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Wednesday, July 19, 2023

Original Production Animation Cels of Merlin, Wart, and Sir Ector on a production background from "The Sword In The Stone," 1963

Original hand painted production animation cels of Merlin, Wart, and Sir Ector from "The Sword In The Stone," 1963, Walt Disney Studios; Merlin and Sir Ector numbered 32 in ink lower right; Set on an original hand painted master production background with matching line overlay cel; Size - Merlin, Wart, & Sir Ector: 9 x 10 1/4", Image 11 1/2 x 15 3/4"; Unframed.


"The Sword in the Stone," 1963 is the 18th full length feature film produced by Walt Disney and it was released on December 25, 1963 by Buena Vista Distribution. The film was based on the novel of the same name, that was first published in 1938. It was later republished in 1958 as the first book of T. H. White's tetralogy "The Once and Future King." It was to be the final Disney animated film released before Walt Disney's death on December 15, 1966. The songs in the film were written and composed by the Sherman Brothers, who would become very famous for their future work on later Disney films including; "Mary Poppins," 1964, "The Jungle Book," 1967, and "Bedknobs and Broomsticks," 1971.


Original production animation cels of Merlin, Wart, and Sir Ector without the background.

Merlin is a very powerful wizard with a pet owl named Archimedes. He befriends and becomes the teacher of a 12-year old orphan named Arthur, who goes by the name of Wart. Merlin is first seen living in a forest cottage, and he believes in the philosophy of "Brain over Brawn." As a wizard, he is very intelligent, has a wide variety of powers, and is considered the most powerful wizard in the world. He has the ability to see into the future, and has the ability to shape-shift. Merlin was animated by Milt Kahl, Frank Thomas, and Ollie Johnston; and voiced by Karl Swenson who was an American theater, radio, film, and television actor.

Wart was animated by both Frank Thomas and Ollie Johnston; and the voice was provided by three different actors; Rickie Sorensen, Richard Reitherman and his brother Robert Reitherman. This lead to noticeable changes in the character's voice between scenes. Also, the three voices all have Brooklyn-esque accents, which differed with the English setting for the film and with the accents spoken by all other characters. 
 
Sir Ector was animated by Milt Kahl and Eric Larson and voiced by the great Sebastian Cabot. Sir Ector was once a knight of Uther Pendragon, and at some point adapted the orphaned Arthur whom Ector and his son Kay now refers to as The Wart. Sir Ector does not know about Arthur's birthright, dotes on his birth son Sir Kay, and does not trust magic and therefore Merlin; who is incorrectly refers to as Marvin.

The cel Merlin and Sir Ector appears in the film with the following dialog:
 
Sir Ector: "You will, uh... yes, I must say, you... have me there, Marvin, Yes. Well, as you win. You're welcome to stay if you like.
Merlin: (magically reappears) "Thank you. You're very kind. Very generous, I must say."
Sir Ector: "Well, uh, all we can offer is room and board. Hard times, you know, Marvin, we'll put you up in the northwest tower. (points to an aged, damaged tower) That's the guest room. It's a bid drafty in the winter, but in this blazing hot weather, it's the best room in the house."
 
The cel of Wart is trimmed and applied to the cel of Merlin and Sir Ector, and appears in the famous scene when he is searching for a sword for step brother Sir Kay. Wart goes into an old churchyard and stumbles upon the Sword In The Stone. 

The production background appears in the film with the following dialog:

Sir Ector: "That's three demerits for being late and three more for the fish story. Now hop into the kitchen!"
Sir Kay: "I told you the Wart was loony."
Sir Ector: "Yes, well, he's either out of his head or, uh... there's something mighty fishy going on around here."
 

Original hand painted master production background with matching line overlay cel without the cels.

This is a great original production animation cel setup of Merlin, Wart, and Sir Ector all set on an original hand painted master production background with matching line overlay cel. All three characters are eyes open and full figure, and master production backgrounds from "The Sword In The Stone" are extremely rare to the open market. Merlin does have some paint cracking in his white hair and beard. An absolutely wonderful piece of original animation artwork perfect for any collection!

