Original Production Animation Cel of Merlin from "The Sword In The Stone," 1963

 

Original hand painted production animation cel of Merlin from "The Sword In The Stone," 1963, Walt Disney Studios; Set on a lithographic background; Size - Merlin: 7 3/4 x 7 1/4", Image 9 1/4 x 12"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"The Sword in the Stone," 1963 is the 18th full length feature film produced by Walt Disney and it was released on December 25, 1963 by Buena Vista Distribution. The film was based on the novel of the same name, that was first published in 1938. It was later republished in 1958 as the first book of T. H. White's tetralogy "The Once and Future King." It was to be the final Disney animated film released before Walt Disney's death on December 15, 1966. The songs in the film were written and composed by the Sherman Brothers, who would become very famous for their future work on later Disney films including; "Mary Poppins," 1964, "The Jungle Book," 1967, and "Bedknobs and Broomsticks," 1971.

Merlin is a very powerful wizard with a pet owl named Archimedes. He befriends and becomes the teacher of a 12-year old orphan named Arthur, who goes by the name of Wart. Merlin is first seen living in a forest cottage, and he believes in the philosophy of "Brain over Brawn." As a wizard, he is very intelligent, has a wide variety of powers, and is considered the most powerful wizard in the world. He has the ability to see into the future, and has the ability to shape-shift. Merlin was animated by Milt Kahl, Frank Thomas, and Ollie Johnston; and voiced by Karl Swenson who was an American theater, radio, film, and television actor.

This is a great original production animation cel of Merlin, he is eyes open, and peering through his eye glasses. An absolutely wonderful piece of original animation artwork perfect for any animation art collection!

#FrankThomas #OllieJohnston #Wart #madmadammim #swordinthestone #RickieSorensen #Excalibur #RichardReitherman #RobertReitherman #mim #madammim #merlin #arthur #kingarthur #disney #cel #animationcel #animationart #artcollecting #untitledartgallery #WaltDisney #THWhite

Original Production Animation Cel of Lafayette and Edgar from "The Aristocats," 1970

 

Original hand painted production animation cel of Edgar, Lafayette, and Motorcycle from "The Aristocats," 1970, Walt Disney Studios; Set on a lithographic background; Numbered 53 in ink lower right; Size - Edgar, Lafayette, & Motorcycle: 10 x 14 1/4", Image: 10 x 14 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Step of the gas Napoleon!" - Lafayette  

"The Aristocats," 1970 is an animated feature film produced and released by Walt Disney Productions.  This was the last film project to be approved by Walt Disney himself, as he died in late 1966, before the film was finally released to theaters by Buena Vista Distribution on December 11, 1970. "The Aristocats" featured the voice talent of Eva Gabor, Hermione Baddeley, Phil Harris, Dean Clark, Sterling Holloway, Scatman Crothers, and Roddy Maude-Roxby.

The film is based on a story by Tom McGowan and Tom Rowe, and centers around a family of aristocratic cats. After the mistress's butler kidnaps them (to gain his mistress' fortune which was intended to go to the cats) an unlikely alley cat acquaintance helps them escape and be returned to their home.  

It is Paris 1910 and Madame Bonfamille tells her lawyer Georges Hautecourt that she has decided to leave all of her stocks, bonds, mansion, treasures, jewels, and her entire fortune to her beloved cats rather than to her butler, Edgar Balthazar.  When Edgar overhears this he fears the cats will outlive him, and that he will never see a penny of the inheritance.  He then realizes that he has to get rid of the cats; "I'll be gone, no oh no... they'll be gone," he says.  Edgar decides to put sleeping tablets into the cats milk and when they fall asleep, he takes them in a covered basket on his motorcycle far away from the city of Paris. 

