Translate

Thursday, August 13, 2015

Original Production Animation Drawing of Pinocchio from "Pinocchio," 1940


Original production drawing in red and graphite pencils of Pinocchio from "Pinocchio," 1940; On watermarked five peg hole paper with production stamp lower right; Numbered 14E in pencil lower right; Size - Pinocchio 8 x 5 3/4", Sheet: 10 x 12"; Unframed.


"Pinocchio," 1940 was the second animated feature film produced by Disney, and followed on the success of "Snow White and the Seven Dwarfs." 1937. It was released to theaters by RKO Radio Pictures on February 23, 1940 and was based on the Italian children's novel "The Adventures of Pinocchio" by Carlo Collodi. The general plot of the film involves an old wood-carver named Geppetto, who carves a wooden puppet that he names Pinocchio. One night the puppet is brought to life by the Blue Fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's journey to become a real boy is challenged by his encounters with an array of scrupulous characters.

"Pinocchio" became the first animated feature to win an Academy Award; it won for both Best Music - Original Score and for Best Music - Original Song for "When You Wish Upon A Star." Most critics and audiences agree that "Pinocchio" is among the finest Disney features ever made, and one of the greatest animated films of all time. In 1994, it was added to the United States National Film Registry as being "culturally, historically, or aesthetically significant."


Close up of the Pinocchio production drawing.

Due to the huge success of "Snow White," Walt Disney wanted more famous voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who had made the first record selling over a million copies) as Jiminy Cricket. Disney also wanted the character of Pinocchio to be voiced by a real child. The role ended up going to twelve year old actor Dickie Jones, who had previously been in Frank Capra's enormous Hollywood hit, "Mr. Smith Goes to Washington."


Close up of the production stamp and the production number.

Animation began in September 1938 and just as in "Snow White," live-action footage was shot for "Pinocchio" with the actors playing the scenes; which was supervised by Hamilton Luske. The animators then used the footage as a guide for their animation drawings by studying the human movement and then incorporating many of those poses and scenes. The title character was animated by Milt Kahl (initial design), Frank Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said, "I thought of the character being real, a living person, not a drawing."

This is an exception colored pencil drawing of Pinocchio sitting on the swing, trapped in a birdcage by the puppet master Stromboli. Jiminy Cricket is able to get inside of Stromboli's wagon and attempts to pick the lock of the cage. This drawing is from the scene when Jiminy first appears inside of Stromboli's puppet show wagon. The drawing is large, with Pinocchio measuring 8" x 5 3/4." He is full figure with his eyes open and he is smiling. The drawing is accomplished in red and graphite pencils on watermarked peg hole animation paper. The dialog for the scene is below:

JIMINY CRICKET: "Pinocchio, it's me, your old friend Jiminy, remember?"
PINOCCHIO: "Jiminy! Gee, I'm glad to see ya!"
JIMINY CRICKET: "Pinocchio! What's happened? What did he do to ya?"
PINOCCHIO: "Oh, he was mad. He said he was gonna push my face in everybody's eye. Yeah? And just 'cause I'm a gold brick, he-he's gonna chop me into firewood!"

Wednesday, August 12, 2015

Original Production Animation Drawing of Pinocchio from "Pinocchio," 1940


Original production drawing in red, blue, green, yellow, and graphite pencils of Pinocchio from "Pinocchio," 1940; On watermarked five peg hole paper with production stamp lower right; Numbered D-33 in pencil lower right; Size - Pinocchio 8 x 5 3/4", Sheet: 10 x 12"; Unframed.


"Pinocchio," 1940 was the second animated feature film produced by Disney, and followed on the success of "Snow White and the Seven Dwarfs." 1937. It was released to theaters by RKO Radio Pictures on February 23, 1940 and was based on the Italian children's novel "The Adventures of Pinocchio" by Carlo Collodi. The general plot of the film involves an old wood-carver named Geppetto, who carves a wooden puppet that he names Pinocchio. One night the puppet is brought to life by the Blue Fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's journey to become a real boy is challenged by his encounters with an array of scrupulous characters.

"Pinocchio" became the first animated feature to win an Academy Award; it won for both Best Music - Original Score and for Best Music - Original Song for "When You Wish Upon A Star." Most critics and audiences agree that "Pinocchio" is among the finest Disney features ever made, and one of the greatest animated films of all time. In 1994, it was added to the United States National Film Registry as being "culturally, historically, or aesthetically significant."


Close up of the Pinocchio original production drawing.

