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Sunday, January 21, 2024

Original Production Animation Cels of Lady and Jock from "Lady and the Tramp," 1955

 

Original hand inked and hand painted production animation cel of Lady and Jock set on a lithographic background from "Lady and the Tramp," 1955, Walt Disney Studios; Size - Lady & Jock: 3 1/4 x 6 1/4", Image 9 x 10 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

“Oh, I love her. What a perfectly beautiful little Lady.” ―Darling

"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Whistling Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures.

One evening in 1937, Disney storyman Joe Grant invited Walt Disney over to his house for dinner and ended up showed Disney a drawing he had made of his pet springer spaniel, who was named Lady. Walt loved the drawing and suggested that Joe make a storyboard out of it; which he did and the plan was to create a new animated film, simply titled "Lady." The story that was pitched ended up being too simplistic to Walt Disney's taste, and the project was put on hold until about 20 years later.

Lady was wonderfully animated by the great Disney artist Ollie Johnston and she was voiced by Barbara Luddy. Barbara Luddy (1908 — 1979) was an American actress from Great Falls, Montana and she starred in silent pictures in the 1920s. She was also a prolific radio performer; known for her performances on the long running radio show "The First Nighter Program" which aired from 1936 until 1953.

However, Luddy is perhaps best remembered for her voice work in Walt Disney animated films; with her most memorable role being that of Lady from Lady and the Tramp.  She also performed in Sleeping Beauty (voice of Merryweather), One Hundred and One Dalmatians (voice of Rover), Robin Hood (voice of both Mother Church Mouse and the Mother Rabbit), and the Winnie-the-Pooh featurettes (Winnie the Pooh and the Honey Tree, Winnie the Pooh and the Blustery Day, and Winnie the Pooh and Tigger Too) all of which she provided the voice for Kanga.
 
Jock (Heather Lad O'Glencairn) is a Scottish terrier who lives near Trusty. He is very loyal and protective of his friends. He was animated by Ollie Johnston and voiced by Bill Thompson (who had provided the voice to Mr. Smee for "Peter Pan").
 
Jock actually had his own short song called "Jock's Song" which he sang during his first appearance in the film; where he is seen visiting his secret cache of bones buried under some bushes in his backyard. The song followed the tune of the Scottish folk song "The Bonnie Banks o'Loch Lomond." The lyrics are below:
 
"Four steps a-straight, and then to my left
And right at the place where I marked it
With a Bonnie, Bonnie bone that I'll bury for me own
In the Bonnie, Bonnie bank in the backyard"

This is a very nice original production animation cel of Lady and Jock. Both dogs are full figure, eyes open, looking at each other, and Lady has a beautiful smile. This is a wonderful piece of animation history and certainly would be a highlight for any Walt Disney vintage animation art collection!

Original Production Animation Cels of Tramp, Scamp, and Two Puppies from "Lady and the Tramp," 1955

Original hand inked and hand painted production animation cels of Tramp, Scamp, and Two Puppies set on a lithographic background from "Lady and the Tramp," 1955, Walt Disney Studios; Size - Tramp, Scamp, & Two Puppies: 6 1/2 x 9 1/4", Image 8 3/4 x 11 1/2"; Unframed.


"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Whistling Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures. 

One evening in 1937, Disney storyman Joe Grant invited Walt Disney over to his house for dinner and ended up showed Disney a drawing he had made of his pet spinger spaniel, who was named Lady. Walt loved the drawing and suggested that Joe make a storyboard out of it; which he did and the plan was to create a new animated film, simply titled "Lady." The story that was pitched ended up being too simplistic to Walt Disney's taste, and the project was put on hold until about 20 years later.

Initially Tramp was called Homer and although he was first conceived as Lady's suitor, he ended up as her ex-dog pound mate in the initial 1943 storyboard pitch. A few years after that version was scrapped, Walt Disney read a story called "Happy Dan the Cynical Dog" in Cosmopolitan Magazine and decided that this was they type of character that was needed to enhance the film. Although Walt wanted his new character to be called Tramp, the animators feared that audiences would take offense in such a name, due to the word's sexual connotations that had been popularized by the song "The Lady Is A Tramp." The animators first called the character Rags, then Bozo; before Walt insisted that that name Tramp would be acceptable 

Tramp is a very laid-back dog and acts more like a kid. He's flirtatious and has history of having had a multitude of girlfriends; and he's known for his street smarts, able to both avoid dog catchers and deal with junkyard dogs. However, he dreams about living with a family and in a loving home. Tramp was animated by Ollie Johnston, Milt Kahl, and Wolfgang Reitherman who animated the rat fight scene.

Larry Roberts (1926 - 1992) was an American voice actor and comedian who was most active in the 1950s. Although he was well known for his role in the 1950s TV series Lights, Camera, Action!, he is best remembered for his role of the voice of Tramp.