Thursday, July 6, 2023

Original Production Animation Cels of Donald Duck, José Carioca, and Aracuan Bird from "Melody Time," 1948

Original hand painted and hand inked production animation cels of Donald Duck, José Carioca, and Aracuan Bird from the "Blame It On the Samba" segment of "Melody Time," 1948, Walt Disney Studios; Set on an airbrushed Courvoisier background; Size - Donald Duck, José Carioca, & Aracuan Bird: 5 x 10 1/4", Image 9 x 12"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"And if guitars are strumming
Birds are humming
Drums are drumming
Then you can blame it on the rhythm of the samba" 
- Blame It On the Samba

"Melody Time," 1948 is a live-action animated film and was the tenth feature film released and produced by Walt Disney. The film was released by RKO Radio Pictures on May 27, 1948. According to Walt Disney the film follows: "In the grand tradition of Disney's greatest musical classics, such as Fantasia, Melody Time features seven classic stories, each enhanced with high-spirited music and unforgettable characters... feast for the eyes and ears, wit and charm... a delightful Disney classic with something for everyone."

The seven classic stories include:

"Once Upon A Wintertime" which features Frances Langford singing the title song about two romantic young lovers (Jenny and Joe) during the month of December.

"Bumble Boogie" is a surrealistic battle for a solitary bumble bee as he tries to ward off a visual and musical frenzy by Freddy Martin and His Orchestra as they play a swing-jazz variation of Rimsky-Korsakov's Flight of the Bumblebee.

"The Legend of Johnny Appleseed" tells the story of John Chapman, who lived during pioneer days in the Mid-West and earned his famous nickname because he planted so many apple trees. Dennis Day narrates the story and provides the voice for both Johnny and his angel.

"Little Toot" is based on the story by Hardie Gramatky about a small tugboat (Little Toot) who wanted to be just like his father, Big Toot; but who just could not stay out of trouble. The singing group the Andrew Sisters provide the vocals.

"Trees" is a segment featuring the recitation of the 1913 poem "Trees" by Joyce Kilmer with music by Oscar Rasbach, and performed by Fred Waring and The Pennsylvanians. To preserve the look of the original story sketches, Walt Diseny animation layout artist Ken O'Connor used frosted cels and rendered pastel images directly onto the celluloid. The cel was then laminated with clear lacquer to protect the pastel during the filming process, and the result was unique to animation of the time.

"Blame It on the Samba" brings back to the screen Walt Disney cartoon stars Donald Duck and José Carioca as they meet the Aracuan Bird, who introduces them to the samba. The music is the 1914 polka Apanhei-te, Cavaquinhoby Ernesto Nazareth that was altered to English lyrics. The Dinning Sister provided the vocals and Ethel Smith appears in the live-action role.

"Pecos Bill" was the final and longest (22 minutes) segment of the film and focuses on the Texas hero Pecos Bill, who was raised by coyotes and would later become the biggest and best cowboy that ever lived. The story also stars his horse Widowmaker and tells the story of his ill-fated and instant romance with a beautiful woman named Slue Foot Sue. The segment features Western stars of the day Roy Rogers, Bob Nolan, Trigger, and Sons of the Pioneers explaining to two kids Bobby Driscoll and Luana Patten why coyotes howl at night; and in the process end up telling the story of Pecos Bill.

Donald Duck was voiced by Clarence Nash, who provided the voice to the famous duck from 1934 to 1985. José Carioca was voiced by José do Patrocinio Oliveira, known by the pseudonym Ze Carioca. He was a Brazilian composer and musician. Interestingly the character he voiced has the same first name as him, while the character's last name is the same as his pseudonym. The Aracuan Bird was voiced by Pinto Colvig who was the original voice of Goofy. Colvig was an established Disney voice actor who had also provided the voice for Pluto, Grumpy and Sleepy in "Snow White and the Seven Dwarfs," and many other Disney characters. For the Aracuan Bird, Colvig used a high-pitched voice that was sped-up. 

