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Thursday, May 7, 2026

Original Production Animation Cels of Ursula, Flotsam, and Jetsam from "The Little Mermaid," 1989

Original hand-painted production animation cels of Ursula, Flotsam and Jetsam; used during the production of "The Little Mermaid," 1989, Walt Disney Studios; Placed on lithographic background; The Walt Disney Company Seal lower right; With Walt Disney Certificate; Size - Ursula, Flotsam & Jetsam: 7 1/2 x 10", Image 10 3/4 x 16 1/2"; Unframed.

To purchase these cels or to visit the Art Gallery, CLICK HERE!

Released in 1989, The Little Mermaid marked a major turning point for Disney animation and became the 28th entry in the Walt Disney Animated Classics series. Produced by Walt Disney Pictures and animated by Walt Disney Feature Animation, the film premiered in theaters on November 17, 1989. Based on the beloved fairy tale by Hans Christian Andersen, the story follows Ariel, a young mermaid princess who dreams of becoming human and exploring the world beyond the sea.

The film was written, directed, and produced by Ron Clements and John Musker, with unforgettable songs and score by Alan Menken and Howard Ashman. Its acclaimed voice cast included Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

The Little Mermaid also holds an important place in animation history as the final Disney feature film to use traditional hand-painted animation cels. During development, Clements and Musker expanded the role of the story’s villain, Ursula, transforming her into one of Disney’s most iconic antagonists. The role went through several casting possibilities before its unforgettable final form emerged. Actress Beatrice Arthur was initially considered for the part but declined the role. Veteran stage actress Elaine Stritch later accepted it, though creative disagreements over the musical style ultimately led to her departure. The role was then given to Pat Carroll, whose theatrical and larger-than-life performance became legendary. Carroll famously described Ursula as “part Shakespearean actress, with all the flair, flamboyance and theatricality, and part used-car salesman with a touch of con artist.” Her commanding voice and wicked charisma defined the character and helped make Ursula one of the most memorable villains in Disney history.

The animation of Ursula was originally intended for legendary Disney animator Glen Keane. However, after hearing Jodi Benson perform “Part of Your World,” Keane became determined to animate Ariel instead. Ursula was ultimately assigned to Disney animator Ruben Aquino, who later described her as his favorite character he had ever animated. Aquino explained that he drew inspiration from Pat Carroll’s vocal performance, the story sketches, and extensive research into octopus movement to make Ursula’s motions feel fluid and convincing. He noted that Carroll’s extraordinary performance made the scenes feel as though they “almost animate themselves.”

Accompanying Ursula are her sinister henchmen, Flotsam and Jetsam, a pair of eerie green moray eels who slither constantly at her side. Their unusual eyes are especially striking: one eel has a yellow left eye and white right eye, while the other’s colors are reversed. Their names come from the nautical phrase “flotsam and jetsam,” meaning discarded or useless debris. The pair often speak in unison, finish one another’s sentences, and weave their bodies together in hypnotic motions. They also possess a magical ability to merge their glowing white eyes into a crystal-ball-like portal that allows Ursula to spy on the outside world from within her cavern. Both characters were voiced by Paddi Edwards, who also voiced Lucy the goose in 101 Dalmatians: The Series and Atropos in Hercules.

This remarkable animation cel setup comes from Ursula’s unforgettable musical number, Poor Unfortunate Souls, widely regarded as one of the highlights of the film. The scene features Ursula leaning dramatically toward Flotsam and Jetsam, who appear in full figure with their eyes glowing open as they listen to her scheme. At this moment, Ursula begins singing the opening lines of her signature song:

“I admit that in the past I’ve been a nasty,
They weren’t kidding when they called me, well, a witch.”

The sequence perfectly captures the theatrical charm, menace, and dark humor that made Ursula such an unforgettable Disney villain, while also showcasing the extraordinary artistry of Disney’s final era of hand-painted cel animation. A fantastic addition to any animation art collection!

Original Production Animation Cel of Sebastian and his Shadow from "The Little Mermaid," 1989

 

Original hand painted production animation cels of Sebastian and his matching Shadow set on a lithographic background from "The Little Mermaid," 1989, Walt Disney Studios; The Walt Disney Company Seal lower right; Size - Sebastian & Shadow: 6 1/2 x 7", Image 10 1/4 x 16 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE!

