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Friday, November 25, 2022

Original Production Animation Cel of Toulouse from "The Aristocats," 1970

Original hand painted production animation cel of Toulouse from "The Aristocats," 1970; Walt Disney Studios; Numbered 25 in ink lower right; Set on a lithographic background; Size - Thomas O'Malley: 3 x 4 3/4", Image: 9 x 15 1/4"; Unframed.

 
"Now, Toulouse, you go and start on with your painting." -  Duchess
"Toulouse: Yes, mama. [Hissing]" - Toulouse
"[offscreen] Mama, may we watch Toulouse paint... before we start our music lesson? Please?" - Marie
 
"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. 

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.
 

 Original production animation cel of Toulouse without the background.

Toulouse is the oldest of the three kittens, he has green eyes, orange fur, a lighter orange stomach, and he wears a bright blue bow tie around his neck. He aspires to be an alley cat and he is known to puff up his chest and hiss to prove he is tough. Toulouse is a city in Haute-Garonne region of southwestern France; and because he aspires to be a painter and paints daily, he was very likely named after the famous French painter Henri de Toulouse-Lautrc. Toulouse was animated by Ollie Johnston and Frank Thomas and voiced by Gary Dubin.

This is a wonderful original production cel of Toulouse. He is full figure, eyes and mouth open, and looking down from his perch covered by a piece of lace. An absolutely beautiful image of the very artistic kitten and a great addition to any animation art collection!

Original Production Animation Cel of Thomas O'Malley from "The Aristocats," 1970

Original hand painted production animation cel of Thomas O'Malley from "The Aristocats," 1970; Walt Disney Studios; Set on a lithographic background; Size - Thomas O'Malley: 5 1/2 x 4 1/2", Image: 8 1/2 x 14 1/4"; Unframed.

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. 

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.
 

 Original production animation cel of Thomas O'Malley without the background.

Abraham DeLacey Giuseppe Casey Thomas O'Malley (simply known as Thomas O'Malley) the alley cat was also animated by Ollie Johnston and Milt Kahl. O'Malley was marvelously voiced by Phil Harris, who was an American singer, songwriter, jazz musician, actor, and comedian. Harris also worked as a voice actor for two other Walt Disney animated feature films: "The Jungle Book," 1967 as Baloo the Bear and "Robin Hood," 1973 as Little John (another bear).

This is a wonderful original production cel of Thomas O'Malley. He is eyes and mouth open, giving a very a wide eyed raised eyebrow look. An absolutely beautiful image of the famous cat and a great addition to any animation art collection!

Original Production Animation Cels of Madame Adelaide Bonfamille and Frou-Frou from "The Aristocats," 1970


Original hand painted production animation cels of Madame Adelaide Bonfamille and Frou-Frou from "The Aristocats," 1970; Walt Disney Studios; Numbered 225 and 47 in ink lower right; Set over a lithographic background; Walt Disney seal lower right; Size - Madame Adelaide Bonfamille & Frou-Frou: 9 x 9 1/2", Image: 9 1/2 x 12"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Of course, Frou-Frou, I almost forgot." - Madame Adelaide Bonfamille

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.

Duchess is a long-haired purebred white Turkish Angora cat with blue eyes (shining like sapphires) and wearing a gold and jeweled collar that is studded with diamonds. She is the mother of three kittens; Marie, Berlioz, and Toulouse and her owner is the aristocratic Madame Adelaide Bonfamille. Duchess was voiced by Eva Gabor who was a Hungarian-born American socialite and actress. Robie Lester who was an American Grammy-nominated voice artist and singer, provided the singing voice for Duchess.


Original hand painted production animation cel of Madame Adelaide Bonfamille without the background.

According to veteran Walt Disney animator Andreas Deja:
"Duchess was animated by quite a few artists, I would say that Ollie Johnston did some of the nicest scenes, educating the kittens etc.. Frank Thomas came up with good acting scenes as well, when Duchess meets O'Malley for the first time, and when she says goodbye to him at the end of the movie. Milt Kahl set her basic design based on Ken Anderson's drawings."