The Aracuan Bird which Donald Duck described as "one of the most eccentric birds ever seen" is a great Disney character. He first appeared in "The Three Caballeros" and then again in "Melody Time," Clown of the Jungle," Mickey Mouse Works," "House of Mouse," and "Legend of the Three Caballeros." Production artwork of the Aracuan Bird in the open market is extremely rare, with only about three cels and no drawings ever appearing.
 
This is a very rare and wonderful Courvoisier cel setup of Donald Duck, José Carioca, and Aracuan Bird from the "Blame It On the Samba" segment of "Melody Time," 1948. All three characters and eyes open and full figure. Donald is wearing his famous blue sailors outfit and José, the Brazilian Parrot, is sporting his umbrella and smoking a cigar. The Aracuan Bird is holding a guitar and watching the other pair of birds dance and enjoy the Samba music! A very action packed image and an absolutely phenomenal piece of original animation artwork perfect for any collection!

Friday, March 24, 2023

Original Production Animation Cel of Edgar, Scat Cat, and the Alley Cats (Shun Gon the Chinese Cat, Hit Cat the English Cat, and Peppo the Italian Cat) from "The Aristocats," 1970

 

Original hand painted production animation cel of Edgar, Scat Cat, and the Alley Cats (Shun Gon the Chinese Cat, Hit Cat the English Cat, and Peppo the Italian Cat) from "The Aristocats," 1970, Walt Disney Studios; Set on a lithographic background; Size - Edgar & Cats: 7 x 6 3/4", Image: 11 x 10"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.  

It is Paris 1910 and Madame Bonfamille tells her lawyer Georges Hautecourt that she has decided to leave all of her stocks, bonds, mansion, treasures, jewels, and her entire fortune to her beloved cats rather than to her butler, Edgar Balthazar. When Edgar overhears this he fears the cats will outlive him, and that he will never see a penny of the inheritance. He then realizes that he has to get rid of the cats; "I'll be gone, no oh no... they'll be gone," he says. Edgar decides to put sleeping tablets into the cats milk and when they fall asleep, he takes them in a covered basket on his motorcycle far away from the city of Paris. 
 
Scat Cat is the leader of the musical group the Alley Cats composed of Shun Gon the Chinese Cat, Hit Cat the English Cat, Billy Boss the Russian Cat, and Peppo the Italian Cat. Scat Cat was originally named Satchmo Cat and was intended to be voiced by Louis Armstrong; unfortunately he became ill and was unable to follow through with the project. The replacement was Scatman Crothers, the character was renamed Scat Cat, and the song "Everybody Wants To Be A Cat" was written for him. It is worth noting that Scat Cat still retains the Louis Armstrong musical instrument of choice, the trumpet.

The song "Everybody Wants To Be A Cat" was written by Al Rinker and Floyd Huddleston, is the last song in "The Aristocats" and is sung by Scatman Crothers as Scat Cat, Phil Harris as Thomas O'Malley, Thurl Ravenscroft as Bill Boss the Russian Cat, Robie Lester as Duchess, and Liz English as Marie. The lines that were sung by Shun Gon the Chinese cat, voiced by Paul Winchell, have been removed as they are now viewed as politically incorrect.

The character of Edgar was voiced by Roddy Maude-Roxby, an accomplished English actor. He was just wonderful in the role with the delightful snooty English butler voice, that could also morph into a scheming cunning timber perfect for a Disney Villain.
This is a spectacular image of Edgar, Scat Cat, and the Alley Cats (Shun Gon the Chinese Cat, Hit Cat the English Cat, and Peppo the Italian Cat) as they try and stop Edgar from shipping Madame Bonfamille's cats to Timbuktu! A very action packed image and this would be a great addition to any animation art collection!

