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Friday, August 4, 2017

Original Production Animation Cel of Alice from "Alice In Wonderland," 1951


Original hand inked and hand painted production animation cel of Alice set on a lithographic background from "Alice In Wonderland," 1951, Walt Disney Studios; Size - Alice: 4 3/4 x 4 1/4", Image 7 1/4 x 10 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Well, it all started while I was sitting on the riverbank with Dinah." - Alice

"Alice's Adventures in Wonderland" (commonly shortened to "Alice in Wonderland"), is a 1865 novel written by English author Charles Lutwidge Dodgson who wrote under the pseudonym Lewis Carroll. Disney reworked the story to fit with both a younger audience and a time frame suitable for an animated film (it's run time is only 75 minutes).

Kathryn Beaumont, who was born in London England, was just 10 years old when she was chosen for the voice of Alice. Walt Disney personally cast Beaumont after seeing her in the film "On an Island with You," in which the child actress had a small role. Disney was so impressed by her that she was also chosen to be the model for Alice, and would also go on to provide the voice for Wendy in "Peter Pan," 1953. Beaumont has also reprised her voice acting role as Alice in two episodes of the animated series, Disney's "House of Mouse," and as both Alice and Wendy in the video game "Kingdom Hearts." She did not retire as the voice of Alice and Wendy until 2005, when her role for these two characters was taken over by Hynden Walch.

Initial design for the character of Alice was accomplished by Mary Blair during the storyboard phase and also by Les Clark. Alice was animated by Ollie Johnston and also by Marc Davis, who animated her for the tea party scene.


Close up of the original production animation cel of Alice.

This wonderful cel of Alice as she is falling down the Rabbit Hole into Wonderland. Cels from this key sequence are very rare, and highly collected. An absolutely perfect full figure, eyes and mouth open image of Alice; and a great addition to any animation collection!

Original Production Animation Cel of Figaro from "Pinocchio," 1940


Original hand painted and hand inked production animation cel of Figaro from "Pinocchio," 1940, Walt Disney Studios; Set over a Courvoisier air brush background; With original Courvoisier Galleries label; Secretarial signed Walt Disney; Size - Figaro In Bed: 6 x 6", Image 6 x 6", Frame 21 1/2 x 19"; Framed with a gold wood frame, two linen mats, gold wood fillet, and plexiglass.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Pinocchio," 1940 was the second animated feature film produced by Disney, and followed on the success of "Snow White and the Seven Dwarfs." 1937. It was released to theaters by RKO Radio Pictures on February 23, 1940 and was based on the Italian children's novel "The Adventures of Pinocchio" by Carlo Collodi. The general plot of the film involves an old wood-carver named Geppetto, who carves a wooden puppet that he names Pinocchio. One night the puppet is brought to life by the Blue Fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's journey to become a real boy is challenged by his encounters with an array of scrupulous characters.


Matted original hand painted and hand inked production animation cel of Figaro.

"Pinocchio" became the first animated feature to win an Academy Award; it won for both Best Music - Original Score and for Best Music - Original Song for "When You Wish Upon A Star." Most critics and audiences agree that "Pinocchio" is among the finest Disney features ever made, and one of the greatest animated films of all time. In 1994, it was added to the United States National Film Registry as being "culturally, historically, or aesthetically significant."


Original Courvoisier Galleries label.

Due to the huge success of "Snow White," Walt Disney wanted more famous voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who had made the first record selling over a million copies) as Jiminy Cricket. Disney also wanted the character of Pinocchio to be voiced by a real child. The role ended up going to twelve year old actor Dickie Jones, who had previously been in Frank Capra's enormous Hollywood hit, "Mr. Smith Goes to Washington."


Close up of the secretarial signed Walt Disney autograph.

Animation began in September 1938 and just as in "Snow White," live-action footage was shot for "Pinocchio" with the actors playing the scenes; which was supervised by Hamilton Luske. The animators then used the footage as a guide for their animation drawings by studying the human movement and then incorporating many of those poses and scenes. The title character was animated by Milt Kahl (initial design), Frank Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said, "I thought of the character being real, a living person, not a drawing."

Figaro is Geppetto's pet Tuxedo Cat and was Walt Disney's favorite character in the film. He loved the kitten so much, he wanted him to appear in as many scenes as possible. Once production on "Pinocchio" was completed; Walt made him Minnie Mouse's pet, replacing her dog Fifi. Figaro was also given his own series of cartoon shorts, as well as costarring in other cartoon shorts with Pluto.


