Original Production Animation Cel of Alice from "Alice In Wonderland," 1951

 

Original hand inked and hand painted production animation cel of Alice set on a lithographic background from "Alice In Wonderland," 1951, Walt Disney Studios; Size - Alice: 6 1/4 x 5 1/4", Image 10 1/2 x 13"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Curiouser and curiouser!” - Alice

"Alice's Adventures in Wonderland" (commonly shortened to "Alice in Wonderland"), is a 1865 novel written by English author Charles Lutwidge Dodgson who wrote under the pseudonym Lewis Carroll. Disney reworked the story to fit with both a younger audience and a time frame suitable for an animated film (it's run time is only 75 minutes).

Kathryn Beaumont, who was born in London England, was just 10 years old when she was chosen for the voice of Alice. Walt Disney personally cast Beaumont after seeing her in the film "On an Island with You," in which the child actress had a small role. Disney was so impressed by her that she was also chosen to be the model for Alice, and would also go on to provide the voice for Wendy in "Peter Pan," 1953. Beaumont has also reprised her voice acting role as Alice in two episodes of the animated series, Disney's "House of Mouse," and as both Alice and Wendy in the video game "Kingdom Hearts." She did not retire as the voice of Alice and Wendy until 2005, when her role for these two characters was taken over by Hynden Walch.

Initial design for the character of Alice was accomplished by Mary Blair during the storyboard phase and also by Les Clark. Alice was animated by Ollie Johnston, Don Lusk, and Marc Davis who animated her for the tea party scene.

 

This is a hand painted and hand inked production animation cel, and an absolutely perfect image of Alice. She is eyes open, with her right index finger up in the air, and would be a great addition to any vintage Walt Disney animation art collection!

#Alice #madhatter #aliceinwonderland #marchhare #KathrynBeaumont #HyndenWalch #OllieJohnston #MarcDavis #wardkimball #teaparty #unbirthday #disney #WaltDisney #LesClark #MaryBlair #untitledartgallery #animation #productioncel #animationart #lewiscarroll #edwynn #jerrycolonna #cel #animationcel #artcollecting #whiterabbit #wonderland #CheshireCat #JimmyMacDonald

Original Production Animation Drawing of Briar Rose from "Sleeping Beauty," 1959

 

  Original production animation drawing of Briar Rose graphite pencil from "Sleeping Beauty," 1959, Walt Disney Studios; Numbered 37 in pencil center and lower right; Size - Briar Rose: 5 1/2 x 2 1/2", Sheet 12 1/2 x 15 1/2"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

"Sleeping Beauty," the 1959 Walt Disney full length motion picture, introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora and her peasant disguise Briar Rose was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator, would continue the development process by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora/Briar Rose. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role in "Sleeping Beauty."

 

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora/Briar Rose. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes a chuck of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her hand prints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.

After Maleficent's evil curse that Princess Aurora would (before the sun sets on her sixteenth birthday) prick her finger on the spindle of a spinning wheel and die; the three Good Fairies disguise Aurora as a peasant named Briar Rose and hide her deep in a remote forest cottage. The majority of the movie focuses on Briar Rose, and this is a beautiful original production drawing of her. The drawing is used in the scene when Flora, Fauna, and Merryweather send Rose out on a task to pick a basket full of berries; so that they will be alone to make her a beautiful dress and an extra special birthday cake! This is an absolutely beautiful original production animation drawing of Briar Rose. She is eyes open, full figure, picking berries, her shawl is draped over her shoulders, and she holding her basket in her left hand. A wonderful addition to any animation art collection!