Thursday, March 23, 2023

Original Production Animation Cel of Edgar from "The Aristocats," 1970


Original hand painted production animation cel of Edgar holding the Basket of Cats from "The Aristocats," 1970, Walt Disney Studios; Set on a lithographic background; Size - Edgar: 6 3/4 x 6", Image: 9 3/4 x 12"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.  

It is Paris 1910 and Madame Bonfamille tells her lawyer Georges Hautecourt that she has decided to leave all of her stocks, bonds, mansion, treasures, jewels, and her entire fortune to her beloved cats rather than to her butler, Edgar Balthazar. When Edgar overhears this he fears the cats will outlive him, and that he will never see a penny of the inheritance. He then realizes that he has to get rid of the cats; "I'll be gone, no oh no... they'll be gone," he says. Edgar decides to put sleeping tablets into the cats milk and when they fall asleep, he takes them in a covered basket on his motorcycle far away from the city of Paris. 

The character of Edgar was voiced by Roddy Maude-Roxby, an accomplished English actor. He was just wonderful in the role with the delightful snooty English butler voice, that could also morph into a scheming cunning timber perfect for a Disney Villain.
This is a very nice image of Edgar holding the Basket of Cats and would be a great addition to any animation art collection!

Wednesday, March 22, 2023

Original Production Animation Cels of Ariel and Flounder from "The Little Mermaid," 1989

Original hand painted production animation cels of Ariel and Flounder on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; With Walt Disney Certificate; Disney seal lower left; Size - Ariel & Flounder: 5 1/2 x 11 1/4", Image 10 3/4 x 16 1/4"; Unframed.


"Look at this stuff. Isn't it neat? Wouldn't you think my collection's complete?" - Ariel

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

There was more money and resources dedicated by the Walt Disney Studios to "The Little Mermaid" than any other Disney animated film in decades. Aside from its main animation facility in Glendale, California; Disney opened a satellite feature animation facility in Lake Buena Vista, Florida that was within the Disney-MGM Studios Theme Park at Walt Disney World. Their first projects were to produce an entire Roger Rabbit cartoon short, "Roller Coaster Rabbit," and to contribute ink and paint support to "The Little Mermaid." Another first for Disney films of recent years, was the filming of live actors and actresses for motion reference material for the animators. Broadway actress Jodi Benson (who was predominantly a stage actress when she was cast) was chosen to play Ariel, and Sherri Lynn Stoner, a former member of Los Angeles' Groundlings improvisation comedy group, acted out Ariel's key scenes.
 
The Little Mermaid's supervising animators included Glen Keane and Mark Henn on Ariel, Duncan Marjoribanks on Sebastian, Andreas Deja on King Triton, and Ruben Aquino on Ursula. Originally, Keane had been asked to work on Ursula, as he had established a reputation for drawing large powerful figures, such as the bear in "The Fox and the Hound," 1981 and Professor Ratigan in "The Great Mouse Detective," 1986. Keane however, was assigned as one of the two lead artists on the petite Ariel and oversaw the "Part of Your World" musical number. He jokingly stated that his wife looks exactly like Ariel "without the fins." The character's body type and personality were based upon that of Alyssa Milano, who was starring on TV's "Who's the Boss?". The effect of Ariel's hair underwater was based on footage of Sally Ride when she was in space; and scenes of Sherri Lynn Stoner in a swimming pool were used in animating Ariel's swimming. A challenge in animating Ariel were the colors required to show her in various changing environments, both under the sea and on land. By the end of the film, the animators required a total of 32-color models; not including costume changes. The sea-green color of her fin was a hue specially mixed by the Disney paint lab, and the color was named "Ariel" after the character.

Flounder, despite his name, is not a flounder but rather a yellow and blue colored tropical fish. He is Ariel's best and most loyal undersea friend. Flounder scares easily, but even when there is danger, he is always there to help Ariel. He was animated by David Pruiksma and voiced by child actor Jason Marin.