Madame Adelaide Bonfamille, also called Madame, is an elderly wealthy woman who apparently was a famous opera singer (she said that she once played the title character of George Bizet's Carmen, and was even seen dancing to the aria "Habanera"). She is also the owner of Duchess, a white Turkish Angora cat; along with her three kittens Marie, Berlioz, and Toulouse. Madame was voiced by the actress Hermione Baddeley, who also played a maid in the Walt Disney feature film "Mary Poppins." Grace Godino was the live action model for Madame Bonfamille. Grace was an inker at the Walt Disney Paint and Ink Department and, at one point, was a stand-in for Rita Hayworth. A bit of trivia: the name "Bonfamille" is derived from the French phrase for "good family" ("bon" being the masculine word for "good" and "famille" meaning "family").


Original hand painted production animation cel of Frou-Frou without the background.
 
According to veteran Walt Disney animator Andreas Deja:
"Here is another character Milt Kahl didn't particularly enjoy animating, but as usual he pulled it off beautifully. There was criticism at the time as to why Madame Bonfamille in "The Aristocats" looked so realistic. This lady was eccentric enough to will her fortune to her house cats, so why not design her as a nutty old woman? Milt's response was that the story guys thought of her as a beautiful, dignified elderly lady, as did Ken Anderson. So he refined what they gave him, not changing the character's concept. In an interview Milt said that it doesn't hurt to do your straight, realistic job once in a while, knowing that you will have other characters in the picture who are eccentric and more entertaining. And of course Milt did pride himself for being able to do assignments like this one that called for careful realistic handling. "Realism is not the problem, it's the way (other) people do realism that's a problem!" he said."

Frou-Frou is a brown horse, wearing a pink hat with a circle of daisies at the brim, of Madame Bonfamille and a close friend of Duchess and her three kittens. In the beginning of the film, Frou-Frou gives Madame, Duchess, and the kittens a ride back home from town. During which, she allows Berlioz to ride on her back, and when they all arrive back at their mansion, Madame says "Of course, Frou-Frou, I almost forgot," and gives her a treat from the palm of her hand. Frou-Frou was voiced by Nancy Kulp and her singing voice was provided by Ruth Buzzie. Nancy Kulp is most know for her portrayal of Jane Hathaway in "The Beverly Hillbillies," and Ruth Buzzie is most associated with her various roles in the cast of "Rowan and Martin's Laugh-In."

This is an absolutely fantastic two cel setup of Madame Adelaide Bonfamille and Frou-Frou. The cels appear at the very beginning of the film as Madame, with a blue wrapped package in hand, comes up to Frou-Frou to give her a treat from the palm or her hand. This is a beautiful image from "The Aristocats" and a great addition to any animation art collection! The dialog for the scene is below:

"Of course, Frou-Frou, I almost forgot." - Madame Adelaide Bonfamille

Adelaide, that's music.
It's from Carmen, isn't it?
That's right. It was my favourite role.
Yes, yes.
It was the night of your grand
premiere that we first met. Remember?
Oh, indeed, I do.
And how we celebrated your success.
Champagne, dancing the night away...
Oh, Georges.

Read more: http://www.springfieldspringfield.co.uk/movie_script.php?movie=aristocats-th

Thursday, November 24, 2022

Original Key Setup of Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, Amelia, and Uncle Waldo from "The Aristocats," 1970

 

Original hand painted production animation cels of Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, Amelia, and Uncle Waldo from "The Aristocats," 1970; Walt Disney Studios; Set on their original key master hand painted production background; With Walt Disney Certificate of Authenticity & Walt Disney Productions letter of Provenance hand signed by Disney President Donn B. Tatum; Size - Image: 11 1/2 x 16", Mat 16 x 20"; Matted with calligraphy titles.

 
"Uncle Waldo. I do believe you've been drinking." - Amelia
"Oh, dear! What happened to your lovely tail feathers?" - Abigail
"Girls, it's outrageous! Why, you won't believe what they tried to do... to your poor old Uncle Waldo! [Hiccupping] Look. Look at this! It says here. [Reading] Prime Country Goose a la Provencal. Stuffed with chestnuts? And basted in... [ Sniffles ] white wine. [ Hiccups ]" - Uncle Waldo
"Basted? He's been marinated in it." - O'Malley
"Dreadful! Being British, I would have preferred sherry." - Uncle Waldo

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. 

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.

Duchess is a long-haired purebred white Turkish Angora cat with blue eyes (shining like sapphires) and wearing a gold and jeweled collar that is studded with diamonds. She is the mother of three kittens; Marie, Berlioz, and Toulouse and her owner is the aristocratic Madame Adelaide Bonfamille. Duchess was voiced by Eva Gabor who was a Hungarian-born American socialite and actress. Robie Lester who was an American Grammy-nominated voice artist and singer, provided the singing voice for Duchess.
 