This is a wonderful original production animation cel setup of Tramp with Scamp and two other female puppies. At the end of the film Tramp has become an official member of the Jim Dear and Darling family. It is revealed that he and Lady have had four puppies, three females and a single male puppy named Scamp. Tramp is a nice full figure is eyes and mouth open image. Scamp is running ahead and there is a pair of female puppies playing while rolling around on the floor. This would be a great addition to any vintage Walt Disney animation art collection!

Original Production Animation Drawings of Ursula, Flotsam, and Jetsam from "The Little Mermaid," 1989

Original production animation drawings of Ursula and Flotsam & Jetsam in red, blue, and graphite pencils; Ursula numbered 46 lower right and animation ladder center right; Flotsam & Jetsam numbered E-43 lower right both from "The Little Mermaid," 1989, Walt Disney Studios; Size - Ursula: 7 1/4 x 8", Flotsam & Jetsam: 6 x 4 1/4", Sheets 10 1/2 x 12 1/2"; Unframed.

To purchase these drawings or to visit the Art Gallery, CLICK HERE!

"Flotsam, Jetsam, now I've got her, boys. The boss is on a roll." - Ursula 

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The voice was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

Flotsam and Jetsam are a pair of slender green moray eels. Their eyes are odd and notable as one is yellow for one and the other opposite is white for the other. The eels are named after the phrase flotsam and jetsam which means "useless or disregarded objects". Flotsam and Jetsam speak in unison, they finish each other's sentences, and are constantly entwining their bodies. They can also merge their white eyes to form a single crystal ball; which creates a portal through which Ursula can view the outside world while still within her cave. Both eels were both voiced by Paddi Edwards, who also was the voice of Lucy the goose in "One Hundred and One Dalmatians: The Series" and Atropos the Fate in "Hercules."

This is an outstanding pair of production drawings from Ursula's famous song "Poor Unfortunate Souls," one of the true highlights of the entire film! It features Ursula leaning over and whispering to Flotsam and Jetsam, who are full figure. The drawings are accomplished in graphite and colored pencils and feature large expressive images of all the characters. The lyrics that she is singing are above and this set of drawings would be a highlight for any animation art collection!

Original Production Animation Drawings of Ursula, Flotsam, and Jetsam from "The Little Mermaid," 1989

Original production animation drawings of Ursula and Flotsam & Jetsam in red, light blue, dark blue, and graphite pencils; Ursula numbered 44 lower right and animation ladder lower right; Flotsam & Jetsam numbered E-7 lower right both from "The Little Mermaid," 1989, Walt Disney Studios; Size - Ursula: 7 x 7 1/2", Flotsam & Jetsam: 5 1/2 x 3 1/2", Sheets 10 1/2 x 12 1/2"; Unframed.

To purchase these drawings or to visit the Art Gallery, CLICK HERE!

"Flotsam, Jetsam, now I've got her, boys. The boss is on a roll." - Ursula 

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The voice was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

Flotsam and Jetsam are a pair of slender green moray eels. Their eyes are odd and notable as one is yellow for one and the other opposite is white for the other. The eels are named after the phrase flotsam and jetsam which means "useless or disregarded objects". Flotsam and Jetsam speak in unison, they finish each other's sentences, and are constantly entwining their bodies. They can also merge their white eyes to form a single crystal ball; which creates a portal through which Ursula can view the outside world while still within her cave. Both eels were both voiced by Paddi Edwards, who also was the voice of Lucy the goose in "One Hundred and One Dalmatians: The Series" and Atropos the Fate in "Hercules."

This is an outstanding pair of production drawings from Ursula's famous song "Poor Unfortunate Souls," one of the true highlights of the entire film! It features Ursula leaning over and whispering to Flotsam and Jetsam, who are full figure. The drawings are accomplished in graphite and colored pencils and feature large expressive images of all the characters. The lyrics that she is singing are above and this set of drawings would be a highlight for any animation art collection!

Saturday, January 20, 2024

Original Production Animation Drawing of Ursula from "The Little Mermaid," 1989

Original production animation drawing of Ursula in blue, red, and graphite pencils from "The Little Mermaid," 1989, Walt Disney Studios; Numbered 154 lower right; Size - Ursula: 7 x 7 3/4", Sheet 12 1/2 x 17"; Unframed.


"If I become human, I'll never be with my father or sisters again." - Ariel
"That's right. . . . But - you'll have your man. Life's full of tough choices, innit? Oh - and there is one more thing. We haven't discussed the subject of payment. You can't get something for nothing, you know." - Ursula
"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The role was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Caroll also served as the live action model of the character. Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

This is a wonderful original production animation drawing of Ursula the Sea Witch from the full length feature film "The Little Mermaid," 1989. The drawing is from the scene when Ursula brings up the issue of payment for transforming Ariel, from a mermaid into a human. Ursula is full figure with her tentacles trailing behind her, as she circles around Ariel in this spectacular drawing from the "Pour Unfortunate Souls" song sequence. An absolutely beautiful and rare drawing which would be a great addition to any animation art collection!

Original Production Animation Drawing of Ursula from "The Little Mermaid," 1989

Original production animation drawing of Ursula in blue, red, and graphite pencils from "The Little Mermaid," 1989, Walt Disney Studios; Numbered 154 lower right; Size - Ursula: 7 x 7 3/4", Sheet 12 1/2 x 17"; Unframed.