This is an absolutely beautiful multi-cel setup of Ariel and her best friend Flounder. The cels are from the scene of Ariel singing the movie's theme song "Part of Your World." The song was composed by Alan Menken with lyrics by Howard Ashman. "Part of Your World" was an enormous hit with audiences and was praised by critics as being one of the greatest Disney songs ever written. Jodi Benson made it her signature song, and it has been recorded by a large number of other artists including: Faith Hill, Jessica Simpson Miley Cyrus, Carly Rae Jepsen, Jessie J, and Sara Bareilles. This is a great cel setup of Ariel holding out her arms and looking at Flounder. Ariel and Founder are both full figure and this is a wonderful piece of animation art from the last Walt Disney film that utilized hand painted cels. A spectacular addition to any animation art collection!

Original Production Animation Cels of Ariel, Ursula, and Ursula's Reflection from "The Little Mermaid," 1989


Original hand painted production animation cels of Ariel, Ursula, and Ursula's reflection all set on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; With Walt Disney Certificate; Disney seal lower right; Size - Ariel, Ursula, and Ursula's Reflection: 6 1/4 x 9 1/2", Image 8 x 12"; Unframed.


"The only way to get what you want is to become a human yourself." - Ursula The Sea Witch

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

There was more money and resources dedicated by the Walt Disney Studios to "The Little Mermaid" than any other Disney animated film in decades. Aside from its main animation facility in Glendale, California; Disney opened a satellite feature animation facility in Lake Buena Vista, Florida that was within the Disney-MGM Studios Theme Park at Walt Disney World. Their first projects were to produce an entire Roger Rabbit cartoon short, "Roller Coaster Rabbit," and to contribute ink and paint support to "The Little Mermaid." Another first for Disney films of recent years, was the filming of live actors and actresses for motion reference material for the animators. Broadway actress Jodi Benson (who was predominantly a stage actress when she was cast) was chosen to play Ariel, and Sherri Lynn Stoner, a former member of Los Angeles' Groundlings improvisation comedy group, acted out Ariel's key scenes.

The Little Mermaid's supervising animators included Glen Keane and Mark Henn on Ariel, Duncan Marjoribanks on Sebastian, Andreas Deja on King Triton, and Ruben Aquino on Ursula. Originally, Keane had been asked to work on Ursula, as he had established a reputation for drawing large powerful figures, such as the bear in "The Fox and the Hound," 1981 and Professor Ratigan in "The Great Mouse Detective," 1986. Keane however, was assigned as one of the two lead artists on the petite Ariel and oversaw the "Part of Your World" musical number. He jokingly stated that his wife looks exactly like Ariel "without the fins." The character's body type and personality were based upon that of Alyssa Milano, who was starring on TV's "Who's the Boss?". The effect of Ariel's hair underwater was based on footage of Sally Ride when she was in space; and scenes of Sherri Lynn Stoner in a swimming pool were used in animating Ariel's swimming. A challenge in animating Ariel were the colors required to show her in various changing environments, both under the sea and on land. By the end of the film, the animators required a total of 32-color models; not including costume changes. The sea-green color of her fin was a hue specially mixed by the Disney paint lab, and the color was named "Ariel" after the character.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The voice was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

This is an outstanding three cel setup of Ariel, Ursula, and Ursula's Reflection that occurs when Ursula, looking in her mirror at Ariel's reflection, says one of her most famous lines "The only way to get what you want is to become a human yourself." This and two more lines of dialogue occur just prior to Ursula's performance of the song "Poor Unfortunate Souls," one of the true highlights of the entire film! The complete dialogue for this scene is below:

Ursula: "The only way to get what you want is to become a human yourself."
Ariel:   "Can you do that?"
Ursula: "My dear sweet child. That's what I do, it's what I live for. To help unfortunate merfolk like yourself. Poor souls with no one else to turn to."