Due to the huge success of "Snow White," Walt Disney wanted more famous voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who had made the first record selling over a million copies) as Jiminy Cricket. Disney also wanted the character of Pinocchio to be voiced by a real child. The role ended up going to twelve year old actor Dickie Jones, who had previously been in Frank Capra's enormous Hollywood hit, "Mr. Smith Goes to Washington."


Close up of the production stamp and number.

Animation began in September 1938 and just as in "Snow White," live-action footage was shot for "Pinocchio" with the actors playing the scenes; which was supervised by Hamilton Luske. The animators then used the footage as a guide for their animation drawings by studying the human movement and then incorporating many of those poses and scenes. The title character was animated by Milt Kahl (initial design), Frank Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said, "I thought of the character being real, a living person, not a drawing."

This is an exception colored pencil drawing of Pinocchio sitting on the swing, trapped in a birdcage by the puppet master Stromboli. Jiminy Cricket is able to get inside of Stromboli's wagon and attempts to pick the lock of the cage. This drawing is from the scene when Jiminy first appears inside of Stromboli's puppet show wagon. The drawing is large, with Pinocchio measuring 8" x 5 3/4." He is full figure with his eyes and mouth open; and is accomplished in red, blue, green, yellow, and graphite pencils. The dialog for the scene is below:

JIMINY CRICKET: "Pinocchio, it's me, your old friend Jiminy, remember?"
PINOCCHIO: "Jiminy! Gee, I'm glad to see ya!"
JIMINY CRICKET: "Pinocchio! What's happened? What did he do to ya?"
PINOCCHIO: "Oh, he was mad. He said he was gonna push my face in everybody's eye. Yeah? And just 'cause I'm a gold brick, he-he's gonna chop me into firewood!"

Original Animation Production Drawing of Goofy and Donald Duck from "Moose Hunters," 1937


Original production drawing of Goofy and Donald Duck from "Moose Hunters," 1937; Graphite, red, and green pencil on peg hole paper; Numbered 61 lower right; Size - Goofy and Donald: 8 x 4 1/4", Sheet 10 x 12"; Unframed.


"Moose Hunters," 1937 is an animated short film produced by Walt Disney Productions and released by United Artists. It was directed by Ben Sharpsteen with music by Paul J. Smith. The cartoon stars Mickey Mouse (voiced by Walt Disney), Donald Duck (voiced by Clarence Nash), and Goofy (voiced by Pinto Colvig) on a moose hunting expedition. 


Close up of the Goofy and Donald Duck production drawing.

The short begins with a female moose with blonde curled hair wading through a lake; which turns out to be Donald Duck and Goofy disguised in a moose costume and making a moose call by sounding a horn. Following close behind to the duo is Mickey Mouse walking on stillts, disguised as a shrub, carrying a shotgun, and sounding his own moose call. Goofy's horn call is answered by an actual moose, causing him and Donald to excitedly shout "A moose!" Mickey tells them to "do their stuff," meaning to lure the moose closer to him.

Donald and Goofy, still in their female moose costume, end up tracking a large black bull moose. After spoting their prey, an excited Donald adds some makeup and lipstick to make the costume even more attractive. Goofy adds some "deer kiss" perfume to the disguise, himself, and sprays a trail in the wind direction of the bull. The bull moose, attracted by the scent, follows it to the waiting "lady moose." A mere glance from the decoy moose is all it takes for the bull to become smitten, especially when "she" does a seductive walk for him.


Close up of the large number of green pencil notations on the left side of the drawing.

When the costumed cow moose gives a "yoo-hoo," the bull moose gives a howling response which blows off the costume from Donald and Goofy. However Goofy, who still has the moose head,  performs a fan dance shielded by some shrubs until he and Donald can quickly get back into the costume. Once again in disguise, the pair seductively dance with the aroused bull and succeed in getting him to follow them. Unfortunately, Donald falls and lands in some flowers containing a very angry bee. The insect follows Donald into the moose costume, making he and Goofy dance to the tune of "La Cucuracha." The bull moose kisses Goofy on the face, just as Donald tries to hit the bee. This causes the costume moose head to fly off of Goofy, luckily landing right back on him just before they could be discovered. They now try to lure the excited moose back to Mickey.

In the meantime, Mickey Mouse has been dealing with a red colored moose who has eaten off Mickey's shrub disguise. As the moose prepares to charge, he suddenly hears a flirty "yoo-hoo." Turning around, the red moose sees an attractive female moose (Goofy and Donald) trotting towards him. Smitten with the "female," the bull trots over to the costumed moose as "she" unknowingly backs up into him. While the male licks the costume's face and cozies up to "her" (despite Goofy trying to keep the antlered beast off of him). Donald tries to move the costume, only to realise he's under the moose trying to attract the "hot blonde." By now the two male moose are in a competition for the female in disguise.