The two dogs Napoleon a Bloodhound and Lafayette a Bassett Hound, were both animated by Frank Thomas. The dogs were initially going to be in only one scene, but because it was so successful; a second scene was developed involving Edgar returning to the French countryside in order to collect his umbrella and bowler hat. Napoleon and Lafayette were voiced by Pat Buttram and George Lindsey, respectively. The two voice actors would later reunite in "Robin Hood" to provide the voices for the Sheriff of Nottingham and Trigger the vulture guard; and again in "The Rescuers" as Luke and Deadeye.

Original production animation cel of Lafayette and Edgar without the background.

The character of Edgar was voiced by Roddy Maude-Roxby, an accomplished English actor.  He was just wonderful in the role with the delightful snooty English butler voice, that could also morph into a scheming cunning timber perfect for a Disney Villain. This cel of Napoleon and Lafayette appears in the scene when Edgar first makes his appearance at their abandoned windmill site in the French countryside, in order to dispose of Duchess and her kittens. A hilarious chase scene occurs between the two dogs and Edgar riding his motorcycle with attached sidecar. This is a large, rare, and wonderful cel of an eyes and mouths open image of both Edgar, who is standing on top of his motorcycle; and Lafayette, who is hanging onto the detached sidecar with is back paws, while at the same time hanging onto the motorcycle with his front paws. A great addition to any animation art collection!

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Original Production Cels of Mowgli and Kaa from "The Jungle Book," 1967

 

Original hand painted production animation cels of Mowgli and Kaa from "The Jungle Book," 1967, Walt Disney Studios; Set on a lithographic background; Size - Mowgli & Kaa: 7" x 10", Image 9 x 12"; Unframed.

To purchase these cels or to visit the Art Gallery, CLICK HERE!

"Trust in me." - Kaa 

"The Jungle Book," 1967 was the nineteenth animated feature film produced by Walt Disney Productions and inspired by Rudyard Kipling's book of the same name. The film was directed by Wolfgang Reitherman, it was to be the last film that was worked on by Walt Disney, as he passed away during its production. The film follows Mowgli, a feral child raised in the Indian jungle by wolves, as he encounters Bagheera the panther and Baloo the bear; who try and convince him to leave the jungle before the villainous tiger Shere Khan finds him. Voice actors include: Phil Harris, Sebastian Cabot, George Sanders and Louis Prima; as well as Disney regulars such as Sterling Holloway, J. Pat O'Malley, Verna Felton, and the director's son, Bruce Reitherman, as the voice of Mowgli.

Shere Khan, a Bengal tiger and Kaa a python were the main Villains in the 1967 Walt Disney film "The Jungle Book;" an adaption of writer Rudyard Kipling's series of stories. Wolfgang Reitherman was the animation director for the film and he began working for Walt Disney in 1934, along with future Disney legends Ward Kimball and Milt Kahl. The three worked together on a number of classic Disney shorts, including "The Band Concert," "Music Land," and "Elmer Elephant." Reitherman worked on various Disney feature films produced from 1937 to 1981, including "Snow White and the Seven Dwarfs" (animating the Slave in the Magic Mirror) up to "The Fox and the Hound," where he was the co-producer. Beginning with 1961's "One Hundred and One Dalmatians," "Woolie", as he was called by friends, served as Disney's chief animation director. In addition to "101 Dalmatians," Reitherman directed "The Sword in the Stone" (1963), "The Jungle Book" (1967), "The Aristocats" (1970), "Robin Hood" (1973) and "The Rescuers" (1977).

One of Reitherman's productions, the 1968 short "Winnie the Pooh and the Blustery Day," won the Academy Award for Best Animated Short Film. In addition, all three of Reitherman's sons — Bruce, Richard, and Robert provided voices for Disney characters, including Mowgli in "The Jungle Book," Christopher Robin in "Winnie the Pooh and the Honey Tree," and Wart in "The Sword in the Stone."  Not only did Bruce Reitherman provided the voice of Mowgli in "The Jungle Book," but he also acted out certain scenes as live action reference for the animators. The character of Mowgli was animated by quite a few animators, however Milt Kahl set the final design and the majority of Mowgli's scenes were animated by Frank Thomas and Ollie Johnston.