Original Production Animation Cel of Cruella De Vil from "One Hundred and One Dalmatians," 1961

 

Original hand painted production animation cel of Cruella De Vil from "One Hundred and One Dalmatians," 1961, Walt Disney Studios; Set on a lithographic background; Size - Cruella De Vil: 6 1/4" x 8 1/2", Image 8 3/4" x 12 1/2"; Unframed.


"Cruella De Vil, Cruella De Vil, if she doesn't scare you; no evil thing will." - Roger

"One Hundred and One Dalmatians" ("101 Dalmatians"), is a 1961 full length animated feature film by Walt Disney Productions. It was adapted from Dodie Smith's 1956 novel of the same name. It stars Rod Taylor as the voice of Pongo and Cate Bauer as the voice of Perdita; with Betty Lou Gerson as the voice of the evil and villainous Cruella de Vil. The animation of all the characters from the film was quite extraordinary.

The film "Sleeping Beauty," 1959 was very expensive to make and it took a huge financial loss at the box-office; as a result, the Disney animation studio was considering closing. During the production of "Sleeping Beauty," Walt Disney told animator Eric Larson: "I don't think we can continue, it's too expensive." Because Disney's entire company was based on animation, he was looking for a way to continue with animation, and at the same time significantly reduce costs.

The animator Ub Iwerks had been experimenting with Xerox photography to aid in animation process. By 1959 he had modified a Xerox camera to transfer the drawings by the animators, directly onto animation cels. The process would preserve the spontaneity of the penciled drawings but eliminate the inking process, thus saving time and money. However, the limitation was that the camera was unable to deviate from a black scratchy outline, and the resulting cels lacked the fine lavish quality of hand inking.

Cruella along with Maleficent are two of the most favorite of all the Disney villains, and they were both animated by Marc Davis. The character of Cruella De Vil was created by Dodie Smith for his novel "101 Dalmatians" in 1956, but it was Davis's visual interpretation that the world remembers. Although some of Cruella's traits were based in the novel, Davis along with Bill Peat, morphed the character by making her razor thin and exaggerating her oversized coat onto her thin frame. The long cigarette holder was modeled on one Davis used himself. Inspiration was also drawn from Hollywood legends Tallulah Bankhead, Bette Davis, and Rosalind Russell. Movement, according to Davis, was consistent "like someone you wouldn't like," and another inspiration was based on "one woman I knew who was just a monster. She was tall and thin and talked constantly - you never knew what she was saying, but you couldn't get a word in edgewise."

The voice of Cruella was provided by Betty Lou Gerson. She had worked for Disney prior as the narrator for Cinderella, but her voice talent as Cruella De Vil is her tour de force! The highly pitched phrase "Anita Darling!" is completely iconic and has become part of Disney pop culture.

This is absolutely perfect cel of Cruella De Vil; she has her right arm up with her hand waving, her eyes are open, she is sporting a wicked smile, wearing her classic mink coat, and holding her cigarette with holder in her left hand. A great addition to any Disney Villain or animation art collection!

Monday, March 20, 2023

Original Production Animation Cel of Briar Rose and Eighteen Animals from "Sleeping Beauty," 1959

 

Original hand painted and hand inked production animation cels of Briar Rose and Two Birds, Eight Rabbits, Five Squirrels, and Three Chipmunks set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Size - Briar Rose: 5 1/4 x 2 3/4", Image 10 1/2 x 14 1/4"; Unframed.


"Oh, we walk together, and talk together, and just before we say goodbye, he takes me in his arms, and then... I wake up.
[all the animals sigh]
Yes, it's only in my dreams. But they say if you dream a thing more than once, it's sure to come true, and I've dreamed that dream so many times." - Briar Rose
 
"Sleeping Beauty," the 1959 Walt Disney full length motion picture, introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora and her peasant disguise Briar Rose was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator, would continue the development process by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora/Briar Rose. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role in "Sleeping Beauty."

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora/Briar Rose. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes a chuck of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her hand prints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.


