Animation Collection

Saturday, August 12, 2017

Original Production Animation Drawing of Mickey Mouse from "The Worm Turns," 1937

Original production animation drawing of Mickey Mouse from "The Worm Turns," 1937, Walt Disney Studios; Graphite, green, blue, orange, yellow, purple, and red pencils on peg hole paper; Production numbers lower sheet edge; Size - Mickey Mouse: 4 3/4 x 3 1/2", Sheet 10 x 12"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

"The Worm Turns" (released on January 2, 1937) is an animated short film produced by Walt Disney Productions and was directed by Ben Sharpsteen. Both the title and the opening title card reference and show a worm attacking a bird; however neither animal appears in the short. The music was Franz von Suppe's most notable work, "Leichte Kavallerie (Light Cavalry)." Walt Disney provides the voice of Mickey Mouse, Pinto Colvig the voice of Pluto, and Billy Bletcher the voice of Pete the Dogcatcher.

Close up of the original production animation drawing of Mickey Mouse.

The story of "The Worm Turns" is that Mickey Mouse is in his laboratory, and he mixes a "Courage Builder" potion that he found in an ancient formulas book. He puts the potion into a syringe and tries it out on a fly, that had been captured in the web of a spider. Once the formula is sprayed from a syringe, the fly gains enormous courage; and is able to escape the web and also attack the spider. Seeing that they potion worked, Mickey spots a mouse being chased by a cat. H sprays the mouse, who ends up charging the cat and throwing him out of a window. The cat lands on Mickey's dog Pluto's water bowl. Pluto begins to chase the cat, but Mickey sprays the "Courage Builder" on the cat which causes the cat to now chase Pluto. Pluto escapes, but the Pete the dogcatcher catches Pluto in a dog net. Pluto escapes, but Pete grabs a shotgun and begins to chase Pluto down the street. Mickey sees the chase, and puts a large dose of the "Courage Builder" formula into a pest sprayer and sprays Pluto. Pluto charges Pete, bites him in the butt, and hurls him into the back of his own Dog Pound Truck; which crashes over the side of a hill. The last scene shows Pluto sniffing a fire hydrant, that Mickey sprays, causing the hydrant to spray Pluto with water. In each case, the weaker character that is sprayed with the potion, gets the upper hand on the stronger opponent.

Close up of the production numbers.

This is a great drawing of Mickey Mouse wearing his protective lab coat, rubber gloves, and holding the syringe containing the "Courage Builder" formula. He is full figure, his eyes are open, and he is smiling. The drawing is rendered in graphite, green, blue, orange, yellow, purple, and red pencils on peg hole animation paper. In addition to being a great image, this is a rare multi-colored shaded, color call out drawing; that indicates to the Walt Disney Ink and Paint Department which paint colors are to be used for each section of the character. The numbers represent different paint colors and the lines indicate which parts of the image are to receive that specific color. This is a wonderful image of Mickey Mouse and certainly a great drawing from one of the Walt Disney cartoon shorts of the 1930's.

Friday, August 11, 2017

Original Production Animation Drawing of Jafar On His Horse from "Aladdin," 1992

Original production animation drawing of Jafar on his Horse in graphite pencil from "Aladdin," 1992, Walt Disney Studios; Numbered lower right; Size - Aladdin and his Horse: 7 1/2 x 10", Sheet 12 1/2 x 17"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

"Aladdin," 1992 is a Walt Disney animated musical fantasy featured film that was released on November 25, 1992. The film was directed by John Musker and Ron Clements, and is based on the Arab-style folktale of Aladdin and the Magic Lamp from "One Thousand and One Nights." "Aladdin" won two Academy Awards; one for Best Music, Original Song Alan Menken (music), Tim Rice (lyrics), for the song "A Whole New World," and the second for Best Music, Original Score, Alan Menken. The voice cast featureed Scott Weinger as Aladdin, Robin Williams as the Genie, Linda Larkin as Princess Jasmine, Jonathan Freeman as Jafar, Frank Welker as Abu, Gilbert Gottfried as Iago, and Douglas Seale as The Sultan.

