How To..." shorts featured Goofy explaining, but always failing, how to do perform various activities; beginning with "How to Ride A Horse" in 1941 and continuing with "How to Hook Up Your Home Theater," in 2007. Colvig would return to Disney in 1940 and resumed the voice of Goofy three years later.

The plot of "How To Ride A Horse" is that Goofy demonstrates the basics of how to ride a horse (named Percy); from selecting the proper clothes, mounting, the basic horse gaits, jumping, and returning the horse back to the stable. Pinto Colvig is the voice of Goofy, Clarence Nash the voice of Percy, and John McLeish is the narrator.

This is a rare original production animation cel of Goofy and his horse Percy from "How to Ride A Horse," 1941. The cartoon's date placement is often incorrect in the list of "How To..." Goofy shorts because of it's original release with the film "The Reluctant Dragon" in 1941, compared to it's re-release as a stand alone short in 1950. This fact makes "How to Ride A Horse" the first short of the famed "How To..." Goofy series. This is wonderful image of Goofy mounted on his annoyed horse Percy and would be an outstanding addition to any vintage Walt Disney animation art collection!