Original production animation cel of Briar Rose without the background.
 

Original production animation cel of Six Rabbits, Five Squirrels, and Three Chipmunks without the background.
 

 Original production animation cel of Two Birds and Two Rabbits without the background.

After Maleficent's evil curse that Princess Aurora would (before the sun sets on her sixteenth birthday) prick her finger on the spindle of a spinning wheel and die; the three Good Fairies disguise Aurora as a peasant named Briar Rose and hide her deep in a remote forest cottage. The majority of the movie focuses on Briar Rose, and this is a beautiful original production animation cel setup of her. She had been placed on a custom background of the forest, just outside and beyond her woodcutter's cottage home. Rose is surrounded by two birds, eight rabbits, five squirrels, and three chipmunks; that are hand inked and hand painted on a pair of original production animation cels. An absolutely beautiful three cel setup and a great addition to any vintage Walt Disney animation art collection!

Saturday, March 18, 2023

Original Production Animation Cel of Ichabod Crane from "The Legend of Sleepy Hollow" Section of "The Adventures of Ichabod and Mr. Toad," 1949

 

Original hand inked and hand painted production animation cel of Ichabod Crane riding his horse Gunpowder set on a lithographic background from "The Legend of Sleepy Hollow" section of "The Adventures of Ichabod and Mr. Toad," 1949, Walt Disney Studios; Size -  Ichabod Crane: 4 1/2 x 4 3/4", Image 6 1/4 x 8 1/4"; Unframed.


"The Adventures of Ichabod and Mr. Toad," 1949 is an animated package film produced by Walt Disney Productions and released by RKO Radio Pictures. The film consists of two segments – the first is based on the 1908 children's novel "The Wind in the Willows" by British author Kenneth Grahame, and the second is based on the 1820 short story "The Legend of Sleepy Hollow," (named Ichabod Crane in the Disney film) by American author Washington Irving. The famed American singer and actor Bing Crosby provided the voice of Ichabod Crane, Brom Bones, and the Narrator.

The story takes place in October 1790 when Ichabod Crane, a lanky, gluttonous, superstitious yet charming man; arrives in Sleepy Hollow, New York. It's a small village north of Tarrytown and is renowned for its ghostly haunting and Ichabod is to be the town's new schoolmaster. Despite his odd behavior and awkward appearance, he soon wins the hearts of the village's women. Brom Bones, the rough town hero, does his best to bully Ichabod; however he is very good at ignoring Brom's taunts. Soon Ichabod falls in love with eighteen-year-old Katrina van Tassel, the beautiful daughter and only child of Baltus van Tassel who is the richest man in all of Sleepy Hollow. Brom, who is also in love with the beautiful Katrina, begins to compete with the schoolmaster for her affection. However, Ichabod succeeds in winning Katrina over at every opportunity. Unbeknownst to Ichabod, Katrina is only using him to make Brom jealous.


Original production animation cel of Ichabod Crane without the background.

Both Brom and Ichabod are invited to the annual van Tassel Halloween party. While sitting down to dinner, Brom tells Ichabod and the party guests the ghost story of the Headless Horseman, who had lost his head a long time ago during the Revolutionary War. Ever since, on every Halloween night he rides into Sleepy Hollow looking for a new head. The only way to escape him is to cross the covered bridge, as the Headless Horseman's evil powers are limited to within the dark woods.

After the Halloween party ends, Ichabod rides home alone and keeps imagining that he is being followed. He hears strange sounds and then realizes that it's only cattails bumping against a log; Ichabod and his horse begin to hysterically laugh. But then suddenly both stop, as they realize that another laugh has joined them. As Ichabod and his horse slowly turn around, they find the Headless Horseman about to attack them with his sword. The Horseman begins to chase them, laughing all the while. Ichabod gallops for the bridge and barely manages to make it across. As Ichabod turns around, he screams as the Horseman's black horse rears up, and the Headless Horseman throws a flaming jack o' lantern right at him. The very next morning, Ichabod's hat was found next to a shattered pumpkin; however, Ichabod was never heard from again.