Kaa the python, was animated by Frank Thomas in his entrance appearance of the film which is when Kaa first meets Mowgli and nearly eats Bagheera. Later in the film Kaa was animated by Milt Kahl, whose design for the snake may be more iconic; being that his scene was longer and included his trademark song "Trust In Me" as well as the famous interaction with the villainous tiger, Shere Khan.

Kaa was the second character who was originally voiced by Sterling Holloway, the first being Winnie-the-Pooh. Holloway's voice is just so wonderful in tone and pitch, and it is hard to imagine any other person doing the character justice. Kaa is very similar to another snake character, Sir Hiss from "Robin Hood". The two share several traits as both use hypnosis, and both suck up to the film's main antagonist (Shere Khan in Kaa's case, and Prince John in Sir Hiss's case). Exceptions are that they are different colors, sizes, and Sir Hiss wears clothing (cape and hat). "Trust In Me" ("The Python's Song") was sung by Sterling Holloway and was written by famed Disney songwriters, Robert and Richard Sherman.

This is a wonderful cel setup of both Mowgli and Kaa, the villainous python. Mowgli is eyes open and interacting with Kaa's tail, while Kaa's head is  in front of the Man Cub and looking intensely at him. Original artwork from "The Jungle Book" has become rare to the market, and this is a great piece that would be a prized addition to any animation art collection!

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Original Production Animation Cels of Alice and The Caterpillar on A Preliminary Production Background from "Alice In Wonderland," 1951

 

Original hand inked and hand painted production animation cels of Alice and The Caterpillar with Hookah set on a matching preliminary production background from "Alice In Wonderland," 1951, Walt Disney Studios; Production numbers bottom edge of the background; Studio signed "To Gaeto With Best Wishes Walt Disney" (presumably Bob Moore); Size - Alice: 5 3/4 x 3 1/2", Caterpillar: 3 x 6"; Image 11 1/4 x 13"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Who R U?" - Caterpillar

"Alice's Adventures in Wonderland" (commonly shortened to "Alice in Wonderland"), is a 1865 novel written by English author Charles Lutwidge Dodgson who wrote under the pseudonym Lewis Carroll. Disney reworked the story to fit with both a younger audience and a time frame suitable for an animated film (it's run time is only 75 minutes).

Kathryn Beaumont, who was born in London England, was just 10 years old when she was chosen for the voice of Alice. Walt Disney personally cast Beaumont after seeing her in the film "On an Island with You," in which the child actress had a small role. Disney was so impressed by her that she was also chosen to be the model for Alice, and would also go on to provide the voice for Wendy in "Peter Pan," 1953. Beaumont has also reprised her voice acting role as Alice in two episodes of the animated series, Disney's "House of Mouse," and as both Alice and Wendy in the video game "Kingdom Hearts." She did not retire as the voice of Alice and Wendy until 2005, when her role for these two characters was taken over by Hynden Walch.

Initial design for the character of Alice was accomplished by Mary Blair during the storyboard phase and also by Les Clark. Alice was animated by Ollie Johnston, Don Lusk, and Marc Davis who animated her for the tea party scene.

 

 Close up of the Studio signed "To Gaeto With Best Wishes Walt Disney" (presumably Bob Moore) signature.

 

The Caterpillar is known for smoking his hookah and blowing colorful smoke that forms letters, words, and even amazing moving images; as he talks to Alice. The Caterpillar was animated by John Lounsbery and Eric Larson, and voiced by the English comedic actor Richard Haydn.