Framed original hand painted and hand inked production animation cel of Figaro.

The master Walt Disney animator Eric Larson was in charge of animating Figaro, and based the kitten's design on the childlike personality of his own nephew. The famous character actor Mel Blanc (known as "The Man of Thousand Voices") provided the voice of Figaro.

This is an absolutely wonderful original production animation cel of Geppetto's cat Figaro lying in bed wearing his burgundy nightcap, and with a patchwork bed spread at his waist. A large blue pillow is behind him, his eyes are open, and his disgusted facial expression is just perfect! The cel is set over a Courvoisier air brush background, with original Courvoisier Galleries label, and has a secretarial signed Walt Disney autograph. A beautifully custom framed piece of artwork from one of the greatest Walt Disney films; and of one of Walt's most loved characters. A fantastic addition to any animation collection!

Original Production Animation Key Setup Cels of Figaro, Cleo, Fish Bowl, and Water Effects On Their Key Matching Production Background from "Pinocchio," 1940


Original hand painted and hand inked production animation cels of Figaro, Cleo, Fish Bowl, and Water Effects from "Pinocchio," 1940, Walt Disney Studios; Set over the key master production background; Production numbers lower center and verso of the background; Size - Figaro, Cleo, Fish Bowl, and Water Effects: 6 3/4 x 8", Image 7 3/4 x 10 1/4", Frame 19 x 21 1/2"; Framed with a gold wood frame, two linen mats, a gold wood fillet, and plexiglass.


"Pinocchio," 1940 was the second animated feature film produced by Disney, and followed on the success of "Snow White and the Seven Dwarfs." 1937. It was released to theaters by RKO Radio Pictures on February 23, 1940 and was based on the Italian children's novel "The Adventures of Pinocchio" by Carlo Collodi. The general plot of the film involves an old wood-carver named Geppetto, who carves a wooden puppet that he names Pinocchio. One night the puppet is brought to life by the Blue Fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's journey to become a real boy is challenged by his encounters with an array of scrupulous characters.


Close up of the original background production numbers.

"Pinocchio" became the first animated feature to win an Academy Award; it won for both Best Music - Original Score and for Best Music - Original Song for "When You Wish Upon A Star." Most critics and audiences agree that "Pinocchio" is among the finest Disney features ever made, and one of the greatest animated films of all time. In 1994, it was added to the United States National Film Registry as being "culturally, historically, or aesthetically significant."


Close up of the original hand painted and hand inked production animation cels of Figaro and Cleo.

Due to the huge success of "Snow White," Walt Disney wanted more famous voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who had made the first record selling over a million copies) as Jiminy Cricket. Disney also wanted the character of Pinocchio to be voiced by a real child. The role ended up going to twelve year old actor Dickie Jones, who had previously been in Frank Capra's enormous Hollywood hit, "Mr. Smith Goes to Washington."

Animation began in September 1938 and just as in "Snow White," live-action footage was shot for "Pinocchio" with the actors playing the scenes; which was supervised by Hamilton Luske. The animators then used the footage as a guide for their animation drawings by studying the human movement and then incorporating many of those poses and scenes. The title character was animated by Milt Kahl (initial design), Frank Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said, "I thought of the character being real, a living person, not a drawing."


Framed original key setup of Figaro, Cleo, and Water Effects.

Figaro is Geppetto's pet Tuxedo Cat and was Walt Disney's favorite character in the film. He loved the kitten so much, he wanted him to appear in as many scenes as possible. Once production on "Pinocchio" was completed; Walt made him Minnie Mouse's pet, replacing her dog Fifi. Figaro was also given his own series of cartoon shorts, as well as costarring in other cartoon shorts with Pluto.

The master Walt Disney animator Eric Larson was in charge of animating Figaro, and based the kitten's design on the childlike personality of his own nephew. The famous character actor Mel Blanc (known as "The Man of Thousand Voices") provided the voice of Figaro.

Cleo is Geppetto's pet goldfish (who he refers to as his little water baby) with red lips and blue eyes, and she is always seen in her fishbowl. Cleo is very affectionate towards everyone (even though Figaro does not always reciprocate). She was wonderfully animated by Eric Larson and Don Lusk.