Donald and Goofy, still in the female moose costume, race up a tree as the two hoofed males prepare to fight. After the two moose sharpen their antlers, they begin to clash. The resulting body slam aftershocks cause Goofy and Donald to fall out of their costume and off of the tree branch, in which they were hanging, landing right in between the two bulls.


Close up of the production number.

This is a wonderful drawing of Goofy and Donald Duck dangling from a tree branch; their female moose costume is hanging all around them. They are both full figure, eyes and mouth open, and the image is an impressive eight inches tall. Making this 1937 drawing even more desirable and collectible is the large number of notations throughout the sheet. This is also a key animation drawing from the sequence, with the animation ladder located in the upper right of the sheet.

To view the scene which this drawing was used to create, click on the short video below:


Tuesday, August 11, 2015

Original Production Animation Cel of Maleficent From "Sleeping Beauty," 1959


 Original hand painted and hand inked production cel of Maleficent set on a matching hand highlighted lithographic background from "Sleeping Beauty," 1959; Size - Maleficent 3 3/4" x 4 3/4", Cel 12 1/2 x 15 1/2", Image 8 x 14 1/4"; Unframed.


"A forest of thorns shall be his tomb! - Maleficent

Initially Marc Davis, the animator for Maleficent, had wanted to use a black and red color scheme for the character however; Eyvind Earle, the background artist for the film, protested. Walt Disney had taken some criticism over his recent films for their lack of artistic achievement and so he had decided to put in charge an already accomplished Disney animation artist. Eyvind Earle had already been working at the Disney Animation Studios and was receiving acclaim for his artistic vision and technical skill and so he was chosen by Disney to supervise the styling, color, and backgrounds for "Sleeping Beauty." The film took six years to complete due to Earle's extreme attention to detail. Normal backgrounds for prior Disney films would take a day, however the Earle backgrounds could take up to ten days. In addition, Earle reworked not only the colors for Maleficent but the character design for Briar Rose so that she would work better with his pre-Renaissance Gothic vision for "Sleeping Beauty." "Sleeping Beauty," 1959 was the last of the Disney films that all the cels were both hand inked and hand painted, and many believe it to be one of the most beautiful and one of the greatest Disney films ever!


Close up of the Maleficent production cel.

If you ask people to name their favorite Disney Villain, chances are you will one of three answers; The Evil Queen/Witch from "Snow White and the Seven Dwarfs," Cruella DeVil from "101 Dalmatians," or Maleficent from "Sleeping Beauty." Two of the three, Cruella and Maleficent, were created/drawn by the great animator Marc Davis. Davis was part of what has been dubbed Disney's Nine Old Men; the core group of animators, some becoming directors, that created the finest animated films ranging from "Snow White and the Seven Dwarfs", 1937 to "The Rescuers", 1977.

The voice of Maleficent was performed by Eleanor Audley. She had worked for Disney prior by also being the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." If is known that Frank Thomas for Lady Tremaine and Marc Davis for Maleficent, incorporated facials features of Eleanor into both characters.  


Photograph of the full original production cel of Maleficent.

This is an extremely rare cel of Maleficent casting the "Forest of Thorns" spell. With the help of the three good fairies, (Flora, Fauna, and Merryweather) Prince Phillip escapes Maleficent's dungeon. While riding on his horse Sampson, Phillip jumps over the broken drawbridge and escapes Malefient's castle grounds. Viewing all of this from atop a high castle tower, a furious Maleficent casts the "Forest of Thorns" spell to try and stop Prince Phillip from reaching Sleeping Beauty. This cel is the only one I have seen from this critical scene. Maleficent's eyes are open, her robes are blowing in the wind behind her, and her staff is pointed to the sky. The cel has been placed on a hand painted highlighted lithographic background that matches the film beautifully! The dialog for the scene is below:

Maleficent: "A forest of thorns shall be his tomb! Borne through the skies on a fog of doom! Now go with the curse, and serve me well! 'Round Stefan's castle, CAST MY SPELL!"

