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Sunday, June 30, 2019

Original Production Animation Drawing of Mickey Mouse from "Society Dog Show," 1939


Original production animation drawing of Mickey Mouse from "Society Dog Show," 1939, Walt Disney Studios; Graphite, red, and green pencils on peg hole paper; Numbered 72 lower right; Size - Mickey Mouse: 6 x 5 3/4", Sheet 10 x 12"; Unframed.

"When I get through, you'll win a dozen blue ribbons." - Mickey Mouse

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

Society Dog Show (originally released on February 3, 1939) is a Walt Disney Company animated short film that was distributed by RKO Radio Pictures. It was directed by Bill Roberts and animated by Al Eugster, Shamus Culhane, Fred Moore, John Lounsbery, Norm Ferguson, and Leo Salkin. The short is notable in that it was the last appearance of Mickey's older dotted eye character design.

The plot summary of "Society Dog Show" is that Mickey Mouse (voiced by Walt Disney) enters his dog Pluto into an upscale dog show. While Mickey grooms Pluto, Pluto starts swooning over Fifi the Peke who is flirting with him in an adjoining grooming station. Chaos erupts when Pluto, annoyed by all the prodding during the dog show inspection, attacks the Dog Show Judge (voice by Pinto Colvig). Mickey and Pluto are thrown out of the Dog Show and onto the street. Suddenly a fire breaks out in the building when the flash powder from a camera ignites some of the Dog Show decoratons. Pluto bravely goes into the burning building and saves Fifi. The final scene is when the Dog Show Judge places a "Public Hero #1" medal around Pluto's neck, and he shares a hug with Fifi!


Close up of the original production animation drawing of Mickey Mouse.

This is a large and very nice original production animation drawing of Mickey Mouse from the 1939 Walt Disney short film "Society Dog Show." The drawing is from the scene when Mickey is pouring perfume into a pump sprayer in order to spray Pluto prior to being judged. He says, "When I get through, you'll win a dozen blue ribbons." A beautiful drawing of Mickey rendered in graphite, red, and green pencils, and he is both eyes and mouth open. A rare piece of vintage Disney animation artwork, and a great addition to any collection!

Original Production Animation Drawings of Donald Duck, Security Guard, and Autograph Books from "The Autograph Hound," 1939


Original production animation drawings of Donald Duck, Security Guard, and Autograph Books from "The Autograph Hound," 1939, Walt Disney Studios; Red, blue, green, yellow, and graphite pencils on peg hole paper; Donald Duck numbered D-21 and Security Guard numbered C-21 lower right; Size - Donald Duck & Autograph Books: 7 x 7 1/2", Security Guard & Autograph Books: 7 1/2 x 10", Sheets 10 x 12"; Unframed.


"The Autograph Hound" was directed by Jack King, music by Oliver Wallace, produced by Walt Disney, released on September 1, 1939, and distributed by RKO Radio Pictures. Animators for the short included: Johnny Cannon, John Elliotte, Larry Clemmons, Ed Dunn, Ed Love, Ward Kimball, Rex Cox, and Seamus Culhane. This was the first cartoon where Donald Duck was featured in his blue sailor hat and in this short he portrays an autograph hunter in Hollywood. Clarence Nash was the voice of Donald Duck, Billy Bletcher was the voice of the Security Guard, and Sara Berner provided the voices of Greta Garbo, Shirley Temple, Bette Davis, Katharine Hepburn, Martha Raye, and Joan Crawford.


Original production animation drawing of Donald Duck and Autograph Books.


Close up of the production number.

The next three paragraphs are the plot of "The Autograph Hound" from Wikipedia:

"Donald Duck tries to enter a Hollywood studio so he can search for celebrities willing to sign their autograph. A security guard with an Irish accent at the gate prevents him from entering the building. Donald manages to sneak inside by climbing on the limousine with Greta Garbo so that it seems he's riding along with her. The guard discovers he's been fooled and chases Donald, who enters a room with the name "Mickey Rooney" on it. Inside, Mickey Rooney is dressing up in front of the mirror, when Donald ask him for his autograph. Rooney writes his name in Donald's book and makes it disappear and reappear with a magic trick. Donald, who is not amused, tries to impress Rooney by doing a similar trick with an egg. The egg however obviously hidden under Donald's hat and Rooney who is aware of this, curshes it, laughing loudly. Donald gets extremely angry and starts waving his fists, while Rooney manages to put a violin in Donald's hands and starts dancing an Irish jig Donald is playing. When Donald discovers he has been tricked for the third time he throws the violin at Rooney. Rooney ducks and the instrument lands in the face of the security guard.

Alarmed Donald runs away and hides under a bell-jar carried by actor Henry Armetta. When the guard discovers Donald's hiding place the duck runs to another film set full with ice. There he meets Sonja Henie and asks for an autograph. Henie signs her name by skating it in ice, so that Donald has to carry it with him. While walking in a desert setting Donald discovers the ice has melted. He notices a tent wiht silhouettes of three belly dancing Arabic women, who turn out to be the Ritz Brothers. Excited, he asks them for their autographs, but behaving like screwballs they jump on Donald and sign their group names on his buttocks. An enraged Donald throws a paint can at their heads, but it hits the face of the guard instead.