 

Alice comes across the Caterpillar after being kick out of the Garden of Living Flowers for being a weed. She hears singing and walks towards the sounds to find the singing Caterpillar who is sitting on the top of a mushroom smoking his hookah. After a very odd conversation, an annoyed Alice stomps off; but the Caterpillar tells her to come back because he has something useful to say. When she returns, Alice tells the Caterpillar that she wants to return to her normal size and the Caterpillar asks "Y." Alice says that it is terrible to be only three inches tall, which is an awful height. The Caterpillar loses his temper (as he is three inches tall) and transforms into a butterfly. He then tells Alice that one side of the mushroom will make her grow taller and the other side will make her grow smaller.

 

The Caterpillar appears at the end of the film in his caterpillar form, but with butterfly wings on his back, sitting on a floating mushroom, and smoking his hookah. Alice is trying to escape from many of the inhabitants of Wonderland and also from being beheaded by the Queen of Hearts. The Caterpillar asks "Who R U?" and blows smoke that warps into a surreal smoke tunnel that leads Alice back to the Doorknob.

This is a very rare and wonderful original production animation cel setup of Alice and The Caterpillar. A spectacular scene of Alice looking at The Caterpillar lying on top of a mushroom while smoking his hookah. The cels have been placed on a matching preliminary production background and there is a studio Walt Disney signature card included. This is an absolutely beautiful piece of vintage Walt Disney animation art and a great addition to any animation collection!

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Original Production Animation Cels of Dopey, Grumpy, Bashful, Doc, Sleepy, Sneezy, and Happy from "Snow White and the Seven Dwarfs," 1937

 

Original hand painted and hand inked production animation cels of all Seven Dwarfs: Dopey, Grumpy, Bashful, Doc, Sleepy, Sneezy, and Happy; Set on wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Partial Courvoisier label verso; Size - Seven Dwarfs: 7 1/4 x 10 3/4", Image 10 1/4 x 14 1/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it.  The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly."  Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!

 

Although the initial concept designing of the dwarfs was relatively easy for the Walt Disney animation department, the actual animating of them proved to be difficult. The animators, already finding human figures difficult to animate, now had to animate dwarfed human figures. The great Disney animator Vladimir Tytla noted that the dwarfs should walk with a swing to their hips, and Fred Moore commented that they had to move a little more quickly in order to keep up with the other human characters. 

 

Doc was not present in the original November 1935 story outline of the film as referenced by Robert D. Field in "The Art of Walt Disney." However, several months later his role in the film and his relationship with Grumpy was well established. Walt Disney commented that Doc's flustered personality should be such that he never knew quite where he is without one of his fellow dwarfs reminding him. Radio comedian Roy Atwell, who used stammering and mixed-up language in his act, was chosen to be the voice of Doc. Various Walt Disney artists were involved in the animation of Doc throughout the film including: Vladimir Tytl, Fred Moore, Shamus Culhane, Les Clark, and Ward Kimball.

Bashful is very shy and coy, and he has a crush on the beautiful Snow White. His shyness prompts him to blush and he then covers his reddened face behind his hands and beard; which is often accompanied by giggles. Various Walt Disney artists were involved with Bashful's concept and animation throughout the film including: Vladimir Tytl, Fred Moore, Shamus Culhane, and Les Clark. The film and television actor Scotty Mattraw provided the voice for Bashful.

 

Due to Sneezy's severe hayfever, he sneezes very often throughout the film and this often prevents him from speaking. His sneezes can be gale force and will blow away anything and anyone in their path. As a result, the other dwarfs are quick to hold his nose whenever they feel he may have a sneeze approaching. The memorable scene in which the dwarfs tie a knot in Sneezy's beard was inspired by an early sketch by Albert Hurter, a concept and inspirational sketch artist at Walt Disney Studios. Various Disney artists were involved in the animation of Sneezy throughout the film including: Ward Kimball, Vladimir Tytl, Fred Moore, Shamus Culhane, and Les Clark. Billy Gilbert, an American comedian and actor known for his comic sneeze routines, provided the voice of Sneezy.