Walt Disney Certificate of Authenticity
 

 Walt Disney Productions letter of Provenance hand signed by Disney President Donn B. Tatum

According to veteran Walt Disney animator Andreas Deja:
"Duchess was animated by quite a few artists, I would say that Ollie Johnston did some of the nicest scenes, educating the kittens etc.. Frank Thomas came up with good acting scenes as well, when Duchess meets O'Malley for the first time, and when she says goodbye to him at the end of the movie. Milt Kahl set her basic design based on Ken Anderson's drawings."

Abraham DeLacey Giuseppe Casey Thomas O'Malley (simply known as Thomas O'Malley) the alley cat was also animated by Ollie Johnston and Milt Kahl. O'Malley was marvelously voiced by Phil Harris, who was an American singer, songwriter, jazz musician, actor, and comedian. Harris also worked as a voice actor for two other Walt Disney animated feature films: "The Jungle Book," 1967 as Baloo the Bear and "Robin Hood," 1973 as Little John (another bear).
 

 Matted original Key Setup of Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, Amelia, and Uncle Waldo.
 
Marie is a slender white Turkish Angora kitten, and the only female of Duchess's three kittens. She is a hopeless romantic and daydreamer, with her two most famous lines in the film being "Ladies do not start fights, but they can finish them!" and "How romantic!" Marie frequently is seen lost in her daydreams and tends to sigh often and deeply. Unfortunately she is somewhat danger-prone, as she is consistently in harm's way throughout the film; including a perilous fall off of a railway bridge and into a stream. Marie was wonderfully voiced by Liz English. 
 

Close up of the Walt Disney's calligraphy mat title lower left
 
Toulouse is the oldest of the three kittens, he has green eyes, orange fur, a lighter orange stomach, and he wears a bright blue bow tie around his neck. He aspires to be an alley cat and he is known to puff up his chest and hiss to prove he is tough. Toulouse is a city in Haute-Garonne region of southwestern France; and because he aspires to be a painter and paints daily, he was very likely named after the famous French painter Henri de Toulouse-Lautrc. Toulouse was animated by Ollie Johnston and Frank Thomas and voiced by Gary Dubin.


Close up of the Aristocats calligraphy mat title lower center

Berlioz has blue eyes, dark gray fur with a lighter colored stomach. He wears a small red ribbon bow tie that is loosely tied around his neck, and that will occasionally fall apart. Berlioz is usually very quiet but can be mischievous, and he enjoys playing the piano. There is a wonderful scene in the film when his mother Duchess asks him to practice his "Scales and Arpeggios" with his sister Marie. Berlioz is not easily impressed and can get annoyed quickly, as he is usually the first to make a snide comment or give a skeptical look if things don't go his way. He as named after the French romantic composer Hector Berlioz, animated by Ollie Johnston and Eric Larson, and was voiced by Dean Clark (who was only 8 years old at the time).
 

Close up of the original WDP stamp lower right

Abigail and Amelia Gabble are a pair of British geese who are twin sisters and the nieces of Uncle Waldo. The pair first appear in the film when they are seen walking down a path adjacent to a river, when they spot Thomas O'Malley attempting to get to shore by grabbing onto a tree branch. They mistakenly think he is trying to learn to swim, but soon realize he is about to drown and they end up diving into the river to save him. Abigail wears a blue bonnet and was voiced by Monica Evans, who also would later provide the voice of Maid Marian in "Robin Hood." Amelia wears a pink bonnet and was voiced by Carole Shelley, who would later provide the voice of Lady Kluck in "Robin Hood." Both Abigail and Amelia were animated by Ollie Johnston and Frank Thomas.
 
Uncle Waldo is the uncle of Abigail and Amelia Gabble, he is an obese goose, has a buck orange beak, and is missing his tail feathers (that were lost as he was escaping from the Chef of Le Petit Cafe). Waldo wears a green top hat with a black satin ribbon, and is open at the top. Throughout the film Waldo is in an inebriated state, but is very good-natured and friendly. He has a distaste for white wine preferring British sherry, he can be loud and silly, but has a great relationship with his nieces.
 