Close up of the Jafar on his Horse original production drawing.

Jafar, which means stream in Arabic, was the villain in "Aladdin." He was the Royal Vizier of Agrabah, but wanted overthrow the Kingdom through the power of a Genie. He was animated by Andreas Deja and voiced by Jonathan Freeman. Sir Patrick Stewart was originally offered the role of Jafar, but had to decline due to scheduling difficulties.

The following is from veteran and head Walt Disney animator for Jafar, Andreas Deja:

"I was thrilled when I got the assignment to supervise the animation of Jafar, the villain in the film Aladdin. I had just finished work on Gaston, who had to be handled with a certain amount of realism. I remember thinking: Not with Jafar! Here was a chance to design and animate a character who belonged in a graphically stylized world. Animator Eric Goldberg had already done some incredible test animation of the Genie, which helped to set the style for character designs. Inspired by the fluid lines of famous caricaturist Al Hirschfeld combined with the voice of Robin Williams, Eric created a Genie for the ages and set the bar very high for the rest of us. But how would I handle Jafar's personality against the uber entertaining Genie and the rest of the cast? Should I go along and give him plenty of lively gestures or should I downplay his acting and look for contrast instead? I found out the more I held back and showed him thinking and plotting, the more evil and interesting he became. Sure there were scenes when eccentric acting was called for such as when Jafar turns into a beggar. The attitudes here show a hunger for power as well as extreme frustration."

Close up of the production number.

This is a fantastic original production drawing of Jafar riding on his horse. Both characters are eyes and mouth open, and Jafar is holding is cobra staff in his left hand. A large, expressive, and action filled drawing that is perfect for any Disney animation art collection!

Thursday, August 10, 2017

Original Production Animation Cels of Maleficent and Diablo from "Sleeping Beauty," 1959

Original hand painted and hand inked production animation cels of Maleficent and Diablo set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Size - Maleficent & Diablo: 9 1/2 x 8 1/2", Image 10 1/2 x 9 1/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Come, my pet. Let us leave our noble prince with these happy thoughts." - Maleficent speaking to her pet raven Diablo

"Sleeping Beauty" is a Walt Disney animated full length feature film and was based on "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was the sixteenth in the Walt Disney Animated Classics series, and it was released to theaters on January 29, 1959 by Buena Vista Distribution. This was to be the last Disney adaptation of a fairy tale for many years, both because of its initial mixed critical reception, and because of it's under performance at the box office. The Walt Disney studio did not return to the fairy tale genre until 30 years later, with the release of "The Little Mermaid" in 1989.

Original production animation cel of Maleficent.

"Sleeping Beauty" was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The story was written by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the Graunke Symphony Orchestra, was under the direction of George Bruns. Arrangements and/or adaptations were derived from numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. In addition, Igor Stravinsky's music compositions were also adapted into the film. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen; following "Lady and the Tramp" four years earlier. In select first-run engagements, the film was presented in Super Technirama 70 and 6-channel stereophonic sound.

The style for "Sleeping Beauty" was based on the art of Eyvind Earle, who was known for his 'Pre-Renaissance' style; accomplished with strong vertical lines combined with Gothic elegance. Earle was involved with the design of all the characters in the film, and he designed and painted most of the backgrounds. The early sketches for Maleficent depicted a hag-like witch, however it was later decided that her final design should be more elegant; as it better suited Earle's backgrounds. The principal animator for Maleficent, Marc Davis, decided to make Maleficent a powerful fairy rather than an old crone that had been described in the original source material. A contributing factor for this decision may have been influenced by the choice of Eleanor Audley to be the voice of the character. Audley had previously worked for Disney by providing the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." It is known that Frank Thomas who animated Lady Tremaine and Marc Davis who animated Maleficent, incorporated the facials features of Eleanor into both characters. Audley was also the live-action model for Maleficent, and Marc Davis claimed that her movements and expressions were ultimately incorporated into the animation.