#BriarRose #PrincessAurora #Aurora #SleepingBeauty #Disney #WaltDisney #MaryCosta #MarcDavis #AliceDavis #cel #animation #animationart #animationdrawing #productiondrawing #animationcel #productioncel #untitledartgallery #DisneyPrincess #TomOreb #Maleficent #Flora #Fauna #Merryweather #ThreeGoodFairies #PrincePhillip #KingHubert #KingStefan

Original Production Animation Drawing of Briar Rose from "Sleeping Beauty," 1959

 

  Original production animation drawing of Briar Rose graphite pencil from "Sleeping Beauty," 1959, Walt Disney Studios; Numbered 127 in pencil center and lower right; Size - Briar Rose: 4 1/2 x 3 1/2", Sheet 12 1/2 x 15 1/2"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

"Sleeping Beauty," the 1959 Walt Disney full length motion picture, introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora and her peasant disguise Briar Rose was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator, would continue the development process by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora/Briar Rose. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role in "Sleeping Beauty."

 

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora/Briar Rose. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes a chuck of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her hand prints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.

After Maleficent's evil curse that Princess Aurora would (before the sun sets on her sixteenth birthday) prick her finger on the spindle of a spinning wheel and die; the three Good Fairies disguise Aurora as a peasant named Briar Rose and hide her deep in a remote forest cottage. The majority of the movie focuses on Briar Rose, and this is a beautiful original production drawing of her. The drawing is used in the scene when Flora, Fauna, and Merryweather send Rose out on a task to pick a basket full of berries; so that they will be alone to make her a beautiful dress and an extra special birthday cake! This is an absolutely beautiful original production animation drawing of Briar Rose. She is bent over picking berries, her shawl is draped over her shoulders, and she holding her basket in her left hand. A wonderful addition to any animation art collection!

#BriarRose #PrincessAurora #Aurora #SleepingBeauty #Disney #WaltDisney #MaryCosta #MarcDavis #AliceDavis #cel #animation #animationart #animationdrawing #productiondrawing #animationcel #productioncel #untitledartgallery #DisneyPrincess #TomOreb #Maleficent #Flora #Fauna #Merryweather #ThreeGoodFairies #PrincePhillip #KingHubert #KingStefan

Original Production Animation Drawing of Maleficent from "Sleeping Beauty," 1959

 

Original production animation drawing of Maleficent and Diablo from "Sleeping Beauty," 1959, Walt Disney Studios; Graphite pencil on peg hole paper; Numbered 95 in pencil lower right; Size - Maleficent & Diablo: 9 x 4", Sheet 12 1/2 x 15 1/2"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!
 

"Come, my pet. Let us leave our noble prince with these happy thoughts. A most gratifying day. For the first time in sixteen years I shall sleep well." - Maleficent

"Sleeping Beauty" is a Walt Disney animated full length feature film and was based on "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was the sixteenth in the Walt Disney Animated Classics series, and it was released to theaters on January 29, 1959 by Buena Vista Distribution. This was to be the last Disney adaptation of a fairy tale for many years, both because of its initial mixed critical reception, and because of it's under performance at the box office. The Walt Disney studio did not return to the fairy tale genre until 30 years later, with the release of "The Little Mermaid" in 1989.

"Sleeping Beauty" was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The story was written by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the Graunke Symphony Orchestra, was under the direction of George Bruns. Arrangements and/or adaptations were derived from numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. In addition, Igor Stravinsky's music compositions were also adapted into the film. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen; following "Lady and the Tramp" four years earlier. In select first-run engagements, the film was presented in Super Technirama 70 and 6-channel stereophonic sound.

The style for "Sleeping Beauty" was based on the art of Eyvind Earle, who was known for his 'Pre-Renaissance' style; accomplished with strong vertical lines combined with Gothic elegance. Earle was involved with the design of all the characters in the film, and he designed and painted most of the backgrounds. The early sketches for Maleficent depicted a hag-like witch, however it was later decided that her final design should be more elegant; as it better suited Earle's backgrounds. The principal animator for Maleficent, Marc Davis, decided to make Maleficent a powerful fairy rather than an old crone that had been described in the original source material. A contributing factor for this decision may have been influenced by the choice of Eleanor Audley to be the voice of the character. Audley had previously worked for Disney by providing the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." It is known that Frank Thomas who animated Lady Tremaine and Marc Davis who animated Maleficent, incorporated the facials features of Eleanor into both characters. Audley was also the live-action model for Maleficent, and Marc Davis claimed that her movements and expressions were ultimately incorporated into the animation.