Uncle Waldo was animated by Ollie Johnston and voiced by veteran Disney voice actor Bill Thompson. William Henry "Bill" Thompson, Jr. was an American radio comedian, actor, and voice actor whose career stretched from the 1930's until his death. He is best known as the original voice of Droopy in most of the MGM theatrical shorts from 1943-1958. He had a long career with Disney beginning in the 1950's. His roles include White Rabbit and Dodo from "Alice In Wonderland," Mr. Smee and Pirates from "Peter Pan," Jock, Bull, Joe, and the Policeman from "Lady and the Tramp," King Hubert from "Sleeping Beauty," and many more! Thompson's last role was Uncle Waldo, and he sadly died of septic shock at the young age of 58 in 1971; one year after "The Aristocats" was released.

Uncle Waldo first appears in the film as Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, and Amelia are making their way back to Paris. As they pass in front of Le Petit Cafe, Waldo comes running out of the front door and the Gabble twins immediately notice that he is their uncle. Uncle Waldo is missing his tail feathers and looks very disheveled. Waldo shows the group the Le Petit Cafe's outside posted menu for the evening which he reads aloud, "Prime Country GOOSE A la Provencale Stuffed with Chestnuts Basted in White Wine." Waldo apparently was about to become dinner but managed to escaped unharmed (except for his missing tail feathers). Waldo states that because he is British he would have rather have been basted in Sherry. O'Malley, realizing Waldo is drunk, remarks that he must have been marinated rather than basted. Waldo becomes very loud and so Amelia and Abigail decide to lead him safely home and get him to bed. The dialog from this scene is below:

"Uncle Waldo. I do believe you've been drinking." - Amelia
"Oh, dear! What happened to your lovely tail feathers?" - Abigail
"Girls, it's outrageous! Why, you won't believe what they tried to do... to your poor old Uncle Waldo! [Hiccupping] Look. Look at this! It says here. [Reading] Prime Country Goose a la Provencal. Stuffed with chestnuts? And basted in... [ Sniffles ] white wine. [ Hiccups ]" - Uncle Waldo
"Basted? He's been marinated in it." - O'Malley
"Dreadful! Being British, I would have preferred sherry." - Uncle Waldo
 
This is an amazing key setup of original hand painted production animation cels of Duchess, O'Malley, Marie, Toulouse, Berlioz, Abigail, Amelia, and Uncle Waldo from "The Aristocats," 1970; all set on on their original key master hand painted production background. Given how few backgrounds that would be present in the film, such that all five cats could be placed to complete a key setup, having this many characters on their key master background is exceptionally rare! The piece was was prepared by Disney "especially for the Channel 28 Auction of 1971." The accompanying Walt Disney Productions letter is dated April 9, 1971 and hand signed in blue ink by the President of Disney Donn B. Tatum. KCET, virtual, and UHF digital Channel 28, is a PBS member station licensed to Los Angeles, California, United States, and is owned by the Public Media Group of Southern California. The key setup was used as both an auction fund raising item for the PBS station, as well as being used as a marketing tool for the Walt Disney Company. Also included with the key setup is the original Walt Disney Productions Certificate of Authenticity, as well as the original calligraphy mat with "Walt Disney's" lower left, "Aristocats" center, and the "Original WDP" stamp lower right. An absolutely beautiful image of the famous Aristocats family together with the three delightful geese characters of the film. Key setups are the holy grail for animation collectors, having the provenance letter, Walt Disney original certificate of authenticity, and calligraphy mat; all makes this a gem of any serious animation art collection! 

Tuesday, November 22, 2022

Original Production Animation Cel of Madame Medusa from "The Rescuers," 1977


Original hand-painted production animation cel of Madame Medusa from "The Rescuers," 1977, Walt Disney Studios; Numbered 29 in ink lower right; Set on a lithographic background; Size - Madame Medusa: 8 1/2 x 5 1/2", Image 10 x 13"; Unframed.


"But if I don't get back to the orphanage... I'll never get adopted." - Penny 

"Adopted? What makes you think anyone would want a homely little girl like you?" - Madame Medusa 
 
"The Rescuers" is an animated feature film produced by Walt Disney Productions; and was released on June 22, 1977 by Buena Vista Distribution. The film is based on a series of books by Margery Sharp, most notably "The Rescuers and Miss Bianca." The 23rd film in the Walt Disney Animated Classics series, the film is about the Rescue Aid Society; an international mouse organization headquartered in New York; and shadowed the United Nations. The Rescue Aid Society, a mouse based group, was dedicated to helping abduction victims around the world at large. Two of these mice, jittery janitor Bernard (voiced by Bob Newhart) and his co-agent, the elegant Miss Bianca (voiced by Eva Gabor), set out to rescue Penny, an orphan girl being held prisoner in the Devil's Bayou by treasure huntress Madame Medusa.