Copy of the back of the original production background showing the production numbers and the Walt Disney Property stamp.

"Pinocchio," was groundbreaking in the area of effects animation. The animators gave realistic movement to vehicles, machinery, and natural elements; such as rain, lightning, snow, smoke, shadows, and water. In contrast to the character animators, effects animators create everything that moves around the characters. Sandy Strother, one of the Disney effects animators from "Pinocchio," kept a diary about his year long animation of the water effects; which included splashes, ripples, bubbles, waves, and the illusion of being underwater. All of this attention to detail contributed to "Pinocchio" being one of the first animated films to have highly realistic effects animation. Ollie Johnston remarked "I think that's one of the finest things the studio's ever done" and Frank Thomas stated, "The water looks so real a person can drown in it, and they do."

This is a spectacular original hand painted and hand inked production animation cel of Figaro and Cleo from the scene in the film, when Pinocchio has been reunited with them and Geppetto inside of the belly of the whale Monstro. When Pinocchio removes his hat and shows his donkey ears, Geppetto, Figaro, and Cleo are surprised; however when Pinocchio shows them his tail, Figaro is so caught off guard that he jumps into Cleo's fishbowl! This is a rare key setup of Figaro, Cleo, Cleo's Fish Bowl, and matching Water Effects; all placed on their key matching original production background. For animation art collection, it really just doesn't get any better than a vintage Disney key setup! A rare and important piece of animation artwork, and a great addition to any collection.

Thursday, August 3, 2017

Original Production Animation Cel of Madame Medusa from "The Rescuers," 1977


Original hand-painted production animation cel of Madame Medusa from "The Rescuers," 1977, Walt Disney Studios; Set on a lithographic background; Size - Madame Medusa: 10 3/4 x 7 1/2", Image 10 1/2 x 15 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"The Rescuers" is an animated feature film produced by Walt Disney Productions; and was released on June 22, 1977 by Buena Vista Distribution. The film is based on a series of books by Margery Sharp, most notably "The Rescuers and Miss Bianca." The 23rd film in the Walt Disney Animated Classics series, the film is about the Rescue Aid Society; an international mouse organization headquartered in New York; and shadowed the United Nations. The Rescue Aid Society, a mouse based group, was dedicated to helping abduction victims around the world at large. Two of these mice, jittery janitor Bernard (voiced by Bob Newhart) and his co-agent, the elegant Miss Bianca (voiced by Eva Gabor), set out to rescue Penny, an orphan girl being held prisoner in the Devil's Bayou by treasure huntress Madame Medusa.

Early designs for Medusa were done by Ken Anderson, there were even discussions about bringing back Cruella deVil from "101 Dalmatians" as the villain; but that was eventually abandoned. The character of Medusa was eventually created and although there are many similarities with Cruella (thin build, similar cars, appear wealthy, bad tempers, cry upon realizing that they have lost, etc.), Medusa is still quite distinct with her wild red hair, sagging breasts, green eyes, and lots and lots of makeup. Her ultimate goal in the film is to possess the Devil's Eye, the world's largest diamond. Milt Kahl was given the task of animating Medusa and it is known that one his inspirations was his ex-wife. Kahl's brilliance in animation is really showcased with this character and many point to the scene where she is removing her false eyelashes as proof of his technical skill.

The next three paragraphs are from veteran Walt Disney animator Andreas Deja:
"When Milt Kahl was asked in an interview if he had a favorite character he animated, his response was: "Oh I enjoyed a few, I just loved doing Madame Mim, Shere Khan was a lot of fun, and so were the butler and old lawyer in 'Aristocats'. But I guess I enjoyed Medusa more than any one of them." And it shows. His last animation assignment at Disney -just like Marc Davis's- was a tour de force of character acting. It has a "I'm going to give it all" feel to it.

Marc told me that Milt promised him, Medusa will "wipe his Cruella off the screen". Then he added with a chuckle: "Of course that didn't happen". So there was definitely a friendly competition going on between these two great animators and their characters. Milt sort of designed Medusa's features opposite from Cruella's.  Cruella  has a small nose, Medusa's is longer. Cruella's hair parts in the middle, Medusa's off to one side. Cruella has a pointy jaw, Medusa is almost chin less etc.

