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Friday, July 17, 2020

Original Production Animation Cel of Prince Phillip and Princess Aurora from "Sleeping Beauty," 1959


Original hand painted and hand inked production animation cels of Prince Phillip and Princess Aurora set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Production numbers lower cel edges; Size - Prince Phillip & Princess Aurora: 5 1/4 x 3 3/4", Image 11 x 17"; Unframed.

"Sleeping Beauty" is a Walt Disney animated full length feature film and was based on "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was the sixteenth in the Walt Disney Animated Classics series, and it was released to theaters on January 29, 1959 by Buena Vista Distribution. This was to be the last Disney adaptation of a fairy tale for many years, both because of its initial mixed critical reception, and because of it's under performance at the box office. The Walt Disney studio did not return to the fairy tale genre until 30 years later, with the release of "The Little Mermaid" in 1989.

The film was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The story was written by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the Graunke Symphony Orchestra, was under the direction of George Bruns. Arrangements and/or adaptations were derived from numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. In addition, Igor Stravinsky's music compositions were also adapted into the film. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen; following "Lady and the Tramp" four years earlier. In select first-run engagements, the film was presented in Super Technirama 70 and 6-channel stereophonic sound.

"Sleeping Beauty" introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator for Aurora, would continue the development of the character by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role as Aurora.

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes many of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her hand prints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.

The majority of the film does not have Aurora on the big screen, but rather her disguised form Briar Rose. Even though Princess Aurora is one of the most loved of all the Disney Princesses, she has least amount of screen time of any prior Princess; only 18 minutes to be exact and during those 18 minutes she only has 18 lines.

Prince Phillip was animated by Milt Kahl and voiced Bill Shirley and Aurora was animated by Marc Davis (who was also lead animator for Maleficent) and voiced by Mary Costa. Both Bill and Mary would be live action models for Prince Phillip and Briar Rose/Princess Aurora for the animators, and their chemistry was magical on screen. In addition, their singing together was one of the many highlights of the film. As discussed by Andreas Deja, Milt Kahl did not like the job of animating Prince Phillip: "Some of you might know that Milt absolutely despised working on the prince. During one of our get togethers I asked him, how he could do such a beautiful job on a character he loathes. To my best recollection he said: 'Well, the character needs to be in the picture, I didn't like the assignment, but you do the best you can.'"

The animation of Prince Phillip by Milt Kahl was radically different than prior Princes in other films.  Phillip was an active character; speaking to his horse Sampson and Sampson understanding what he was saying.  Phillip was also seen as a child at the start of the film, had to be animated in more than one outfit, was the first Prince to use weapons against a Villain; and had to speak, interact, and sing with his love interest Princess Aurora/Briar Rose.

Also from Andreas Deja:
"As I mentioned before, Milt Kahl really didn't enjoy animating Prince Phillip. A handsome dude with a limited range for acting just didn't appeal to him. Of course he still gave it all he'd got to put a descent performance on the screen. (In reference to viewing some of Kahl's rough drawings)... It looks to me that this scene was somewhat based on live action reference, but the translation into drawn animation is incredible. Just dealing with the horse turning direction would be a real challenge. Assistant artist Dave Suding, who worked on the film, told me once that one clean up drawing with the prince on his horse took one full day. That means a second of final clean up footage would require a whole month! Incredible."

When the Walt Disney Company began to promote the theme of Princesses to the public, it was the Princess Aurora character dressed in either the blue or pink dress, that was the preferred form. For animation collectors, the opportunities to acquire cels or drawings of Princess Aurora are few and far between; let alone with Prince Phillip. These cels however, represent one of the greatest setups I have ever seen. Both Prince Phillip and Princess Aurora's are eyes open and they are full figure walking arm in arm towards their parents. They soon end up dancing on the floor of King Stephen's castle and fade into the clouds for the film's stunning finale. This would be a spectacular addition to any high end Walt Disney animation art collection!