Early designs for Medusa were done by Ken Anderson, there were even discussions about bringing back Cruella deVil from "101 Dalmatians" as the villain; but that was eventually abandoned. The character of Medusa was eventually created and although there are many similarities with Cruella (thin build, similar cars, appear wealthy, bad tempers, cry upon realizing that they have lost, etc.), Medusa is still quite distinct with her wild red hair, sagging breasts, green eyes, and lots and lots of makeup. Her ultimate goal in the film is to possess the Devil's Eye, the world's largest diamond. Milt Kahl was given the task of animating Medusa and it is known that one his inspirations was his ex-wife. Kahl's brilliance in animation is really showcased with this character and many point to the scene where she is removing her false eyelashes as proof of his technical skill.


Original production animation cel of Madame Medusa without the background.

The next three paragraphs are from veteran Walt Disney animator Andreas Deja:
"When Milt Kahl was asked in an interview if he had a favorite character he animated, his response was: "Oh I enjoyed a few, I just loved doing Madame Mim, Shere Khan was a lot of fun, and so were the butler and old lawyer in 'Aristocats'. But I guess I enjoyed Medusa more than any one of them." And it shows. His last animation assignment at Disney -just like Marc Davis's- was a tour de force of character acting. It was a "I'm going to give it all" feel to it.

Marc told me that Milt promised him, Medusa will "wipe his Cruella off the screen". Then he added with a chuckle: "Of course that didn't happen". So there was definitely a friendly competition going on between these two great animators and their characters. Milt sort of designed Medusa's features opposite from Cruella's. Cruella has small nose, Medusa's is longer. Cruella's hair parts in the middle, Medusa's off to one side. Cruella has a pointy jaw, Medusa is almost chin less etc.

I have to admit, when I first saw Medusa in "The Rescuers" in a London theater, I couldn't believe my eyes. So much inventiveness in her drawing and motion. How on earth can you show an animated character removing her make up? Wasn't that something only a live actress could pull off...but in animation? Incredible! I have spent way too much time studying this character, on the other hand I think I got a lot out of it. Dialogue, graphic but dimensional drawing and just being gutsy in general."

This is an original production animation cel of Madame Medusa sitting in front of her dressing mirror removing her makeup as Penny stands nearby. Medusa is trying to convince Penny to stay on the swamp boat so that she could help find the Devil's Eye Diamond. Penny asks "But if I don't get back to the orphanage... I'll never get adopted." Medusa responds, "Adopted? What makes you think anyone would want a homely little girl like you?" This is a wonderful cel of Medusa, she is eyes and mouth open as she tilts her head back to deliver one of the meanest lines of dialog in the film. A great addition to any animation art collection!

Saturday, November 19, 2022

Original Production Animation Cel of Clowns & Fire Truck On A Courvoisier Background from "Dumbo," 1941


Original hand painted and hand inked production animation cel of Eleven Clowns & Fire Truck set over a Courvoisier air brush background from "Dumbo," 1941, Walt Disney Studios; WDP stamp lower right; With original Courvoisier Galleries certificate; Partial Courvoisier label and Copyright Walt Disney Productions stamp verso; Size - Eleven Clowns & Fire Truck: 5 x 9 3/4", Image 8 x 11"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

(As Dumbo falls from his platform after the "magic" feather falls away)
"Dumbo, C'mon, fly! Open them ears! The magic feather was just a gag! You can fly! Honest, you can! Hey, open 'em up! Hurryyyyyyy!" - Timothy Q. Mouse
(At the last moment, Dumbo opens his ears and soars over the crowd)
"Whee! We did it! Let's show 'em, Dumbo! Power dive!" - Timothy Q. Mouse

The Walt Disney full length feature film "Dumbo," released in 1940, introduced to the world one of the greatest characters in the Disney pantheon, Dumbo the flying elephant! Dumbo was the only character in the film who never uttered a single word, and yet he is one of the most remembered Disney stars. All of his feelings were conveyed through body movements and facial expressions. The extraordinary animation skill needed in order to do this with a human, but in this case a baby elephant, can not be underestimated.