Marc Davis's design for Maleficent's costume was inspired by a book on Medieval art. One of the images featured was that of a religious figure with long robes, the ends of which resembled flames. Davis incorporated this into Maleficent's final design, and he based the sides of her headdress on the wings of a bat, and the top of her headdress on the horns of a devil. If you ask people to name their favorite Disney Villain, chances are you will one of three answers; The Evil Queen/Witch from "Snow White and the Seven Dwarfs," Cruella DeVil from "One hundred and One Dalmatians," or Maleficent from "Sleeping Beauty." Two of the three, Cruella and Maleficent, were created and drawn by the great Walt Disney animator Marc Davis.

Original production animation cel of Diablo.

This cel is from the scene when Maleficent visits Prince Phillip, who is her prisoner in her dungeon. She torments him with a story about the fact that although he will grow old, Princess Aurora will remain in an ageless slumber. When he is eventually freed from Maleficent's castle, he will be to old to have any type of life with her. As Maleficent turns to leave the shackled Prince in his stone dungeon cell, she says to her pet raven Diablo (now perched on her hand), "Come, my pet. Let us leave our noble prince with these happy thoughts." This is a rare two cel setup of Maleficent, the Mistress of all evil; and her pet raven Diablo. A centerpiece to any animation art collection!

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Original Production Animation Cels of Si and Am Siamese Cats from "Lady and the Tramp," 1955

Original hand inked and hand painted production animation cels of Si and Am Siamese Cats set on a lithographic background from "Lady and the Tramp," 1955; Walt Disney Studios; Size - Si and Am: 8 3/4 x 5 1/2", Image 9 1/2 x 9 3/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

"We are Siamese if you please. We are Siamese if you don't please." - Si and Am

"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Whistling Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures.

Si and Am account for a very large amount of Villain merchandise sold by Walt Disney Studios. The cats were only in the film "Lady and the Tramp" for a very short amount of time; however their film time is very much remembered and loved. With their names combined, "Siam" is the former name of the Kingdom of Thailand, referencing the cats' heritage. Si and Am are a pair of identical twin seal-point Siamese cats and belong to Aunt Sarah. Their physical appearance is sleek, with cream colored coats, angular wedge-shaped faces, and large blue almond eyes. They have deep brown facial points with a darker, almost black muzzle with dark triangular ears; and their noses are black and small, and both have two middle incisors that hang over their lower lip. Si and Am have dark brown "stockings" on their front legs and shorter "socks" on their hind legs, with dark long winding tails.

The famed Disney animator Milt Kahl did the final character design for Si and Am; but the cats were animated beautifully by Bob Carlson, Bill Justice, and John Sibley. There is little doubt that a huge amount of the success of Si and Am goes to Peggy Lee and her performance of their signature song, "The Siamese Cat Song." Peggy Lee was an American pop and jazz singer, songwriter, and actress who provided the original speaking and singing voices of not only Si and Am; but Darling and Peg. She also composed the majority of the film's soundtrack with Sonny Burke; as well as performed "He's a Tramp", "La La Lu", "What Is a Baby?", and of course "The Siamese Cat Song"!

Close up of the Si original production animation cel.

The cats storyline is that while Aunt Sarah is upstairs, Si and Am perform their trademark musical number, "The Siamese Cat Song". During their song, the cats wreak havoc throughout the house, claiming it as their own, and even attempt to eat both the family fish and family bird! During the closure of their song, Lady ferociously chases after them upon hearing of their intentions to sample some of the newborn baby's milk. Lots of household damage ensues, and although the cats caused all the trouble, Si and Am feign injury in order to lay all the blame on Lady; who is then muzzled by Aunt Sarah.

Close up of the Am original production animation cel.