Marc Davis's design for Maleficent's costume was inspired by a book on Medieval art. One of the images featured was that of a religious figure with long robes, the ends of which resembled flames. Davis incorporated this into Maleficent's final design, and he based the sides of her headdress on the wings of a bat, and the top of her headdress on the horns of a devil. If you ask people to name their favorite Disney Villain, chances are you will one of three answers; The Evil Queen/Witch from "Snow White and the Seven Dwarfs," Cruella DeVil from "One hundred and One Dalmatians," or Maleficent from "Sleeping Beauty." Two of the three, Cruella and Maleficent, were created and drawn by the great Walt Disney animator Marc Davis.

This is a very rare, original production animation drawing of Maleficent and her pet raven Diablo in graphite pencil. She is holding her staff in one hand and the key to her dungeon in the other. The drawing was used for the scene when Maleficent has imprisoned Prince Phillip in her dungeon. She then decides to torment the Prince further, by revealing Aurora's identity to the shackled Prince, and revealing her plan to keep in locked away until he is an old man on the verge of death. She will then release him to meet a forever sleeping Aurora, who will not have aged a single day. After speaking with Prince Phillip she locks the dungeon door behind her with a key, leaving him with "these happy thoughts." Maleficent then speaks with her raven Diablo and says, "Come, my pet. Let us leave our noble prince with these happy thoughts. A most gratifying day. For the first time in sixteen years I shall sleep well." This is an absolutely beautiful drawing of Maleficent, the Mistress of all evil, and would make a great addition to any animation collection!

 

#maleficent #sleepingbeauty #diablo #MarcDavis #sleepingbeauty1959 #Disney #animationart #cel #animationcel #productioncel #animation #drawing #productiondrawing #animationcollection #WaltDisney #castingthespell #untitledartgallery #EleanorAudley #Goons #Disneycel #Disneyvillain #EyvindEarle #CharlesPerrault #LesClark #EricLarson #WolfgangReitherman #JoeRinaldi #WinstonHibler #BillPeet #TedSears #RalphWright #MiltBanta #PrincePhillip #ThreeGoodFairies #Flora #Fauna #Merryweather #KingHubert #KingStefan #PrincessAurora #BriarRose #animationdrawing #Diablo

Original Production Animation Cel of Princess Aurora From "Sleeping Beauty," 1959

 

Original hand painted and hand inked production animation cel of Princess Aurora set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Numbered 17 in ink lower right; Size - Princess Aurora: 7 1/2 x 6",Image 9 1/4 x 15 3/4"; Unframed.

 

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Don't touch anything!" - Flora, Fauna, and Merryweather

"Sleeping Beauty" is a Walt Disney animated full length feature film and was based on "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was the sixteenth in the Walt Disney Animated Classics series, and it was released to theaters on January 29, 1959 by Buena Vista Distribution. This was to be the last Disney adaptation of a fairy tale for many years, both because of its initial mixed critical reception, and because of it's under performance at the box office. The Walt Disney studio did not return to the fairy tale genre until 30 years later, with the release of "The Little Mermaid" in 1989.

 
"Sleeping Beauty" was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The story was written by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the Graunke Symphony Orchestra, was under the direction of George Bruns. Arrangements and/or adaptations were derived from numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. In addition, Igor Stravinsky's music compositions were also adapted into the film. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen; following "Lady and the Tramp" four years earlier. In select first-run engagements, the film was presented in Super Technirama 70 and 6-channel stereophonic sound.

The style for "Sleeping Beauty" was based on the art of Eyvind Earle, who was known for his 'Pre-Renaissance' style; accomplished with strong vertical lines combined with Gothic elegance. Earle was involved with the design of all the characters in the film, and he designed and painted most of the backgrounds. The early sketches for Maleficent depicted a hag-like witch, however it was later decided that her final design should be more elegant; as it better suited Earle's backgrounds. The principal animator for Maleficent, Marc Davis, decided to make Maleficent a powerful fairy rather than an old crone that had been described in the original source material. A contributing factor for this decision may have been influenced by the choice of Eleanor Audley to be the voice of the character. Audley had previously worked for Disney by providing the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." It is known that Frank Thomas who animated Lady Tremaine and Marc Davis who animated Maleficent, incorporated the facials features of Eleanor into both characters. Audley was also the live-action model for Maleficent, and Marc Davis claimed that her movements and expressions were ultimately incorporated into the animation. 