The Disney Studio animation artists were still fairly new to feature animation, having only started in 1937 with "Snow White and the Seven Dwarfs." The film prior to "Dumbo" was "Fantasia," with one of the most successful sequences being "Night on Bald Mountain." Here again, the main character Chernabog, a huge winged devil, sitting on top of a mountain, commanding the undead below, and never uttering a single word; made a huge impression on the viewing public.

The Disney animator Vladimir "Bill" Tytla created the devil-giant for "Fantasia's" "Night on Bald Mountain," and for the next film he was given the task of animated the film's star, Dumbo. He said: 

"I gave him everything I thought he should have," said Tytla. "It just happened. I don't know a damn thing about elephants. It wasn't that. I was thinking in terms of humans, and I saw a chance to do a chracter without using any cheap theatrics. Most of the expressions and mannerisms I got from my own kid. There's nothing theatrical about a two-year-old kid. They're real and sincere- like when they damn near wet their pants from excitement when you come home at night. I've bawled my kid out for pestering me when I'm reading or something, and he doesn't know what to make of it. He'll just stand there and maybe grab my hand and cry... I tried to put all those things in Dumbo."

Certainly the greatest theme of "Dumbo" was the wonderful friendship between the mute baby elephant Dumbo and his unlikely friend, a mouse name Timothy. Various Disney animators were involved with the creation and animation of Timothy Q. Mouse including Fred Moore, Wolfgang Reitherman, and Ward Kimball. Edward S. Brophy was an American character actor, voice artist, and comedian; and he provided the voice for Timothy Mouse even though he was not credited in the film for the role.

The Circus Clowns are mostly quiet and primarily shown in pantomime. What few voices that do emerge were provide by veteran voice actors Billy Bletcher and Eddie Holden. For the scene in which the Clowns ask for a raise from their boss the Ringmaster; this is a reference to the Walt Disney animators that went on strike in 1941 (during the animation of Dumbo) demanding higher pay. Some of the Clowns in the film are actual caricatures of those striking animators.

This is a fantastic image of a group of eleven Clowns hanging onto their Fire Truck as Dumbo power dives down towards them from high above the big top! This is an action packed image centered in a very rare Courvoisier cel, and would make a standout addition to any animation collection!

Original Production Animation Cels of Tigger and Rabbit from "The Many Adventures of Winnie The Pooh," 1977


Original hand painted production animation cels of Tigger and Rabbit set on a lithographic background from "Winnie The Pooh and Tigger Too," 1974, Walt Disney Seal lower left; Rabbit cel numbered 61 and Tigger cel numbered 37 in ink lower right; Walt Disney Studios; With original Disneyana Certificate; Size - Tigger: 5 x 3 1/4", Rabbit: 4 1/2 x 2", Image 11 1/2 x 15 3/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"The wonderful thing about Tiggers / Is Tiggers are wonderful things / Their tops are made out of rubber / Their bottoms are made out of springs / They're bouncy, trouncy, flouncy, pouncy, fun, fun, fun, fun, fun / But the most wonderful thing about Tiggers is I'm the only one / IIIII'm the only one!" - Tigger

Tigger is one of the most loved characters in the Walt Disney pantheon! It is practically impossible to find anyone who does not love him. In the case of the Pooh stories, there were no real Villains; the closest thing would be Rabbit, who was the main antagonist. However, Tigger was simply fun loving and without question had some the best lines such as "The name's Tigger! T-I-double-guh-ER! That spells Tigger!" Tigger also has one of the best songs, "The Wonderful Thing about Tiggers."


Original hand painted production animation cel of Tigger without the background.

"The Many Adventures of Winnie The Pooh," 1977 was composed of a series of featurettes Disney produced based upon the Winnie-the-Pooh books by A. A. Milne. Walt Disney wanted to introduce the public to the Pooh characters slowly over time and the released featurettes include, "Winnie the Pooh and the Honey Tree," 1966, "Winnie the Pooh and the Blustery Day." 1968, and "Winnie the Pooh and Tigger Too," 1974. For the full length film in 1977, extra material was added and used to link the three featurettes together. A fourth, shorter featurette was added at the end of the film and was based on the final chapter of "The House at Pooh Corner."


Original hand painted production animation cel of Rabbit without the background.