Original production cels of Si and Am are extremely rare and this set is one of the finest I have ever seen in my 20+ years of collecting/dealing animation art. I have only seen a handful of cels on the market and I have never seen any production drawings. The cats famous quote is "We are Siamese if you please," and this pair of cels is from the very beginning of their famous song "The Siamese Cat Song," from which the line originates. In this two cel setup both cats are full figure, with both blue eyes open, and have just emerged from their basket and begin to sing and wreck havoc. An absolutely fantastic piece of vintage animation artwork, perfect for any collection!

Original Production Animation Cels of Ariel, Flounder, and Bubble Effects from "The Little Mermaid," 1989

Original hand painted production animation cels of Ariel, Flounder, and Bubble Effects on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; With Walt Disney Certificate; Disney seal lower right; Size - Ariel & Flounder: 7 3/4 x 9 1/4", Image 9 1/2 x 15", Frame 18 1/2 x 24"; Framed with a dark blue wood frame, linen mat, dark blue wood fillet, and plexiglass.

To purchase this cel or to visit the Art Gallery, CLICK HERE

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

Close up of the original production animation cels of Ariel the Little Mermaid, Flounder, and Bubble Effects.

There was more money and resources dedicated by the Walt Disney Studios to "The Little Mermaid" than any other Disney animated film in decades. Aside from its main animation facility in Glendale, California; Disney opened a satellite feature animation facility in Lake Buena Vista, Florida that was within the Disney-MGM Studios Theme Park at Walt Disney World. Their first projects were to produce an entire Roger Rabbit cartoon short, "Roller Coaster Rabbit," and to contribute ink and paint support to "The Little Mermaid." Another first for Disney films of recent years, was the filming of live actors and actresses for motion reference material for the animators. Broadway actress Jodi Benson (who was predominantly a stage actress when she was cast) was chosen to play Ariel, and Sherri Lynn Stoner, a former member of Los Angeles' Groundlings improvisation comedy group, acted out Ariel's key scenes.

Close up of The Walt Disney Company seal.

The Little Mermaid's supervising animators included Glen Keane and Mark Henn on Ariel, Duncan Marjoribanks on Sebastian, Andreas Deja on King Triton, and Ruben Aquino on Ursula. Originally, Keane had been asked to work on Ursula, as he had established a reputation for drawing large powerful figures, such as the bear in "The Fox and the Hound," 1981 and Professor Ratigan in "The Great Mouse Detective," 1986. Keane however, was assigned as one of the two lead artists on the petite Ariel and oversaw the "Part of Your World" musical number. He jokingly stated that his wife looks exactly like Ariel "without the fins." The character's body type and personality were based upon that of Alyssa Milano, who was starring on TV's "Who's the Boss?". The effect of Ariel's hair underwater was based on footage of Sally Ride when she was in space; and scenes of Sherri Lynn Stoner in a swimming pool were used in animating Ariel's swimming. A challenge in animating Ariel were the colors required to show her in various changing environments, both under the sea and on land. By the end of the film, the animators required a total of 32-color models; not including costume changes. The sea-green color of her fin was a hue specially mixed by the Disney paint lab, and the color was named "Ariel" after the character.

Framed original production animation cels of Ariel, Flounder, and Bubble Effects.

Walt Disney Certificate.

Flounder, despite his name, is not a flounder but rather a yellow and blue colored tropical fish. He is Ariel's best and most loyal undersea friend. Flounder scares easily, but even when there is danger, he is always there to help Ariel. He was animated by David Pruiksma and voiced by child actor Jason Marin.

This is an absolutely beautiful three cel setup of Ariel, her best friend Flounder, and a bubble effects cel. Ariel and Founder are both full figure and eyes and mouth open. A wonderful piece of animation art from the last Walt Disney film that utilized hand painted cels. A great addition to any collection!

