Original Production Animation Cel of Mad Madam Mim from "The Sword In The Stone," 1963

Original hand painted production cel of Mad Madam Mim from "The Sword In The Stone," 1963; Set on a lithographic background; Size - Madam Mim: 7 3/4" x 6 1/4", Image 10" x 11 1/2"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

"The Sword in the Stone," 1963 is the 18th full length feature film produced by Walt Disney and it was released on December 25, 1963 by Buena Vista Distribution. The film was based on the novel of the same name, that was first published in 1938. It was later republished in 1958 as the first book of T. H. White's tetralogy "The Once and Future King." It was to be the final Disney animated film released before Walt Disney's death on December 15, 1966. The songs in the film were written and composed by the Sherman Brothers, who would become very famous for their future work on later Disney films including; "Mary Poppins," 1964, "The Jungle Book," 1967, and "Bedknobs and Broomsticks," 1971.

Close up of the Mad Madam Mim production cel.

Madam Mim was the villain in the Walt Disney 1963 film "The Sword In The Stone," based on T. H. White's novel by the same name. Mim was voiced by Martha Wentworth a veteran actress with a long radio history dating back to the 1920's. She was the voice of several Disney characters in "101 Dalmatians" including Nanny; and Mim was her final credited role. Madam Mim was animated by two of Disney's greatest animators Milt Kahl (who also designed the character, refining storyboard sketches from animator Bill Peet), and Frank Thomas. Kahl animated her first appearance in the film, her initial interaction with Arthur; while Frank Thomas oversaw her famous "Wizards' Duel" with Merlin.

Photograph showing the Madam Mim cel without the background.

This is a large image of Mad Madam Mim, she is over seven inches tall with both eyes open. The pose is just wonderful with a wicked smile and her hands conveying an evil plot about to be hatched.

#FrankThomas #OllieJohnston #Wart #madmadammim #swordinthestone #RickieSorensen #Excalibur #RichardReitherman #RobertReitherman #mim #madammim #merlin #arthur #kingarthur #disney #cel #animationcel #animationart #artcollecting #untitledartgallery #WaltDisney #THWhite #productioncel #productiondrawing

Original Production Animation Cel of Alice from "Alice In Wonderland," 1951

Original hand inked and hand painted production cel of Alice set on a lithographic background from "Alice In Wonderland," 1951; Size - Alice 5 x 7 3/4", Cel 12 x 9", Image 12 x 9"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

"Curiouser and curiouser." - Alice

"Alice's Adventures in Wonderland" (commonly shortened to "Alice in Wonderland"), is a 1865 novel written by English author Charles Lutwidge Dodgson who wrote under the pseudonym Lewis Carroll. Disney reworked the story to fit with both a younger audience and a time frame suitable for an animated film (it's run time is only 75 minutes).

Close up of the original production animation cel of Alice.

Kathryn Beaumont, who was born in London England, was just 10 years old when she was chosen for the voice of Alice. Walt Disney personally cast Beaumont after seeing her in the film "On an Island with You," in which the child actress had a small role. Disney was so impressed by her that she was also chosen to be the model for Alice, and would also go on to provide the voice for Wendy in "Peter Pan," 1953. Beaumont has also reprised her voice acting role as Alice in two episodes of the animated series, Disney's "House of Mouse," and as both Alice and Wendy in the video game "Kingdom Hearts." She did not retire as the voice of Alice and Wendy until 2005, when her role for these two characters was taken over by Hynden Walch.

Original production animation cel of Alice without the background

Initial design for the character of Alice was accomplished by Mary Blair during the storyboard phase and also by Les Clark. Alice was animated by Ollie Johnston and also by Marc Davis, who animated her for the tea party scene. In this wonderful original hand inked and hand painted full figure cel of Alice, she has both eyes open and has been placed on a lithographic background of the opening for the White Rabbit's hole into Wonderland.