To view the scene which this cel was used to create, click on the short video below:

Thursday, August 6, 2015

Original Production Cel of Mowgli and Kaa from "The Jungle Book," 1967


Original hand painted production cel of Mowgli and Kaa from "The Jungle Book," 1967; Set on a hand prepared background; Size - Mowgli & Kaa: 8 1/4" x 8 1/2", Cel: 10 1/4" x 11 1/2", Image 8" x 11"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

Shere Khan, a Bengal tiger and Kaa a python were the main Villains in the 1967 Walt Disney film "The Jungle Book;" an adaption of writer Rudyard Kipling's series of stories. Wolfgang Reitherman was the animation director for the film and he began working for Walt Disney in 1934, along with future Disney legends Ward Kimball and Milt Kahl. The three worked together on a number of classic Disney shorts, including "The Band Concert," "Music Land," and "Elmer Elephant." Reitherman worked on various Disney feature films produced from 1937 to 1981, including "Snow White and the Seven Dwarfs" (animating the Slave in the Magic Mirror) up to "The Fox and the Hound," where he was the co-producer. Beginning with 1961's "One Hundred and One Dalmatians," "Woolie", as he was called by friends, served as Disney's chief animation director. In addition to "101 Dalmatians," Reitherman directed "The Sword in the Stone" (1963), "The Jungle Book" (1967), "The Aristocats" (1970), "Robin Hood" (1973) and "The Rescuers" (1977).


Original production cel of Mowgli and Kaa without the background.

One of Reitherman's productions, the 1968 short "Winnie the Pooh and the Blustery Day," won the Academy Award for Best Animated Short Film. In addition, all three of Reitherman's sons — Bruce, Richard, and Robert provided voices for Disney characters, including Mowgli in "The Jungle Book," Christopher Robin in "Winnie the Pooh and the Honey Tree," and Wart in "The Sword in the Stone."  Not only did Bruce Reitherman provided the voice of Mowgli in "The Jungle Book," but he also acted out certain scenes as live action reference for the animators. The character of Mowgli was animated by quite a few animators, however Milt Kahl set the final design and the majority of Mowgli's scenes were animated by Frank Thomas and Ollie Johnston.


Photograph of the hand prepared background.

Kaa the python, was animated by Frank Thomas in his entrance appearance of the film which is when Kaa first meets Mowgli and nearly eats Bagheera. Later in the film Kaa was animated by Milt Kahl, whose design for the snake may be more iconic; being that his scene was longer and included his trademark song "Trust In Me" as well as the famous interaction with the villainous tiger, Shere Khan.

Kaa was the second character who was originally voiced by Sterling Holloway, the first being Winnie-the-Pooh. Holloway's voice is just so wonderful in tone and pitch, and it is hard to imagine any other person doing the character justice. Kaa is very similar to another snake character, Sir Hiss from "Robin Hood". The two share several traits as both use hypnosis, and both suck up to the film's main antagonist (Shere Khan in Kaa's case, and Prince John in Sir Hiss's case). Exceptions are that they are different colors, sizes, and Sir Hiss wears clothing (cape and hat).


Framed production cel of Mowgli and Kaa.

"Trust In Me" ("The Python's Song") was sung by Sterling Holloway and was written by famed Disney songwriters, Robert and Richard Sherman. In this wonderful cel (just prior to Kaa singing "Trust In Me), Kaa is trying to convince Mowgli that he is his friend, and wants nothing more than to help the boy. Milt Kahl's animation of Kaa is really brilliant, as he has the snake use the end of his tail as an "arm" that drapes over the shoulder of Mowgli. Both characters are eyes and mouth open; and it is very rare to have both the tail and the head of Kaa in a single cel. The dialog for the scene is below:

Mowgli: "You want to help me?"
Kaa: "Ss-certainly. I can see to it that you never have to leave this jungle."
Mowgli: "How could you do that?"
Kaa: "Hmm? Oh, I have my own ss-subtle little ways. But first, you must trust me."

To view the scene which this cel was used to create, click on the short video below:


Monday, August 3, 2015

Original Production Drawing of the Evil Queen with the Heart Box from "Snow White and the Seven Dwarfs," 1937


Original production drawing of the Evil Queen from "Snow White and the Seven Dwarfs," 1937; Graphite, green, blue, and red pencils on watermarked five peg hole paper; Production numbers stamp lower left and numbered 156 in graphite pencil lower right; Size - Queen 10 x 5 1/2", Sheet 10 x 12", Frame 28 x 29 3/4"; Framed with a gold wood frame, two acid free linen mats, gold wood fillet and conservation clear glass.


Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it. The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly." Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!


Close up of the Evil Queen original production drawing.

The Evil Queen, one of the greatest Walt Disney animated villains of all time, was created by the famous Disney animator Art Babbitt. Babbitt was already an accomplished animator prior to working on "Snow White," Disney's first full length animated film. He is was known for creating Goofy and his work on "The Country Cousin" had won an Academy Award for the studio in 1936. However, his work on the Evil Queen, which Walt Disney and Joe Grant (Walt Disney character designer and story artist) had conceived as a mix of different characters including a blend of Lady Macbeth and the Big Bad Wolf, as well as traits inspired by actresses Joan Crawford and Gale Sondergaard; would secure is place in the Walt Disney Studio. Refinement of the character of the Queen was done by animators Grim Natwick and Norm Ferguson; however the actual animation of the Queen fell to Babbitt.  


