Original production animation drawing of The Prince from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Red, green, and graphite pencils on peg hole paper; Numbered 24 in graphite pencil lower right; Size - The Prince: 6 1/2 x 5 1/2", Sheet 10 x 12"; Unframed.
Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).
Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it. The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly." Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!
A
large number of actresses auditioned for the voice of Snow White. Walt
Disney listened to each audition in his office while the actress
performed in another room, without any knowledge of the actress'
appearance or reputation. This would insure that he would only judge
based on the sound of the voice. According to later accounts, most of
the voices Disney felt, did not sound young enough. Eventually, in
September of 1935, Adriana Caselotti was chosen for the voice of Snow
White. Caselotti was eighteen at the time and made her coloraturo
soprano sound younger, knowing that the character was intended to be 14
years old. In recording sessions Caselotti found difficulty in the line,
"Grumpy, I didn't know you cared"; instead of "didn't", Caselotti was
only able to say "din". After rehearsing the line many times, Walt
Disney eventually said "Oh, the heck with..." and "din'" remained in the
final film.
Snow
White's design was supervised by Grim Natwick, an animator who had
previously developed and worked on Betty Boop at Fleischer Studios. It
is interesting to note that early designs for the Snow White resemble
Betty Boop, and some appear to be caricatures of famous actresses of the
time. As development continued, Snow White became more and more
lifelike. Another animator, Hamilton Luske's first designs for Snow
White depicted her as a slightly awkward, gangly teenager. However, Walt
Disney had a different idea in mind; he wanted Snow White to be older,
and more realistic-looking. This was achieved by the use of live-action
references for the animators. Also, in order for Snow White to better
relate onscreen to the seven Dwarfs, it was decided that her head be
slightly larger than normal. In addition, the women in the animation
studio's ink and paint department felt that Snow White's black hair was
too unnatural and harsh, so they drybrushed whisps of light grey over
the top of each and every cel.
The Prince was the first realistic human male that the animators at Walt Disney Studios ever attempted to bring to life. It was soon determined to be the most difficult character to create, so The Prince only appears in two relatively short segments. The rotoscoped scenes were acted out by Louis Hightower; and consisted of The Prince's first meeting with Snow White and the final kiss and the leading of Snow White away on his white horse. The Prince was voice by the American actor and singer Harry Stockwell, and animated by Milt Kahl.
From veteran Walt Dinsey animator Andreas Deja:
"As I said before, Milt Kahl despised an assignment like a Prince character. As a young animator on Snow White he animated complex scenes involving all the forest animals surrounding the title character. "But I also got stuck with the clean up job on the Prince" he stated in an interview. The fact is that Milt drew over tracings of photo stats and therefor is credited with animating the Prince as well."
This particular drawing is from one of the most memorable scenes in the film, when Snow White dressed in rags is at a well filling a wooden bucket with water. The scene begins when, Snow White talking to a group of white doves standing on the ledge of the well, says "Want to know a secret? Promise not to tell? We are standing by a wishing well." She quickly goes into the famous song, "I'm Wishing" with music and lyrics by Frank Churchill and Larry Morey. An absolutely stunning drawing of the Prince, that is a highlight to any vintage animation art collection!
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