#Alice #madhatter #aliceinwonderland #marchhare #KathrynBeaumont #HyndenWalch #OllieJohnston #MarcDavis #wardkimball #teaparty #unbirthday #disney #WaltDisney #LesClark #MaryBlair #untitledartgallery #animation #productioncel #animationart #lewiscarroll #edwynn #jerrycolonna #cel #animationcel #artcollecting #whiterabbit #wonderland

Original Animation Production Cel of Grumpy Set On A Wood Veneer Courvoisier Background from "Snow White and the Seven Dwarfs," 1937

Original hand painted and hand inked production cel of Grumpy set on an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937; Size - Grumpy: 4 3/4 x 4 1/2", Image 8 x 8"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions.  Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series.  However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it.  The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly."  Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!

Grumpy was animated by Vladimir "Bill" Tytla, who also animated Doc. Tytla's Grumpy is the second most popular of the seven dwarfs, just behind Dopey.

From Disney animator Andreas Deja:
"Tytla animated 'from the inside out.' For every scene he did, he lived inside of that character. He drew absolutely beautifully, but bringing out  emotion and personality came first. Even if that lead to an off model drawing here and there. Walt had Fred Moore take a look at a few of Tytla's Grumpy scenes in order to punch up the 'charm level.'"

This is an absolutely wonderful original hand painted and hand inked production cel of Grumpy set on an airbrushed (used to create the shadow and the dwarf name) wood veneer Courvoisier background. The Courvoisier portrait series from Snow White is highly desired by collectors for their beauty. Courvoisier Galleries, the first to recognize the artistic value to the newly emerging animation art form, in the 1930s and 40s created the series to sell to the public. All the characters from the film were made for the series including The Seven Dwarfs, Snow White, The Huntsman, The Old Hag, and The Evil Queen. The character cels were trimmed and applied to the wood veneer background. This is a large portrait of Grumpy with one eye open, one closed, and he is wearing his ever present frown.

#Grumpy #Doc #Bashful #Dopey #Happy #Sneezy #Sleepy #SnowWhite #Disney #WaltDisney #PintoColvig #VladimirTytla #BillTytla #MarcDavis #GrimNatwick #animation #LarryMorey #FrankChurchill  #HamiltonLuske #AdrianaCaselotti #animationdrawing #productiondrawing #animationart #untitledartgallery #cel #CourvoisierGalleries #CourvoisierGallery #Courvoisier #Witch #EvilQueen #OldHag #Huntsman #animationcel #sevendwarfs #dwarfs

Original Production Animation Cel of Lady from "Lady and the Tramp," 1955

Original hand inked and hand painted production cel of Lady set on a lithographic copy of a production background from "Lady and the Tramp," 1955; With original Walt Disney Art Corner label sticker verso; Size - Lady: 3 1/4 x 3", Image 6 1/2 x 8"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

“Oh, I love her. What a perfectly beautiful little Lady.”

―Darling

"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Whistling Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures.

One evening in 1937, Disney storyman Joe Grant invited Walt Disney over to his house for dinner and ended up showed Disney a drawing he had made of his pet spinger spaniel, who was named Lady. Walt loved the drawing and suggested that Joe make a storyboard out of it; which he did and the plan was to create a new animated film, simply titled "Lady." The story that was pitched ended up being too simplistic to Walt Disney's taste, and the project was put on hold until about 20 years later.

Walt Disney Art Corner label, verso.

Lady was wonderfully animated by the great Disney artist Ollie Johnston and she was voiced by Barbara Luddy. Barbara Luddy (1908 — 1979) was an American actress from Great Falls, Montana and she starred in silent pictures in the 1920s. She was also a prolific radio performer; known for her performances on the long running radio show "The First Nighter Program" which aired from 1936 until 1953.

However, Luddy is perhaps best remembered for her voice work in Walt Disney animated films; with her most memorable role being that of Lady from Lady and the Tramp.  She also performed in Sleeping Beauty (voice of Merryweather), One Hundred and One Dalmatians (voice of Rover), Robin Hood (voice of both Mother Church Mouse and the Mother Rabbit), and the Winnie-the-Pooh featurettes (Winnie the Pooh and the Honey Tree, Winnie the Pooh and the Blustery Day, and Winnie the Pooh and Tigger Too) all of which she provided the voice for Kanga.

This is a wonderful original production animation cel of Lady sitting with her eyes open and she has a fantastic facial expression! A great addition for any collection.