Close up of the Evil Queen original production drawing showing the production stamp.

Rotoscoping, a technique used in animation whereby live actors are used to portray the characters and then animators trace over the footage frame by frame; was not used as much on the Queen as it was on Snow White. Babbitt preferred to avoid rotoscoping and draw the character free hand. It has been stated that you could wallpaper a room with just drawings that Babbitt made just of her mouth and eyes; because all of her emotions came through her face. The Evil Queen, wonderfully voiced by veteran stage actress Lucille La Verne; holds a place in history as being the first character to ever speak in a full length animated film.


Framed image of the Evil Queen original production drawing.

This drawing of the Evil Queen holding the heart box is from the scene in the film after she had given the box to the Huntsman. The Queen ordered the Huntsman to kill Snow White and then bring back her heart in a box, to prove that he had performed the deed. In this drawing the Evil Queen realizes that she had been tricked by the Huntsman, and the box contained the heart of a pig. Her expression in the drawing is wonderful; her eyes are wide and shifted to the right, and her mouth and lips display an evil frown. The dialog from the scene is below:

Queen: "Magic Mirror, on the wall, who, now, is the fairest one of all?"
Magic Mirror: "Over the seven jewelled hills, beyond the seventh fall, in the cottage of the Seven Dwarfs, dwells Snow White, fairest of them all."
Queen: "Snow White lies dead in the forest. The huntsman has brought me proof. Behold, her heart."
Magic Mirror: "Snow White still lives, fairest in the land. 'Tis the heart of a pig you hold in your hand."
Queen: "The heart of a pig! Then I've been tricked!"

To view the scene which this drawing was used to create, click on the short video below:

Saturday, August 1, 2015

Original Production Drawing of Tick-Tock (The Crocodile) from "Peter Pan," 1953


Original production drawing of Tick-Tock (The Crocodile) in red, blue and graphite pencils from "Peter Pan," 1953; Numbered 6 in pencil lower right; Size - Tic Toc 5 1/2 x 7 1/4", Sheet 12 1/2 x 15 1/2"; Unframed.


“He would've had you by now, Captain, if he hadn't swallowed that alarm clock. But now, when he's about, he'd warn you, as you might say, with his tick-tock, tick-tock, tick-tock.”
―Mr. Smee

The author J. M. Barrie first used Peter Pan as a character in a section of the adult novel "The Little White Bird" in 1902. He returned to that character with his stage play entitled "Peter Pan, or The Boy Who Wouldn't Grow Up," which premiered in London on December 27, 1904. The play ran until 1913, and it was later adapted by Walt Disney for the animated feature film entitled, "Peter Pan," in 1953.


Close up of the Tick-Tock production drawing.

The primary Villain of "Peter Pan" is Captain Hook, and the film is unusual because Captain Hook has a Villain; a crocodile which was named (in later publications) Tick-Tock. The name is derived from the fact that he had swallowed a clock, whose ticking sound was a warning to anyone he approached. Whenever Tick-Tock appeared in the original film, the song "Never Smile at a Crocodile" is played as his theme. "Never Smile at a Crocodile" was a song written by Frank Churchill with lyrics by Jack Lawrence; although only the music is heard in the film.


Close up of the production number.

Tick-Tock seems very set on eating Captain Hook. In a prior fight, Peter Pan cut off Hook's left hand and fed it to the crocodile; and once Tick-Tock had a taste of Captain Hook he wanted more! Tick-Tock's first appearance in the film was animated by John Lounsbery, but most of the crocodile's animation was done by lead Disney animator Wolfgang Reitherman. Reitherman was most known for directing action scenes in the Disney animated features and for later becoming Disney's chief animation director in 1961. Disney sound man Jimmy MacDonald provided Tick-Tock's biting sounds in the film (uncreditied).

This is an eyes and mouth open original production drawing of Tick-Tock the crocodile from "Peter Pan." The crocodile's head and neck are shown, as is the tip of his tail; with the rest of his body underwater. Drawings of this character are rare, especially clean-up drawings. The pose is wonderful, as Tick-Tock stares up with a very wicked smile and showing lots of teeth! The drawing is accomplished in red, blue, and graphite pencils and is on a full 16-field sheet of peg hole animation paper.