Released in 1989, The Little Mermaid marked a triumphant return to musical storytelling for Disney animation and became the 28th film in the Walt Disney Animated Classics series. Produced by Walt Disney Pictures and animated by Walt Disney Feature Animation, the film premiered in theaters on November 17, 1989. Inspired by the classic Danish fairy tale by Hans Christian Andersen, the story follows Ariel, a spirited young mermaid princess who dreams of leaving the sea behind to become human.

The film was written, directed, and produced by Ron Clements and John Musker, with a celebrated musical score by Alan Menken and lyrics by Howard Ashman. Its talented voice cast included Jodi Benson as Ariel, Christopher Daniel Barnesas Prince Eric, Pat Carroll as Ursula, Samuel E. Wright as Sebastian, alongside Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

Disney devoted more money and resources to The Little Mermaid than it had to any animated feature in decades. In addition to its primary animation studio in Glendale, California, Disney opened a new satellite animation facility at the Disney-MGM Studios theme park in Lake Buena Vista, Florida. The Florida studio’s earliest work included producing the Roger Rabbit short Roller Coaster Rabbit and providing ink-and-paint support for The Little Mermaid. Another innovative step for Disney animation at the time was the use of live-action performers as motion-reference models for animators. Although primarily known as a Broadway performer, Jodi Benson was selected to voice Ariel, while actress and comedian Sherri Stoner performed many of Ariel’s scenes in live-action reference sessions to guide the animators.

The film also holds an important place in animation history as the last Disney feature to use traditional hand-painted animation cels. This painstaking process gave the film its rich, luminous visual style and marked the end of an era before Disney’s transition into digital ink-and-paint technology in the early 1990s.

Among the film’s most beloved characters is Sebastian, the red Jamaican crab who serves as King Triton’s court composer and reluctant guardian to Ariel. Voiced with warmth and comic brilliance by Samuel E. Wright, Sebastian became one of Disney’s most memorable side characters. Wright improvised the famous line, “Teenagers, they think they know everything. You give them an inch, they swim all over you!” Animators Duncan Marjoribanks, Tom Sito, and Will Finndeveloped Sebastian’s expressive personality, drawing inspiration from legendary entertainer Sammy Davis Jr..

Sebastian’s signature song, Under the Sea, became one of Disney’s defining musical numbers. Composed by Alan Menken with lyrics by Howard Ashman, the song was partly inspired by “The Beautiful Briny” from the 1971 Disney film Bedknobs and Broomsticks. Its lively Caribbean calypso sound reflected musical traditions originating in Trinidad and Tobago. Performed by Samuel E. Wright, “Under the Sea” won the Academy Award for Best Original Song in 1989 and later received the Grammy Award for Best Song Written for Visual Media in 1991.

Within the story, the song serves as Sebastian’s heartfelt attempt to persuade Ariel to remain under the sea and abandon her longing to become human and live with Prince Eric. Sebastian enthusiastically praises the carefree wonders of ocean life while humorously describing the hardships of the human world. Yet despite his efforts, Ariel remains consumed by her dreams of life on land, swimming away before the song even concludes.

The animation cel shown here comes from a memorable scene in which Ariel brushes her hair with a “dinglehopper” — a fork she believes to be a human grooming tool — while Sebastian anxiously sits nearby on a table. Frustrated and exhausted after trying to help Ariel succeed in the human world, Sebastian laments:

“This has got to be, without a doubt, the single most humiliating day of my life.”

After Ariel drifts off to sleep, Sebastian tenderly attempts to coach her on how to win Prince Eric’s affection, demonstrating how to bat her eyes and pucker her lips. Realizing she has fallen asleep during his instructions, he softens, blows out the candle beside her bed, curls up near her pillow, and quietly remarks:

“You are hopeless, child. You know dat? Completely hopeless...”

The scene perfectly captures the affectionate bond between Ariel and Sebastian — a relationship filled with humor, frustration, loyalty, and genuine love — and remains one of the film’s most charming and emotionally resonant moments. A wonderful addition to any animation art collection!