#Tramp #Lady #Peg #LadyandtheTramp #Disney #WaltDisney #animation #animationcel #animationdrawing #productiondrawing #productioncel #animationart #cel #Disney #WaltDisney #PeggyLee #MiltKahl #untitledartgallery #EricLarson #LarryRoberts #OllieJohnston #FrankThomas #WolfgangReitherman #JoeGrant

Original Production Animation Cel of Tramp from "Lady and the Tramp," 1955

Original hand inked and hand painted production cel of Tramp set on a lithographic copy of a production background from "Lady and the Tramp," 1955; With original Walt Disney Art Corner label sticker verso; Size - Tramp: 4 x 4 1/4", Image 6 1/2 x 8"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

"Lady and the Tramp" (released on June 22, 1955) is a full length featured animated film produced by Walt Disney and released by Buena Vista Distribution. The film was the 15th in the Walt Disney Animated Classics series, and it was the first animated feature filmed in with the CinemaScope widescreen film process. The film was based on the story "Happy Dan, The Cynical Dog" by Ward Greene and tells the story of a female American Cocker Spaniel named Lady who lives with a refined, upper-middle-class family. Lady meets a male stray mutt named Tramp and they embark on many exciting and romantic adventures.

Initially Tramp was called Homer and although he was first conceived as Lady's suitor, he ended up as her ex-dog pound mate in the initial 1943 storyboard pitch. A few years after that version was scrapped, Walt Disney read a story called "Happy Dan the Cynical Dog" in Cosmopolitan Magazine and decided that this was they type of character that was needed to enhance the film. Although Walt wanted his new character to be called Tramp, the animators feared that audiences would take offense in such a name, due to the word's sexual connotations that had been popularized by the song "The Lady Is A Tramp." The animators first called the character Rags, then Bozo; before Walt insisted that that name Tramp would be acceptable.

Walt Disney Art Corner label verso.

Tramp is a very laid-back dog and acts more like a kid. He's flirtatious and has history of having had a multitude of girlfriends; and he's known for his street smarts, able to both avoid dog catchers and deal with junkyard dogs. However, he dreams about living with a family and in a loving home. Tramp was animated by Ollie Johnston, Milt Kahl, and Wolfgang Reitherman who animated the rat fight scene.

Larry Roberts (1926 - 1992) was an American voice actor and comedian who was most active in the 1950s. Although he was well known for his role in the 1950s TV series Lights, Camera, Action!, he is  best remembered for his role of the voice of Tramp.

This is a wonderful full figure original production cel of Tramp with both his eyes and mouth open. A great addition to any collection!

#Tramp #Lady #Peg #LadyandtheTramp #Disney #WaltDisney #animation #animationcel #animationdrawing #productiondrawing #productioncel #animationart #cel #Disney #WaltDisney #PeggyLee #MiltKahl #untitledartgallery #EricLarson #LarryRoberts #OllieJohnston #FrankThomas #WolfgangReitherman

Lamination, Trimming, Cut and Paste, Oh My! - Variation in Original Animation Cels

Full cel with peg holes and production number lower right of Wart touching the sword Excalibur from "The Sword In The Stone," 1963

Full cel vs. trimmed, lamination, trimmed to image and then applied to another cel; these terms seem to be questions and concerns of many collectors. I thought I would take some time to just go over the history and process of what happens to original production cels after the film is created.

The further you go back in time, the less your chance of having a full untrimmed cel of a given character. This is because Disney Studios and the Courvoisier Gallery (the first gallery to show and sell original animation cels) were not interested in dealing with all this extra space outside of the animated character. Using the example of "Snow White," cels were with trimmed down to a small size say 5" x 5" and then placed on an airbrushed or bright colored paper background; or the character was trimmed to it's very edge and then that adhered to a background. Keep in mind that this was just to make the image as appealing as possible for someone to purchase, the value at the time was very low. As time went by, collectors were unhappy with this small size and wanted to showcase the cel on a large background, that would come closer to what was seen in the original film. This is when the phrase "trimmed and applied," comes into being. The previously trimmed to image cel was then adhered to a much lager acetate sheet, so that now a much larger background could be added to make the work appear as close as possible to the way the cel looked in the actual film.