This is a wonderful hand inked and hand painted production cel of Ichabod Crane. A nice eyes open image of the schoolmaster looking very nervous as he rides his horse Gunpowder back home; after listening to Brom Bones tell the ghost story of the Headless Horseman. Original artwork from Walt Disney's "The Legend of Sleepy Hollow" is scarce to the market, and this piece would make a great addition to any animation art collection!

Friday, March 17, 2023

Original Production Animation Cel of Ichabod Crane from "The Legend of Sleepy Hollow" Section of "The Adventures of Ichabod and Mr. Toad," 1949

Original hand inked and hand painted production animation cel of Ichabod Crane set on a lithographic background from "The Legend of Sleepy Hollow" section of "The Adventures of Ichabod and Mr. Toad," 1949, Walt Disney Studios; Size -  Ichabod Crane: 6 1/2 x 7 1/2", Image 8 x 10"; Unframed.


"The Adventures of Ichabod and Mr. Toad," 1949 is an animated package film produced by Walt Disney Productions and released by RKO Radio Pictures. The film consists of two segments – the first is based on the 1908 children's novel "The Wind in the Willows" by British author Kenneth Grahame, and the second is based on the 1820 short story "The Legend of Sleepy Hollow," (named Ichabod Crane in the Disney film) by American author Washington Irving. The famed American singer and actor Bing Crosby provided the voice of Ichabod Crane, Brom Bones, and the Narrator.

The story takes place in October 1790 when Ichabod Crane, a lanky, gluttonous, superstitious yet charming man; arrives in Sleepy Hollow, New York. It's a small village north of Tarrytown and is renowned for its ghostly haunting and Ichabod is to be the town's new schoolmaster. Despite his odd behavior and awkward appearance, he soon wins the hearts of the village's women. Brom Bones, the rough town hero, does his best to bully Ichabod; however he is very good at ignoring Brom's taunts. Soon Ichabod falls in love with eighteen-year-old Katrina van Tassel, the beautiful daughter and only child of Baltus van Tassel who is the richest man in all of Sleepy Hollow. Brom, who is also in love with the beautiful Katrina, begins to compete with the schoolmaster for her affection. However, Ichabod succeeds in winning Katrina over at every opportunity. Unbeknownst to Ichabod, Katrina is only using him to make Brom jealous.


Original production animation cel of Ichabod Crane without the background.

Both Brom and Ichabod are invited to the annual van Tassel Halloween party. While sitting down to dinner, Brom tells Ichabod and the party guests the ghost story of the Headless Horseman, who had lost his head a long time ago during the Revolutionary War. Ever since, on every Halloween night he rides into Sleepy Hollow looking for a new head. The only way to escape him is to cross the covered bridge, as the Headless Horseman's evil powers are limited to within the dark woods.

After the Halloween party ends, Ichabod rides home alone and keeps imagining that he is being followed. He hears strange sounds and then realizes that it's only cattails bumping against a log; Ichabod and his horse begin to hysterically laugh. But then suddenly both stop, as they realize that another laugh has joined them. As Ichabod and his horse slowly turn around, they find the Headless Horseman about to attack them with his sword. The Horseman begins to chase them, laughing all the while. Ichabod gallops for the bridge and barely manages to make it across. As Ichabod turns around, he screams as the Horseman's black horse rears up, and the Headless Horseman throws a flaming jack o' lantern right at him. The very next morning, Ichabod's hat was found next to a shattered pumpkin; however, Ichabod was never heard from again.

This is a very rare and wonderful hand inked and hand painted production cel of Ichabod Crane. A very large eyes open image of the schoolmaster holding an open book, on which, rests a pie. Original artwork from Walt Disney's "The Legend of Sleepy Hollow" is scarce to the market, and this piece would make a great addition to any animation art collection!