I have to admit, when I first saw Medusa in "The Rescuers" in a London theater, I couldn't believe my eyes. So much inventiveness in her drawing and motion. How on earth can you show an animated character removing her make up? Wasn't that something only a live actress could pull off...but in animation? Incredible! I have spent way too much time studying this character, on the other hand I think I got a lot out of it. Dialogue, graphic but dimensional drawing and just being gutsy in general."
This is a spectacular cel of Madam Medusa! She is eyes open and smiling. Both arms and her hands are visible in this very large image, and a towel is wrapped around her hair. A great piece of Disney animation artwork, perfect for any collection!

Original Production Animation Cel of Peg from "Lady and the Tramp," 1955


Original hand inked and hand painted production animation cel of Peg set on a lithographic background from "Lady and the Tramp," 1955, Walt Disney Studios; Size - Peg: 7 x 5 1/4", Image 9 x 11 3/4"; Unframed.


"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Whistling Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures. 


Close up of the Peg original production animation cel.

Besides Lady and Tramp, the standout character is the film is Peg, a Pekingese who is one of the dogs encountered by Lady when she ends up at the dog pound. Peg is named after and slightly resembles her voice actress, Peggy Lee. Peg's highlight in the film was her singing the song "He's A Tramp" in the dog pound. 

Peggy Lee was an American pop and jazz singer, songwriter, and actress who provided the original speaking and singing voices of not only Peg, but Si and Am and Darling. Lee also composed the majority of the film's soundtrack with Sonny Burke; as well as performed "He's a Tramp", "La La Lu", "What Is a Baby?", and "The Siamese Cat Song."

Peg was wonderfully animated by veteran Disney animator Eric Larson. From Walt Disney animator Andreas Deja:
"Eric usually downplayed his capabilities as a draughtsman when compared to animators like Kahl, Davis or Frank and Ollie. But his assignments for the film Lady and the Tramp show clearly that he was not only a great actor with a pencil, but that his drawings were right on par with the studio's high standards. Peg's animation during her song "He's a Tramp" is beautifully timed in its rhythm and elegant moves."

This is a wonderful full figure, eyes and mouth open, original production animation cel of Peg. Just a perfect image and a great addition to any animation art collection!

Original Production Animation Cel of Merryweather from "Sleeping Beauty," 1959


Original hand painted and hand inked production animation cel of Merryweather set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Size - Merryweather: 6 1/4 x 6", Image 9 x 7 1/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Sleeping Beauty," 1959 is an animated musical film produced by Walt Disney based on two stories: "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was released to theaters on January 29, 1959, by Buena Vista Distribution. This was the last Disney adaptation of a fairy tale for 30 years because of its initial mixed critical reception and because of under performance at the box office. The next Disney adaption of a fairy tale would not occur until 1989 with "The Little Mermaid."

"Sleeping Beauty" was directed by Les Clark, Eric Larson, and Wolfgang Reitherman; under the supervision of Clyde Geronimi. Additional story work was by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the work of the Graunke Symphony Orchestra under the direction of George Bruns, are arrangements or adaptations of numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen (following "Lady and the Tramp" four years earlier). The film was presented in Super Technirama 70 and 6-channel stereophonic sound in first-run engagements.

Flora, Fauna and Merryweather are Princess Aurora's Fairy Godmothers, who appear at baby Aurora's christening to present their gifts to her, as well as go on to become her guardians. The Fairies were voiced by Verna Felton (Flora), Barbara Jo Allen (Fauna), and Barbara Luddy (Merryweather). Verna Felton also voiced Queen Leah, Aurora's mother; and had prior roles as Dumbo's mother in "Dumbo," the Fairy Godmother in "Cinderella," the Queen of Hearts in "Alice in Wonderland," and Aunt Sarah in "Lady in the Tramp." Barbara Luddy had previously voiced Lady in "Lady and the Tramp." The principle animator for the Three Fairies was Ollie Johnston and a little known fact is that one of the actresses who was one of the live action models for the Good Fairies was Frances Bavier, the future Aunt Bee on "The Andy Griffith Show."

Merryweather is the shortest and youngest Fairy, dressed in a blue gown, a blue hat, and a blue cape clipped with a blue circle. She is the Fairy who is the most verbal and aggressive towards Maleficent, and she is much bolder than the other two Fairies. As Merryweather is about to give her gift, Maleficent makes her appearance and curses Aurora to die when she touches a spinning wheel's spindle before the sun sets on her sixteenth birthday. Merryweather's gift to Aurora is to weaken Maleficent's curse so that instead of death, Aurora will fall into a deep sleep until she is awakened by true love's kiss.