Trimmed cel of the Mad Hatter from "Alice In Wonderland," 1951

In the 1970's Disney Studios was actively selling animation cels, and with cels comes the possibility of damage to the paint. Disney decided to laminate cels, so that they would be protected forever. Lamination is when the cel is placed between two sheets of plastic and then heat sealed. Unfortunately, after a few years sometimes lamination failure of the cel begins to take place. Colors would bleed outside the outlines of the character or paint would begin to lift (pull away from the original cel). All animation cels can be restored, but laminated cels require much more work and so in many cases the cost of the restoration outweighs the cost of the cel itself.

Trimmed and applied cel of Pinocchio from "Pinocchio," 1940

Many collectors want full animation cels still having their original peg holes and their production numbers along the bottom edge. In the case of the older vintage animation cels, this is practically impossible. Some collectors don't want trimmed and applied, but in the case of the vintage Disney films, so many of the original cels have undergone that process.

Laminated cel of Madame Medusa and Mr. Snoops from "The Rescuers," 1977

For me, in the end I am looking for a beautiful image. I have cels that are trimmed and applied, full cels, and cels that I have paid to be delaminated and then fully restored. Every collector should strive to purchase works that make him/her happy; just don't be so bogged down by limiting yourself by having arbitrary lines of demarcation. In the end, you are acquiring part of animation history and you have a obligation to protect it for the next generation. Have fun collecting!!!

#cel #animation #animationcel #animationdrawing #animationart #animationcollection #Disney #WaltDisney #laminatedcel #lamination #trimmedandapplied #trimmedcel #productioncel #productiondrawing #MrSnoops #Snoops #MadHatter #AliceInWonderland #TheRescuers #Medusa #MadameMedusa #Pinocchio #Wart #SwordInTheStone #KingArthur #Excalibur #untitledartgallery

Original Production Animation Cel of Maleficent As The Dragon and Prince Phillip From "Sleeping Beauty," 1959

Original hand painted and hand inked production cel of Maleficent as the Dragon and Prince Phillip set on a matching lithographic background from "Sleeping Beauty," 1959; Size - Maleficent as Dragon 6 1/4" x 12", Prince Phillip 2 1/4 x 2", Cel 12 1/2 x 26 3/4", Image 11 1/2 x 25 3/4"; Unframed.

To purchase this cel or to visit the Art Gallery, CLICK HERE

“Now you shall deal with me, o prince, and all the powers of HELL!”

―Maleficent before transforming into the Dragon

Initially Marc Davis, the animator for Maleficent, had wanted to use a black and red color scheme for the character however; Eyvind Earle, the background artist for the film, protested. Walt Disney had taken some criticism over his recent films for their lack of artistic achievement and so he had decided to put in charge an already accomplished Disney animation artist. Eyvind Earle had already been working at the Disney Animation Studios and was receiving acclaim for his artistic vision and technical skill and so he was chosen by Disney to supervise the styling, color, and backgrounds for "Sleeping Beauty." The film took six years to complete due to Earle's extreme attention to detail. Normal backgrounds for prior Disney films would take a day, however the Earle backgrounds could take up to ten days. In addition, Earle reworked not only the colors for Maleficent but the character design for Briar Rose so that she would work better with his pre-Renaissance Gothic vision for "Sleeping Beauty." "Sleeping Beauty," 1959 was the last of the Disney films that all the cels were both hand inked and hand painted, and many believe it to be one of the most beautiful and one of the greatest Disney films ever!

If you ask people to name their favorite Disney Villain, chances are you will one of three answers; The Evil Queen/Witch from "Snow White and the Seven Dwarfs," Cruella DeVil from "101 Dalmatians," or Maleficent from "Sleeping Beauty." Two of the three, Cruella and Maleficent, were created/drawn by the great animator Marc Davis. Davis was part of what has been dubbed Disney's Nine Old Men; the core group of animators, some becoming directors, that created the finest animated films ranging from "Snow White and the Seven Dwarfs", 1937 to "The Rescuers", 1977.