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Thursday, July 16, 2020

Original Production Animation Cel of the Headless Horseman from "The Legend of Sleepy Hollow" Section of "The Adventures of Ichabod and Mr. Toad," 1949


Original hand painted and hand inked production animation cel of the Headless Horseman numbered 9 in ink lower right; Set on an original hand painted production background with production numbers lower edge from "The Legend of Sleepy Hollow" section of "The Adventures of Ichabod and Mr. Toad," 1949, Walt Disney Studios; Size - Headless Horseman: 6 3/4 x 6 1/2", Background 12 1/2 x 15 1/4", Image 11 1/4 x 15 1/4"; Unframed.
"Yaaaah-ha-ha-ha-ha-haaaa!" - The Headless Horseman

"The Adventures of Ichabod and Mr. Toad," 1949 is an animated package film produced by Walt Disney Productions and released by RKO Radio Pictures. The film consists of two segments – the first is based on the 1908 children's novel "The Wind in the Willows" by British author Kenneth Grahame, and the second is based on the 1820 short story "The Legend of Sleepy Hollow," (named Ichabod Crane in the Disney film) by American author Washington Irving. The famed American singer and actor Bing Crosby provided the voice of Ichabod Crane, Brom Bones, and the Narrator.

The story takes place in October 1790 when Ichabod Crane, a lanky, gluttonous, superstitious yet charming man; arrives in Sleepy Hollow, New York. It's a small village north of Tarrytown and is renowned for its ghostly hauntings and Ichabod is to be the town's new schoolmaster. Despite his odd behavior and awkward appearance, he soon wins the hearts of the village's women. Brom Bones, the roughish town hero, does his best to bully Ichabod; however he is very good at ignoring Brom's taunts. Soon Ichabod falls in love with eighteen-year-old Katrina van Tassel, the beautiful daughter and only child of Baltus van Tassel who is the richest man in all of Sleepy Hollow. Brom, who is also in love with the beautiful Katrina, begins to compete with the schoolmaster for her affection. However, Ichabod succeeds in winning Katrina over at every opportunity. Unbeknownst to Ichabod, Katrina is only using him to make Brom jealous.


Original production animation cel of the Headless Horseman without the background.


Original hand painted production background with production numbers lower edge.

Both Brom and Ichabod are invited to the annual van Tassel Halloween party. While sitting down to dinner, Brom tells Ichabod and the party guests the ghost story of the Headless Horseman, who had lost his head a long time ago during the Revolutionary War. Ever since, on every Halloween night he rides into Sleepy Hollow looking for a new head. The only way to escape him is to cross the covered bridge, as the Headless Horseman's evil powers are limited to within the dark woods.

After the Halloween party ends, Ichabod rides home alone and keeps imagining that he is being followed. He hears strange sounds and then realizes that it's only cattails bumping against a log; Ichabod and his horse begin to hysterically laugh. But then suddenly both stop, as they realize that another laugh has joined them. As Ichabod and his horse slowly turn around, they find the Headless Horseman about to attack them with his sword. The Horseman begins to chase them, laughing all the while. Ichabod gallops for the bridge and barely manages to make it across. As Ichabod turns around, he screams as the Horseman's black horse rears up, and the Headless Horseman throws a flaming jack o' lantern right at him. The very next morning, Ichabod's hat was found next to a shattered pumpkin; however, Ichabod was never heard from again.

The Headless Horseman was animated by veteran Walt Disney animator Wolfgang Reitherman. During an Academy Award tribute to Reitherman's work in the early 1980's, his wonderful chase sequence that occurs between Ichabod Crane and the Headless Horseman was screened. Afterwards he turned to the audience and said, "You know, this stuff is holding up pretty good after all these years."

The Headless Horseman is actually one of a very few Disney Villains to actually "win" rather than being defeated at the end of the film. Also, despite having a small amount of screen time, the Horseman is considered one of the darkest and most disturbing of all the Disney Villains. This is an extremely rare original production animation cel of the Headless Horseman. He is full figure with his burgundy cape blowing in the wind, as he wields a large sword in his left hand. He is astride his dark black horse whose eyes are glowing red, and both are charging forward to pursue Ichabod Crane. Making this piece exceptionally nice is that the production cel is placed on an original hand painted production background. A top shelf piece of Walt Disney vintage animation production artwork, perfect for any art collection.

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