Tuesday, August 8, 2017

Original Production Animation Cel of Geppetto and Figaro from "Pinocchio," 1940

Original hand painted and hand inked production animation cel of Geppetto and Figaro from "Pinocchio," 1940, Walt Disney Studios; Set over a Courvoisier air brush background; Size - Geppetto and Figaro: 8 1/2 x 5 1/2", Image 9 1/2 x 9 1/2", Frame 20 x 20"; Framed with a gold wood frame, two linen mats, a gold mat, and plexiglass.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Pinocchio," 1940 was the second animated feature film produced by Disney, and followed on the success of "Snow White and the Seven Dwarfs." 1937. It was released to theaters by RKO Radio Pictures on February 23, 1940 and was based on the Italian children's novel "The Adventures of Pinocchio" by Carlo Collodi. The general plot of the film involves an old wood-carver named Geppetto, who carves a wooden puppet that he names Pinocchio. One night the puppet is brought to life by the Blue Fairy, who informs him that he can become a real boy if he proves himself to be "brave, truthful, and unselfish". Pinocchio's journey to become a real boy is challenged by his encounters with an array of scrupulous characters.

"Pinocchio" became the first animated feature to win an Academy Award; it won for both Best Music - Original Score and for Best Music - Original Song for "When You Wish Upon A Star." Most critics and audiences agree that "Pinocchio" is among the finest Disney features ever made, and one of the greatest animated films of all time. In 1994, it was added to the United States National Film Registry as being "culturally, historically, or aesthetically significant."

Due to the huge success of "Snow White," Walt Disney wanted more famous voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who had made the first record selling over a million copies) as Jiminy Cricket. Disney also wanted the character of Pinocchio to be voiced by a real child. The role ended up going to twelve year old actor Dickie Jones, who had previously been in Frank Capra's enormous Hollywood hit, "Mr. Smith Goes to Washington."

Animation began in September 1938 and just as in "Snow White," live-action footage was shot for "Pinocchio" with the actors playing the scenes; which was supervised by Hamilton Luske. The animators then used the footage as a guide for their animation drawings by studying the human movement and then incorporating many of those poses and scenes. The title character was animated by Milt Kahl (initial design), Frank Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said, "I thought of the character being real, a living person, not a drawing."

Figaro is Geppetto's pet Tuxedo Cat and was Walt Disney's favorite character in the film. He loved the kitten so much, he wanted him to appear in as many scenes as possible. Once production on "Pinocchio" was completed; Walt made him Minnie Mouse's pet, replacing her dog Fifi. Figaro was also given his own series of cartoon shorts, as well as costarring in other cartoon shorts with Pluto.

Framed original hand painted and hand inked production animation cel of Geppetto and Figaro.

The master Walt Disney animator Eric Larson was in charge of animating Figaro, and based the kitten's design on the childlike personality of his own nephew. The famous character actor Mel Blanc (known as "The Man of Thousand Voices") provided the voice of Figaro.

Geppetto is a very skilled woodcarver, and is able to make toys, figurines, clocks, and even articulated music boxes. One day he creates a wooden marionette puppet that he names Pinocchio, and makes a wish for him to become a real boy. Geppetto was voiced by Christian Rub, who was a character actor from the late 1910's to the early 1950's, and was featured in more than 100 movies. Geppetto was masterfully animated by Walt Disney animator Art Babbitt, who noted that Geppetto was his favorite character to animate.

According to veteran Walt Disney animator Andreas Deja:

"I had the chance to meet Art when he was still working for Dick Williams on The Thief and the Cobbler. He didn't mind talking about his Disney years and his strained relationship with Walt. I remember him saying that after he left Disney he never again animated a character with so much warmth like Geppetto. He felt it was one of the best things he ever did. I would agree, the level of depth Babbitt was able to inject into the character's acting is astounding. Geppetto just loves this wooden puppet that came to life, and when he looses Pinocchio, his whole world seems to fall apart. But he still has enough hope and searches on to find his "son". A real high in character animation."

This is an absolutely wonderful original production animation cel of Geppetto and Figaro. Both characters have their eyes and mouth wide open; and Figaro is poking his head out from underneath Geppetto's night cap. A beautifully custom framed piece of artwork from one of the greatest Walt Disney films; and a fantastic addition to any animation collection!