In "Winnie the Pooh and Tigger Too," Rabbit was animated by the great Don Bluth and was voiced by Junius Matthews; a veteran radio actor who also voiced the owl Archimedes in the Disney film "The Sword In The Stone," 1963. Tigger was animated by one of the greatest Disney animators ever, Milt Kahl and voiced by Paul Winchell. Winchell was a ventriloquist, actor, and comedian who would later  provide the voice of Gargamel and Dick Dastardly. Winchell appeared in acting roles on numerous TV shows from the 1950's on through the 1970's. What many people do not know is that Paul Winchell, who had some medical training and was also an inventor; became the first person to build and patent a mechanical artificial heart which was implantable in the chest cavity. He was also honored with a star on the Hollywood Walk of Fame for all of his work in television.


Original Disneyana Certificate.

This is a wonderful two cel setup of a very bouncy Tigger and smiling hopping Rabbit! Both characters are full figure with Tigger bouncing and dancing around outside of Rabbit's home; and Rabbit hopping, smiling, and looking at him. A great two cel setup and a fantastic addition to any animation art collection.

Friday, November 11, 2022

Original Production Animation Cel of Thomas O'Malley from "The Aristocats," 1970

Original hand painted production animation cel of Thomas O'Malley from "The Aristocats," 1970; Walt Disney Studios; Numbered 31 in ink lower right; Set on a lithographic background; Size - Thomas O'Malley: 6 x 6 1/4", Image: 8 1/2 x 15"; Unframed.

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. 

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.
 

 Original production animation cel of Thomas O'Malley without the background.

Abraham DeLacey Giuseppe Casey Thomas O'Malley (simply known as Thomas O'Malley) the alley cat was also animated by Ollie Johnston and Milt Kahl. O'Malley was marvelously voiced by Phil Harris, who was an American singer, songwriter, jazz musician, actor, and comedian. Harris also worked as a voice actor for two other Walt Disney animated feature films: "The Jungle Book," 1967 as Baloo the Bear and "Robin Hood," 1973 as Little John (another bear).

Thursday, November 10, 2022

Original Production Animation Cels of Duchess and Thomas O'Malley from "The Aristocats," 1970

Original hand painted production animation cels of Duchess and Thomas O'Malley from "The Aristocats," 1970; Walt Disney Studios; Set on a lithographic background; Size - Duchess: 5 x 4", Thomas O'Malley: 5 3/4 x 4 1/2", Image: 7 3/4 x 11 3/4"; Unframed.


"Boy! Your eyes ARE like sapphires." - Thomas O'Malley speaking to Duchess

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby. 

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.

Duchess is a long-haired purebred white Turkish Angora cat with blue eyes (shining like sapphires) and wearing a gold and jeweled collar that is studded with diamonds. She is the mother of three kittens; Marie, Berlioz, and Toulouse and her owner is the aristocratic Madame Adelaide Bonfamille. Duchess was voiced by Eva Gabor who was a Hungarian-born American socialite and actress. Robie Lester who was an American Grammy-nominated voice artist and singer, provided the singing voice for Duchess.
 
 
Original production animation cel of Duchess without the background.
 

 Original production animation cel of Thomas O'Malley without the background.

According to veteran Walt Disney animator Andreas Deja:
"Duchess was animated by quite a few artists, I would say that Ollie Johnston did some of the nicest scenes, educating the kittens etc.. Frank Thomas came up with good acting scenes as well, when Duchess meets O'Malley for the first time, and when she says goodbye to him at the end of the movie. Milt Kahl set her basic design based on Ken Anderson's drawings."

Abraham DeLacey Giuseppe Casey Thomas O'Malley (simply known as Thomas O'Malley) the alley cat was also animated by Ollie Johnston and Milt Kahl. O'Malley was marvelously voiced by Phil Harris, who was an American singer, songwriter, jazz musician, actor, and comedian. Harris also worked as a voice actor for two other Walt Disney animated feature films: "The Jungle Book," 1967 as Baloo the Bear and "Robin Hood," 1973 as Little John (another bear).

Thomas O'Malley had referred to Duchess's eyes as sapphires earlier in the film, but at that time he was using it merely as a pickup line. This is a spectacular original production two cel setup of Duchess and Thomas O'Malley. Both cels are great large images; Duchess's sapphire blue eyes are open and she is smiling and Thomas O'Malley is eyes and mouth open. An absolutely beautiful image of the famous cat couple and a great addition to any animation art collection!