Again Donald has to flee and he runs to a castle with the sign "The Road to Mandalay," which turns out to be just a model. After bumping his head into it and realizing his mistake he runs into another direction. On a pair of stairs he bumps into Shirley Temple. She, too, recognizes him and asks for an autograph. The both sit down to sign each other their autographs and Donald, excited he has his first real autograph, jumps with joy. Then suddenly the guard finally grabs him and intends to beat him with his night club. Shirley tells him to leave Donald alone and he drops him on the floor in surprise. "Donald Duck? Did you say "Donald Duck"?". Other Hollywood actors hear his comment and enthusiastically rush to Donald to ask him to sign his autograph for them. (In chronological order: Greta Garbo, Clark Gable, The Andrew Sisters, Charlie McCarthy, Stepin Fetchit, Roland Young, the Lone Ranger riding his horse Silver, Joe E. Brown, Martha Raye, Hugh Herbert, Irvin S. Cobb, Edward Arnold, Katharine Hepburn, Eddie Cantor, Slim Summerville, Lionel Barrymore, Bette Davis, Groucho Marx, Harpo Marx, Misha Auer, Joan Crawford, and Charles Boyer). When the police officer asks Donald to sign his autograph book and offers him his pen, Donald squirts ink in the policeman's face. While the ink drips from the officer's face and writes Donald's name on his chest, Donald laughs hysterically."


Original production animation drawing of the Security Guard and Autograph Books.


Close up of the production number.

This is a fantastic pair of original production animation drawings of Donald Duck and the Security Guard each surrounded by autograph books. The drawings are from the very end of the short when all of the stars of Hollywood hand over their autograph books to Donald Duck wanting his autograph. Even the Security Guard now realizes that Donald is a star and pulls out a large fountain ink pen wanting Donald's signature. A rare and wonderful drawing of an eyes open Donald Duck, surrounded by lots of Hollywood stars autograph books, and sporting his usual grimace. There is also a great drawing of the antagonist of the short, the Security Guard. He is also surrounded by Hollywood stars autograph books and you can see the end of his large fountain ink pen just to the left of his face. Both drawings have extensive color notations and timing references making these key drawings used in the cartoon. A rare and great addition to any animation art collection!

Original Production Animation Drawing of Mickey Mouse and Pluto from "Society Dog Show," 1939


Original production animation drawing of Mickey Mouse and Pluto from "Society Dog Show," 1939, Walt Disney Studios; Graphite, red, and green pencils on peg hole paper; Numbered 24 lower right; Size - Mickey Mouse and Pluto: 5 1/4 x 8", Sheet 10 x 12"; Unframed.

"Don't be afraid Judge, he won't bite." - Mickey Mouse

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

Society Dog Show (originally released on February 3, 1939) is a Walt Disney Company animated short film that was distributed by RKO Radio Pictures. It was directed by Bill Roberts and animated by Al Eugster, Shamus Culhane, Fred Moore, John Lounsbery, Norm Ferguson, and Leo Salkin. The short is notable in that it was the last appearance of Mickey's older dotted eye character design.

The plot summary of "Society Dog Show" is that Mickey Mouse (voiced by Walt Disney) enters his dog Pluto into an upscale dog show. While Mickey grooms Pluto, Pluto starts swooning over Fifi the Peke who is flirting with him in an adjoining grooming station. Chaos erupts when Pluto, annoyed by all the prodding during the dog show inspection, attacks the Dog Show Judge (voice by Pinto Colvig). Mickey and Pluto are thrown out of the Dog Show and onto the street. Suddenly a fire breaks out in the building when the flash powder from a camera ignites some of the Dog Show decoratons. Pluto bravely goes into the burning building and saves Fifi. The final scene is when the Dog Show Judge places a "Public Hero #1" medal around Pluto's neck, and he shares a hug with Fifi!


Close up of the original production animation drawing of Mickey Mouse and Pluto.

This is a very nice original production animation drawing of both Mickey Mouse and his dog Pluto from the 1939 Walt Disney short film "Society Dog Show." It's always great to have both characters on the same sheet and this is a wonderful image of both Mickey and Pluto. Both characters are large full figure images, eyes and mouth open, and engaged in an action oriented pose. The drawing is from the scene when Pluto is fed up with the Dog Show Judge prying and aggressively moving him around during his judging; and tries to bite the Judge, who runs and perches on top of a standing microphone. As Mickey is holding back Pluto by his dog collar he says, "Don't be afraid Judge, he won't bite." A beautiful and rare piece of vintage Disney animation artwork, and a great addition to any collection!