"Sleeping Beauty," the 1959 Walt Disney full length motion picture, introduced two characters that would become universal favorites; Maleficent and Princess Aurora. Aurora, along with Snow White and Cinderella would be forever immortalized in the public's view as the three greatest Disney Princesses. The original design for Aurora was developed by Tom Oreb, who based the character on the famed Hollywood actress Audrey Hepburn; known for her thin frame and a very graceful demeanor. Marc Davis, the head animator for Aurora, would continue the development of the character by morphing her general appearance and the clothing of the heroine. The fine tuning of the character continued so that she could be combined with the very angular forms present in the Eyvind Earle hand painted backgrounds.

As with other Disney films, an actress was hired as a live-action model (as a guide for the animators) for Princess Aurora. Helene Stanley, who was also the model for Cinderella in 1950, became the model for the heroine. It is interesting to note that prior to marrying Marc Davis in 1956, Alice (Davis) designed some of costumes worn by Stanley in her acting role as Aurora.

In 1952, the professional opera singer Mary Costa, after meeting people at a party with her future husband director Frank Tashlin, auditioned for the part of Disney's Princess Aurora. Walt Disney called her personally within hours of the audition to inform her that the part was hers. The success of the film "Sleeping Beauty," owes a chuck of those accolades to the voice of Mary Costa. Her songs were some of the most beautiful ever sung by a Disney Princess. In November 1999 Mary Costa received the Disney Legends Award, and her handprints are now a permanent part of the Disney Legends Plaza at the entrance to Walt Disney Studios.

The majority of the film does not have Aurora on the big screen, but rather her disguised form Briar Rose. Even though Princess Aurora is one of the most loved of all the Disney Princesses, she has least amount of screen time of any prior Princess; only 18 minutes to be exact and during those 18 minutes she only has 18 lines

This cel is an absolutely wonderful work from one of the most important key scenes in the film, when Maleficent has enchanted Princess Aurora. Slowly Aurora climbs a stone staircase leading into an empty room, where suddenly a spinning wheel appears. Soon Maleficent is heard urging Aurora to touch the spindle (thereby fulfilling the evil curse) as the three good fairies are quickly flying to save her; all the while shouting "Don't touch anything!" This is a very rare original production cel of Princess Aurora wearing her crown. She has both eyes open and her hand is outstretched towards the spindle of the spinning wheel.

 

#maleficent #sleepingbeauty #diablo #MarcDavis #sleepingbeauty1959 #Disney #animationart #cel #animationcel #productioncel #animation #drawing #productiondrawing #animationcollection #WaltDisney #castingthespell #untitledartgallery #EleanorAudley #Goons #Disneycel #Disneyvillain #EyvindEarle #CharlesPerrault #LesClark #EricLarson #WolfgangReitherman #JoeRinaldi #WinstonHibler #BillPeet #TedSears #RalphWright #MiltBanta #PrincePhillip #ThreeGoodFairies #Flora #Fauna #Merryweather #KingHubert #KingStefan #PrincessAurora #BriarRose #animationdrawing #Diablo

Original Production Animation Cel of Maleficent and Diablo from "Sleeping Beauty," 1959

 

Original hand painted and hand inked production animation cel of Maleficent and Diablo set on a lithographic background from "Sleeping Beauty," 1959, Walt Disney Studios; Size - Maleficent & Diablo: 7 x 4 3/4", Image 9 1/4 x 12"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Not wa...? Oh dear, what an awkward situation. I had hoped it was merely due to some oversight. Well, in that event I'd best be on my way." - Maleficent 

"And you're not offended, your excellency?" - Queen 

"Why no, your majesty. And to show I bear no ill will, I too, shall bestow a gift on the child." - Maleficent

I really felt quite distressed|at not receiving an invitation.