This is a perfect cel of Merryweather from the Walt Disney masterpiece "Sleeping Beauty," 1959. She is full figure, eyes and mouth open, flying, and holding her magic wand! A wonderful piece of vintage Walt Disney animation artwork, perfect for any collection.

Monday, July 31, 2017

Original Production Animation Cels of Tinker Bell With Matching Wings from "Peter Pan," 1953


Original hand inked and hand painted production animation cels of Tinker Bell with matching Wings from "Peter Pan," 1953; Walt Disney Studios; Set over a lithographic background; Size - Tinker Bell: 6 1/4 x 4", Image 9 1/2 x 13", Frame 20 1/2 x 24 1/4"; Framed with a gold wood frame, two linen mats, gold wood fillet, and plexiglass.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Don't you understand, Tink? You mean more to me than anything in this whole world!" - Peter Pan

The author J. M. Barrie first used Peter Pan as a character in a section of the adult novel "The Little White Bird" in 1902. He returned to that character with his stage play entitled "Peter Pan, or The Boy Who Wouldn't Grow Up," which premiered in London on December 27, 1904. The play ran until 1913, and it was later adapted by Walt Disney for the animated feature film entitled, "Peter Pan," in 1953.


Close up of the original production animation cels of Tinker Bell with Matching Wings.

Tinker Bell was designed and animated by Walt Disney veteran animator, Marc Davis (who supervised the animation and contributed to the design of: Cinderella, Alice, Wendy, Tinker Bell, Aurora, Maleficent, and Cruella De Vil). Without the aid of a vocal performance, he relied on Tinker Bell's facial and body expressions for the animation; taking inspiration from previous pantomime characters such as Mickey Mouse's dog Pluto and Dopey from "Snow White and the Seven Dwarfs." Once "Peter Pan" was released, Tinker Bell received critical acclaim and would continue to be one of Disney's trademark characters. She has become one of the main spokes-characters for The Walt Disney Company and one of its most popular and iconic characters since her creation. Many people remember the opening to the TV show "The Wonderful World of Disney," as Tinker Bell would fly towards the center of the screen with a thin wand in her hand, waving it, and causing fairy dust to fly out towards the viewer!


Framed Tinker Bell cels.

From veteran Walt Disney animator Andreas Deja:
"To me Tinker Bell is perfection. Her character arc in the story is very strong. Because of her affection for Peter Pan she is jealous of Wendy, which gets her into trouble. But toward the end of the film she saves Peter's life as well as the other kids. Her animation throughout is flawless. Occasionally based on live action reference, Marc animated her beautifully. She always feels like a small figure, but the acting has great range and subtlety. Marc said he really enjoyed the challenge of a mute character, where pantomime is the name of the game."

Because of the public's love of the character, DisneyToon Studios decided to create a series of films staring Tinker Bell; and the movies were extremely popular and very well received. The voices of Mae Whitman, Raven-Symoné, Lucy Liu, America Ferrera, Kristin Chenoweth and Pamela Adlon are featured in the series of films. Each of the first four films is set around one of the four seasons: "Tinker Bell," 2008 centered around Spring, "Tinker Bell and the Lost Treasure," 2009 around Autumn, "Tinker Bell and the Great Fairy Rescue," 2010 around Summer, and "Secret of the Wings," 2012 around Winter. A fifth title, "Pixie Hollow Games," 2011 was supposed to be based on all four seasons, but it was released before "Secret of the Wings" and the film was scaled down. A sixth film, entitled "The Pirate Fairy," was released on April 1, 2014, followed by the release of a seventh film "Tinker Bell and the Legend of the NeverBeast" on March 3, 2015. The film series was a spin-off of and prequel to the animated feature film "Peter Pan" and to its sequel, "Return to Never Land."

This is an exceptionally rare original production animation cel of Tinker Bell; but making the work even more extraordinary, is that the cel also has her matching wings. Production artwork of Tinker Bell (much less with their matching wings) is rare to the market, and this is both a great pose and a large image. She stands over six inches tall, full figure, eyes open, and sporting a great pouting mouth expression. This work is beautifully custom framed, and would be the stand out piece for any serious Walt Disney animation art collection!