 

In the pre-production stages of "Snow White and the Seven Dwarfs," Dopey was simply called 'The Seventh'. His personality and role were finalized late in the process, after it was suggested that Dopey should move like burlesque comedian Eddie Collins. Collins began his career in vaudeville and went on to become a successful comedian, actor, and singer. He helped to define the character's personality through his live action filmed sequences, as well as providing the few vocal sounds that Dopey made during the film. He also provided the sounds of a sneezing chipmunk and a squirrel.

Dopey is the youngest of the dwarfs, as proven by his lack of a beard. But perhaps his most notable trait is his lack of speech. In the film Happy states Dopey is simply unaware whether or not he can speak, as he has simply never tried. In spite of this, he can occasionally be heard making various vocal sounds such as whimpers, hiccups, and a one-shot yell. The other dwarfs seem to have no problem understanding Dopey, and Doc was able to easily translate Dopey's blathering into a cohesive sentence. Various Walt Disney artists were involved in the animation of Dopey throughout the film including: Vladimir Tytla, Fred Moore, Frank Thomas, Shamus Culhane, Les Clark, Ollie Johnston, and Art Babbit.

 

Grumpy was animated by Vladimir "Bill" Tytla, who also animated Doc. Tytla's Grumpy is the second most popular of the seven dwarfs, just behind Dopey.

From Disney animator Andreas Deja:

"Tytla animated 'from the inside out.' For every scene he did, he lived inside of that character. He drew absolutely beautifully, but bringing out  emotion and personality came first. Even if that lead to an off model drawing here and there. Walt had Fred Moore take a look at a few of Tytla's Grumpy scenes in order to punch up the 'charm level.'"

 

In order to establish Sleepy's character during the march home in "Heigh Ho", the animation director Vernon Stallings noted that traits specific to Sleepy should be taken into account. An early drawing by Albert Hurter of Sleepy with his mouth wide open in a yawn inspired the lead animator for the character, Fred Moore to be more extreme in Sleepy's animation. Moore made sure that, on every animation drawing of Sleepy, one eye was larger than the other; or one eye was more squashed than the other; in order to suggest the dwarf's perpetual sleepiness. Sleepy was voiced by the great Walt Disney voice actor, Pinto Colvig.

 

Happy is bubbly, bright, very friendly, and the most cheerful of all the dwarfs. His gleeful attitude prompts him to laugh often, and he is a singer, yodeler, and musician. Happy is plump and although six of the dwarfs have eyebrows that were modeled after Walt Disney’s; Happy has eyebrows that are white and bushy. Various Walt Disney artists were involved in the animation of Happy throughout the film including: Vladimir Tytl, Fred Moore, Shamus Culhane, and Les Clark. The former vaudevillian comedic actor Otis Harlan provided the voice of Happy. 

This is an absolutely spectacular original hand painted and hand inked production cel setup of all Seven Dwarfs: Dopey, Grumpy, Bashful, Doc, Sleepy, Sneezy, and Happy; set on an airbrushed wood veneer Courvoisier background. The Courvoisier setups from Snow White are highly desired by collectors for their rarity and beauty. Courvoisier Galleries was the first gallery to recognize the artistic value to the newly emerging animation art form in the 1930s and 40s and worked with Disney Studios to prepare and sell the original cels and drawings to the public. An absolutely stunning setup of all Seven Dwarfs and show stopper for any vintage Walt Disney animation art collection!

 

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Original Production Animation Cel of Briar Rose from "Sleeping Beauty," 1959

Original hand painted and hand inked production animation cel of Briar Rose set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Size - Briar Rose: 6 x 5 1/2", Image 7 1/2 x 10"; Unframed.

 

To purchase this cel or to visit the Art Gallery, CLICK HERE

 

"And so for sixteen long years, the whereabouts of the princess remained a mystery. While deep in the forest, in a woodcutter's cottage, the good fairies carried out their well-laid plan. Living like mortals, they had reared the child as their own, and called her Briar Rose." - Narrator 

 

"Sleeping Beauty," the 1959 Walt Disney full length motion picture, introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora and her peasant disguise Briar Rose was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator, would continue the development process by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora/Briar Rose. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role in "Sleeping Beauty."