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Friday, August 4, 2017

Original Production Animation Cels of Evinrude, Bernard, and Miss Bianca in the Leaf Boat from "The Rescuers," 1977

Original hand painted production animation cels of Evinrude, Bernard, and Miss Bianca in the Leaf Boat; Evinrude's Wings, and Water Effects from "The Rescuers," 1977, Walt Disney Studios; Set on a lithographic background; Walt Disney seal lower right; Size - Evinrude, Bernard, Miss Bianca, Leaf Boat, & Water Effects: 7 x 12 1/2", Image 10 3/4 x 15 3/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

You'll need a boat. Evinrude's
got the fastest boat around here.
Evinrude, wake up!
Start up your engine, boy!

Read more: http://www.springfieldspringfield.co.uk/movie_script.php?movie=the-rescuers

"You'll need a boat. Evinrude's got the fastest boat around here. Evinrude, wake up! Start up your engine, boy!" - Ellie Mae

"The Rescuers" is an animated feature film produced by Walt Disney Productions; and was released on June 22, 1977 by Buena Vista Distribution. The film is based on a series of books by Margery Sharp, most notably "The Rescuers and Miss Bianca." The 23rd film in the Walt Disney Animated Classics series, the film is about the Rescue Aid Society; an international mouse organization headquartered in New York; and shadowed the United Nations. The Rescue Aid Society, a mouse based group, was dedicated to helping abduction victims around the world at large. Two of these mice, jittery janitor Bernard (voiced by Bob Newhart) and his co-agent, the elegant Miss Bianca (voiced by Eva Gabor), set out to rescue Penny, an orphan girl being held prisoner in the Devil's Bayou by treasure huntress Madame Medusa.

Original production animation cel of Evinrude, Bernard, and Miss Bianca in the Leaf Boat.

Original production animation cel of Water Effects.

Original production animation cel of Evinrude's Wings.

Bernard, a stout mouse, is the unlikely hero of "The Rescuers." He is the janitor for the Rescue Aid Society in New York City, the mouse version of the United Nations. A message in a bottle arrives at the Society and Bernard is tasked with removing it, and in the process accidentally falls inside the bottle. The note reveals that a girl named Penny is in trouble and the Hungarian agent, Miss Bianca, asks for the rescue assignment. Bernard points out that the mission is too dangerous to go alone, Miss Bianca agrees, and so she asks Bernard to join her on the escapade. Bernard was animated by Frank Thomas and Ollie Johnston; and Miss Bianca was designed by Ken Anderson and animated by Mark Henn.

Evinrude, the dragonfly, is one of the real standout characters of the film! Although he does not speak, he is able to communicate with others by his wing buzzing and bugle sound. When Bernard and Miss Bianca need to reach Madame Medusa's riverboat hideout, a local muskrat named Ellie Mae suggests Evinrude; because he has the fastest boat in Devil's Bayou. Evinrude's boat is leaf the floats on the water, and he both steers and powers it with the buzzing of his wings. Evinrude's name is derived from the Evinrude Outboard Motor Company, and the sounds he makes powering the leaf boat are very similiar to the sounds made by a real outboard boat motor. Veteran voice actor and the original head of the Walt Disney Sound Effects Department, James MacDonald, provided the "voice" of Evinrude.

Close up of the Walt Disney seal.

This is an absolutely spectacular three cel setup from one of the greatest animated sequences in the film! Exceptional cel setups from the Leaf Boat scene are rare, because only some of the characters are in the shot, they are in exaggerated poses, covered by either water effects, and/or the tilting of the leaf boat. This setup has full figure images of Bernard, Miss Bianca, and Evinrude; and all three characters are eyes open. In addition, there is the matching wings cel for Evinrude and a Water Effects overlay cel. A beautiful, large image (spanning over 12 inches), and a stand out piece for any animation art collection!