"If I become human, I'll never be with my father or sisters again." - Ariel
"That's right. . . . But - you'll have your man. Life's full of tough choices, innit? Oh - and there is one more thing. We haven't discussed the subject of payment. You can't get something for nothing, you know." - Ursula
"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The role was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Caroll also served as the live action model of the character. Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

This is a wonderful original production animation drawing of Ursula the Sea Witch from the full length feature film "The Little Mermaid," 1989. The drawing is from the scene when Ursula brings up the issue of payment for transforming Ariel, from a mermaid into a human. Ursula is full figure with her tentacles trailing behind her, as she circles above Ariel in this spectacular drawing from the "Pour Unfortunate Souls" song sequence. An absolutely beautiful and rare drawing which would be a great addition to any animation art collection!

Original Production Animation Cel of Doc, Bashful, and Sneezy from "Snow White and the Seven Dwarfs," 1937

Original hand painted and hand inked production animation cel of Doc, Bashful, and Sneezy set on an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Partial Courvoisier label verso; Size - Doc, Bashful, & Sneezy: 4 1/2 x 7 3/4", Image 7 x 9"; Unframed.
 
Snow White: "Supper's not quite ready. You'll just have time to wash."
Dwarfs: (confused) "Wash?"
Grumpy: "Hah! Knew there's a catch to it."
Bashful: "Why wash?"
Happy: "What for? We ain't going nowhere."
Doc: "Ain't New Year's."
Snow White: "Oh, maybe you have washed."
Doc: "Maybe we...yes, maybe we have. Where? Where…uh, you said "where"...why, last week……month…year…why, uh, recently."
Dwarfs: "Yes, recently."
Snow White: "Oh, recently. Let me see your hands."
Snow White: "Why, Doc, I'm surprised."
Snow White: "C'mon, let's see them."
Snow White: "Oh, Bashful. My, my, my. (to Sneezy) And you?"
Snow White: "Oh, worse than I thought."


Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it.  The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly."  Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!


Back of the original production animation cel of Doc, Bashful, and Sneezy showing the partial Courvoisier label. 
 
Although the initial concept designing of the dwarfs was relatively easy for the Walt Disney animation department, the actual animating of them proved to be difficult. The animators, already finding human figures difficult to animate, now had to animate dwarfed human figures. The great Disney animator Vladimir Tytla noted that the dwarfs should walk with a swing to their hips, and Fred Moore commented that they had to move a little more quickly in order to keep up with the other human characters. 
 
Doc was not present in the original November 1935 story outline of the film as referenced by Robert D. Field in "The Art of Walt Disney." However, several months later his role in the film and his relationship with Grumpy was well established. Walt Disney commented that Doc's flustered personality should be such that he never knew quite where he is without one of his fellow dwarfs reminding him. Radio comedian Roy Atwell, who used stammering and mixed-up language in his act, was chosen to be the voice of Doc. Various Walt Disney artists were involved in the animation of Doc throughout the film including: Vladimir Tytl, Fred Moore, Shamus Culhane, Les Clark, and Ward Kimball.

Bashful is very shy and coy, and he has a crush on the beautiful Snow White. His shyness prompts him to blush and he then covers his reddened face behind his hands and beard; which is often accompanied by giggles. Various Walt Disney artists were involved with Bashful's concept and animation throughout the film including: Vladimir Tytl, Fred Moore, Shamus Culhane, and Les Clark. The film and television actor Scotty Mattraw provided the voice for Bashful.
 
Due to Sneezy's severe hayfever, he sneezes very often throughout the film and this often prevents him from speaking. His sneezes can be gale force and will blow away anything and anyone in their path. As a result, the other dwarfs are quick to hold his nose whenever they feel he may have a sneeze approaching. The memorable scene in which the dwarfs tie a knot in Sneezy's beard was inspired by an early sketch by Albert Hurter, a concept and inspirational sketch artist at Walt Disney Studios. Various Disney artists were involved in the animation of Sneezy throughout the film including: Ward Kimball, Vladimir Tytl, Fred Moore, Shamus Culhane, and Les Clark. Billy Gilbert, an American comedian and actor known for his comic sneeze routines, provided the voice of Sneezy.

This is an absolutely spectacular original hand painted and hand inked production cel setup of Doc, Bashful, and Sneezy set on an airbrushed wood veneer Courvoisier background. The Courvoisier setups from Snow White are highly desired by collectors for their rarity and beauty. Courvoisier Galleries was the first gallery to recognize the artistic value to the newly emerging animation art form in the 1930s and 40s and worked with Disney Studios to prepare and sell the original cels and drawings to the public. This cel is from the scene where Snow White has prepared dinner and is inspecting the hands of the Dwarfs to make sure they are washed and clean. The dialog for the scene is above. A wonderful full figure image of Doc, Bashful, and Sneezy with their eyes and mouths open; and would be a great addition to any vintage Walt Disney animation art collection!