Read more: https://www.springfieldspringfield.co.uk/movie_script.php?movie=sleeping-beauty-1959I - Maleficent

 

"Sleeping Beauty" is a Walt Disney animated full length feature film and was based on "The Sleeping Beauty" by Charles Perrault and "Little Briar Rose" by The Brothers Grimm. The film was the sixteenth in the Walt Disney Animated Classics series, and it was released to theaters on January 29, 1959 by Buena Vista Distribution. This was to be the last Disney adaptation of a fairy tale for many years, both because of its initial mixed critical reception, and because of it's under performance at the box office. The Walt Disney studio did not return to the fairy tale genre until 30 years later, with the release of "The Little Mermaid" in 1989.

 
"Sleeping Beauty" was directed by Les Clark, Eric Larson, and Wolfgang Reitherman, under the supervision of Clyde Geronimi. The story was written by Joe Rinaldi, Winston Hibler, Bill Peet, Ted Sears, Ralph Wright, and Milt Banta. The film's musical score and songs, featuring the Graunke Symphony Orchestra, was under the direction of George Bruns. Arrangements and/or adaptations were derived from numbers from the 1890 "Sleeping Beauty Ballet" by Pyotr Ilyich Tchaikovsky. In addition, Igor Stravinsky's music compositions were also adapted into the film. "Sleeping Beauty" was the first animated film to be photographed in the Super Technirama 70 widescreen process, as well as the second full-length animated feature film to be filmed in anamorphic widescreen; following "Lady and the Tramp" four years earlier. In select first-run engagements, the film was presented in Super Technirama 70 and 6-channel stereophonic sound.

The style for "Sleeping Beauty" was based on the art of Eyvind Earle, who was known for his 'Pre-Renaissance' style; accomplished with strong vertical lines combined with Gothic elegance. Earle was involved with the design of all the characters in the film, and he designed and painted most of the backgrounds. The early sketches for Maleficent depicted a hag-like witch, however it was later decided that her final design should be more elegant; as it better suited Earle's backgrounds. The principal animator for Maleficent, Marc Davis, decided to make Maleficent a powerful fairy rather than an old crone that had been described in the original source material. A contributing factor for this decision may have been influenced by the choice of Eleanor Audley to be the voice of the character. Audley had previously worked for Disney by providing the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." It is known that Frank Thomas who animated Lady Tremaine and Marc Davis who animated Maleficent, incorporated the facials features of Eleanor into both characters. Audley was also the live-action model for Maleficent, and Marc Davis claimed that her movements and expressions were ultimately incorporated into the animation.

Marc Davis's design for Maleficent's costume was inspired by a book on Medieval art. One of the images featured was that of a religious figure with long robes, the ends of which resembled flames. Davis incorporated this into Maleficent's final design, and he based the sides of her headdress on the wings of a bat, and the top of her headdress on the horns of a devil. If you ask people to name their favorite Disney Villain, chances are you will one of three answers; The Evil Queen/Witch from "Snow White and the Seven Dwarfs," Cruella DeVil from "One hundred and One Dalmatians," or Maleficent from "Sleeping Beauty." Two of the three, Cruella and Maleficent, were created and drawn by the great Walt Disney animator Marc Davis.

This cel is from the scene when Maleficent appears in King Stefan's castle just as the Three Good Fairies are bestowing spell gifts on the new baby Princess Aurora. A fantastic image of Maleficent, the Mistress of all evil; and her pet raven Diablo. A beautiful piece of vintage Walt Disney history and a centerpiece to any animation art collection! The dialog for the scene is below:

 

"Not wa...? Oh dear, what an awkward situation. I had hoped it was merely due to some oversight. Well, in that event I'd best be on my way." - Maleficent 

"And you're not offended, your excellency?" - Queen 

"Why no, your majesty. And to show I bear no ill will, I too, shall bestow a gift on the child." - Maleficent

I really felt quite distressed|at not receiving an invitation.