The voice of Maleficent was performed by Eleanor Audley. She had worked for Disney prior by also being the voice for the cold and calculating Lady Tremaine (The Stepmother) in "Cinderella." If is known that Frank Thomas for Lady Tremaine and Marc Davis for Maleficent, incorporated facials features of Eleanor into both characters.  

Wolfgang Reitherman (known as Woolie) began working for Walt Disney in 1934, and is credited in films from Pinocchio, 1940 (Monstro the Whale) to The Fox and the Hound, 1981 (co-producer).  His masterful animation work includes the climatic dinosaur fight in Igor Stravinsky's The Rite of Spring in Fantasia, the Headless Horseman chase in The Legend of Sleepy Hollow section in The Adventures of Ichabod and Mr. Toad, the Crocodile in Peter Pan, and of course Maleficent as a dragon in Sleeping Beauty. An interesting side note is that all three of Reitherman's sons; Bruce, Richard, and Robert  provided voices for Disney characters, Mowgli in The Jungle Book, Christopher Robin in the Winnie the Pooh films, and Wart in The Sword in the Stone.

The climatic ending of Sleeping Beauty is the transformation of The Mistress of all Evil - Maleficent into a massive black and purple Dragon capable of breathing green fire. Children were absolutely terrified of the Dragon, with her large teeth, powerful claws, and expansive wing span. The success of the Dragon is owed to Reitherman's remarkable drawing, draftsman, and animation skills.

Close up of the Maleficent as Dragon cel.

Prince Phillip was animated by Milt Kahl and voiced Bill Shirley and Aurora was animated by Marc Davis (who was also lead animator for Maleficent) and voiced by Mary Costa. Both Bill and Mary would be live action models for Prince Phillip and Briar Rose/Princess Aurora for the animators, and their chemistry was magical on screen. In addition, their singing together was one of the many highlights of the film. As discussed by Andreas Deja, Milt Kahl did not like the job of animating Prince Phillip:

"Some of you might know that Milt absolutely despised working on the prince. During one of our get togethers I asked him, how he could do such a beautiful job on a character he loathes. To my best recollection he said: 'Well, the character needs to be in the picture, I didn't like the assignment, but you do the best you can.'"

The animation of Prince Phillip by Milt Kahl was radically different than prior Princes in other films.  Phillip was an active character; speaking to his horse Sampson and Sampson understanding what he was saying.  Phillip was also seen as a child at the start of the film, had to be animated in more than one outfit, was the first Prince to use weapons against a Villain; and had to speak, interact, and sing with his love interest Princess Aurora/Briar Rose.

Also from Andreas Deja:

"As I mentioned before, Milt Kahl really didn't enjoy animating Prince Phillip. A handsome dude with a limited range for acting just didn't appeal to him. Of course he still gave it all he'd got to put a descent performance on the screen. (In reference to viewing some of Kahl's rough drawings)... It looks to me that this scene was somewhat based on live action reference, but the translation into drawn animation is incredible. Just dealing with the horse turning direction would be a real challenge. Assistant artist Dave Suding, who worked on the film, told me once that one clean up drawing with the prince on his horse took one full day. That means a second of final clean up footage would require a whole month! Incredible."

Close up of Prince Phillip holding the Sword of Truth cel.

This is one of the finest animation production setups that I have ever seen! A full figure Prince Phillip holding the Sword of Truth (created by the Good Fairy Fauna) together with a full Figure Maleficent as the Dragon; all on a matching lithographic background. The image spans a very large 11 1/2" x 25 3/4" and the piece would certainly be one of the highlights for any vintage animation collection!

To view the scene which this cel was used to create, click on the short video below:

#sleepingbeauty #PrrincessAurora #PrincePhillip #cel #Samson #animationcel #animationart #MiltKahl #MarcDavis #cartoon #animationartwork #maleficent #diablo #MarcDavis #sleepingbeauty1959 #Disney #forestofthorns #EleanorAudley #EyvindEarle #animationart #cel #animationcel #productioncel #animation #drawing #productiondrawing #animationcollection #WaltDisney #castingthespell #untitledartgallery #dragon #maleficentasthedragon #swordoftruth