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora/Briar Rose. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes a chuck of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her hand prints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.

 

After Maleficent's evil curse that Princess Aurora would (before the sun sets on her sixteenth birthday) prick her finger on the spindle of a spinning wheel and die; the three Good Fairies disguise Aurora as a peasant named Briar Rose and hide her deep in a remote forest cottage. The majority of the movie focuses on Briar Rose, and this is a beautiful original hand painted and hand inked production animation cel of her. This is an absolutely beautiful close up portrait of Briar Rose and a great addition to any vintage Walt Disney animation art collection!

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Original Production Animation Cel of Lady Tremaine (Wicked Stepmother) from "Cinderella," 1950

 

Original hand inked and hand painted production animation cel of Lady Tremaine (Stepmother) set on a lithographic background from "Cinderella," 1950, Walt Disney Studios; Size - Lady Tremaine: 10 x 4 3/4", Image 10 1/2 x 9 3/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

 

"Not going? Oh, what a shame." - Stepmother

The 1950 Walt Disney feature film "Cinderella" was based on the French version of the tale by Charles Perrault, entitled "Cinderella" and written in 1698. The film was the second in the series of great Princess films developed by Disney, the first being Snow White in 1937. The character of Cinderella is usually front and center in the pantheon of Disney Princess merchandise, perhaps because she is the only Princess not to be of a noble blood line who ended up marrying a Prince and becoming royalty.

Eleanor Audley (TV and film actress as well as familiar radio and animation voice talent) was filmed while she was dressed and speaking as the Stepmother; and as she performed scenes outlined in the film. Those film reels were used by animator Frank Thomas to convey even more realism to the character. Although the framed images were not directly copied by the animator, they were used as reference for lifelike movements. Eleanor Audley also voiced the Stepmother and her articulation conveyed the fire and raw power of the character. She could be sharp and curt in telling Cinderella what chores to do while lying in bed and slowly stirring her cup of tea, or her voice could be calm are cruel while watching as her daughters viciously destroyed Cinderella's dress.

Frank Thomas did a phenomenal job of controlling the Stepmother's actions to make sure that they were were not wild and out of control; but rather calculated, cold, and precise. The story of Cinderella presented a situation where a villain lived and interacted with her victim day after day under the same roof. The actions of the Stepmother seemed even more cruel because not only were both she and Cinderella animated in a very realistic fashion, but because of the close proximity the cruelness of the villain could be seen as even more intense by the reactions on Cinderella's face. If all this were not enough, the Stepmother's arsenal of evil was compounded by her two ill mannered daughters Anastasia and Drizella; as well as Lucifer the cat, who delighted in trying to kill Cinderella's mouse friends.

"Often, patrons would be horrified or dismayed by the behavior of a villain, but more people actually hated the Stepmother more than any other villain we ever created." - Ollie Johnson and Frank Thomas from "The Disney Villain," 1993

 

This cel is from the scene when the horse drawn carriage arrives to carry Lady Tremaine and the Stepsisters to the King's Ball, and Cinderella knocks on her Stepmother's door to tell her that she will not be going to the Ball. Cinderella, over worked by the amount of housework that she had to complete, simply did not have the time to prepare a dress for the Ball. A great piece of vintage Walt Disney animation artwork from the full length masterpiece "Cinderella!" The dialog for the scene is below:

 

"Yes?" - Lady Tremain

"The carriage is here." - Cinderella 

"Oh. Why, Cinderella, you're not ready, child." - Lady Tremaine

"I'm not going." - Cinderella

"Not going? Oh, what a shame. But of course, there will be other times, and.." - Lady Tremaine

"Yes. Good night." - Cinderella 

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