Read more: https://www.springfieldspringfield.co.uk/movie_script.php?movie=sleeping-beauty-1959I - Maleficent

 

#maleficent #sleepingbeauty #diablo #MarcDavis #sleepingbeauty1959 #Disney #animationart #cel #animationcel #productioncel #animation #drawing #productiondrawing #animationcollection #WaltDisney #castingthespell #untitledartgallery #EleanorAudley #Goons #Disneycel #Disneyvillain #EyvindEarle #CharlesPerrault #LesClark #EricLarson #WolfgangReitherman #JoeRinaldi #WinstonHibler #BillPeet #TedSears #RalphWright #MiltBanta #PrincePhillip #ThreeGoodFairies #Flora #Fauna #Merryweather #KingHubert #KingStefan #PrincessAurora #BriarRose #animationdrawing #Diablo

Original Production Animation Cels of Ursula and Tentacle with Hair Mousse from "The Little Mermaid," 1989

Original matching hand painted production animation two cel set-up of Ursula numbered 27 lower right, and Tentacle with Hair Mousse numbered A-27 and Walt Disney Seal lower right; All set on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; Size - Ursula: 5 1/4 x 5 1/2", Image 7 x 13"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

"Now, then. You're here because you have a thing for this human. This, er, prince fellow. Not that I blame you - he is quite a catch isn't he?" - Ursula

"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

"The Little Mermaid," 1989 was the final Disney film using hand painted animation cels. Disney Studios, specifically Ron Clements and John Musker, adapted the Hans Christian Anderson story to give the villain a much bigger role. The first choice to voice the character was Beatrice Arthur who turned down the part. It was eventually accepted by veteran stage actress Elaine Stritch; however she clashed with the music stylist. The role was finally given to Pat Caroll who described the role as, "part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist." Caroll also served as the live action model of the character. Although I would have loved to have heard Arthur and Stritch sing "Pour Unfortunate Souls," Ursula is the absolute embodiment of Caroll and I think she was the best choice!

The animation of the character was initially offered to Glen Keane, however after hearing Jodi Benson sing "Part of Your World" he wanted to animate Ariel instead and so Ursula ended up going to Disney animator, Ruben Aquino. Aquino credits Ursula as his favorite character in which he has ever worked and said, "When animating Ursula, I was inspired mainly by the voice and by the story sketches, but of course, I also worked very closely with the directors (John Musker and Ron Clements) to realize their vision. Given a great voice, the scenes almost animate themselves, and that definitely was the case with Pat Carroll's amazing vocal performance. I also did a lot of research on octopus locomotion to make sure Ursula's movements were convincing."

This is a wonderful original production animation two cel setup of Ursula the Sea Witch from the full length feature film "The Little Mermaid," 1989. The cels can be seen from the section of the film when Flotsam and Jetsam convince Ariel that they know someone who can help her, and they two eels lead them to the Sea Witch's lair. This great action oriented cel setup is composed of a cel of Ursula and a cel of one of her tentacles holding a container of hair mousse and she says to Ariel "Now, then. You're here because you have a thing for this human. This, er, prince fellow. Not that I blame you - he is quite a catch isn't he?" A spectacular matching cel setup and an absolutely beautiful piece that would be a great addition to any animation art collection!

#TheLittleMermaid #LittleMermaid #Ariel #SherriLynnStoner #GlenKeane #MarkHenn #DuncanMarjoribanks #Sebastian #AndreasDeja #KingTriton #RubenAquino #Ursula #AlyssaMilano #PartofYourWorld #Disney #WaltDisney #Disneycel #cel #untitledartgallery #productioncel #productiondrawing #animation #animationart #animationcel #animationdrawing #JodiBenson #HansChristianAndersen #RonClements #JohnMusker #AlanMenken #HowardAshman #ChristopherDanielBarnes #PatCarroll #SamuelEWright #JasonMarin #KennethMars #BuddyHackett #RenéAuberjonois #Flotsam #Jetsam #PaddiEdwards