Saturday, June 29, 2019

Original Production Animation Drawing of Mickey Mouse from "Canine Caddy," 1941


Original production animation drawing of Mickey Mouse from "Canine Caddy," 1941; Walt Disney Studios; Red and graphite pencils on peg hole paper; Numbered A13 in pencil lower right; Size - Mickey Mouse: 6 3/4 x 3 3/4", Sheet 10 x 12"; Unframed.


"Canine Caddy" was directed by Clyde Geronimi and released on May 30, 1941. This was the second to last Mickey Mouse cartoon of 1941 and just two more Mickey cartoons were made in 1942; after which Mickey did not appear again until 1947. For "Canine Caddy" Walt Disney was the voice of Mickey Mouse and Pinto Colvig provided the voice of both Pluto and the gopher.

The plot of "Canine Caddy" is that Mickey Mouse is on the links going golfing, and Pluto is his caddy. Besides the usual caddy duties like carrying the bag of golf clubs and removing the flag from the hole cup; Pluto also chases after the ball and once he finds it he points. However, when the ball lands in a gopher hole, Pluto begins to chase the gopher. They chase each other throughout the golf course and finally find there way to a small hill. Mickey is on top of the hill getting ready to putt his ball into the cup, when Pluto and the gopher's chase makes so many holes in the hill, that it finally collapses.


Close up of the Mickey Mouse production drawing.

This is a fantastic drawing of Mickey Mouse as he is getting ready to hit his golf ball with his golf club. A wonderful full figure eyes open drawing of Mickey Mouse, with his eyes on the ball. The drawing is rendered in red and graphite pencils and is from one of the finest Walt Disney shorts. A great addition to any animation art collection!

Original Production Animation Drawing of Peter Pan from "Peter Pan," 1953


Original production animation drawing of Peter Pan in red, brown, and graphite pencils from "Peter Pan," 1953, Walt Disney Studios; Numbered 77 in pencil lower right; Size - Peter Pan: 9 1/4 x 4 1/2", Sheet 12 1/2 x 15 1/2"; Unframed.

To purchase this drawing or to visit the Art Gallery, CLICK HERE!

“He flies without wings. His shadow leads a merry little life of its own. Face-to-face with the terrible Captain Hook, Peter dispatches that pirate with jaunty ease. Peter is at home with mermaids and understands their language. He is twelve years old forever simply because he refuses to grow up beyond that comfortable age. Most remarkable of all, he knows where Never Land is and how to get there.” ―Walt Disney

The author J. M. Barrie first used Peter Pan as a character in a section of the adult novel "The Little White Bird" in 1902. He returned to that character with his stage play entitled "Peter Pan, or The Boy Who Wouldn't Grow Up," which premiered in London on December 27, 1904. The play ran until 1913, and it was later adapted by Walt Disney for the animated feature film entitled, "Peter Pan," in 1953.

The main character of Peter Pan was animated by Milt Kahl and Eric Larson. Kahl did the majority of the animation sequences with Larson working mainly on the flying to London sequence, as well as some animation work on both Wendy Darling and Captain Hook.

Milt Kahl was not very excited about his assignment for Peter Pan. He had to animate both Peter Pan and Wendy Darling; two characters that had to be handled like real human beings and therefore would be a great challenge. “Peter was interesting in that you had to make him fly but after that was over he became a chore,” said Kahl. "Peter Pan's" supervising animator, Ron Clements, remembered that for years Milt Kahl resented the fact that animator Frank Thomas was assigned the character of Captain Hook instead of him. It is interesting to note that Peter Pan is one of the most interesting male protagonists of the early Walt Disney films because he is very heroic, opinionated, and has a zeal for life. Kahl’s animation of him totally embraces those characteristics as well as his great grace, expert timing, all combined with a very appealing artistic design.


Close up of the original production animation drawing of Peter Pan.

Bobby Driscoll was the first actor Walt Disney ever put under contract, and was cast to play the lead character in the 1946 film "Song of the South." The film would introduce live action into an extensive animation based film. The film was very successful and turned Driscoll, and his co-star Luana Patten, into overnight child stars! The pair were even discussed for a special Academy Award as the best child actors of the year.

Driscoll went on to appear in a large number of specials and to star in some of The Walt Disney Company's most popular live-action pictures of that period, such as "So Dear to My Heart" in 1948, and in the role of Jim Hawkins in "Treasure Island" in 1950. This last role earned him a star on the Hollywood Walk of Fame. In 1953, he served as animation model and provided the voice for the title role in "Peter Pan," Driscoll's last major success. Driscoll was cast opposite Disney's "Little British Lady" Kathryn Beaumont, who was in the role of Wendy Darling. Driscoll was the model for all the close up Peter Pan scenes and the dancer and choreographer Roland Dupree was the model for the character's motion sequences. All the live action model scenes were played out on an almost empty sound stage with only the most essential props, and filmed for use by the animators.

This is a large and wonderful original production animation drawing of Peter Pan rendered in red, brown, and graphite pencils. He is eyes and mouth open, with his right hand extended. The top of his dagger scabbard can be seen at his waist. An outstanding work that is perfect for any animation art collection!

Original Production Animation Cels of Princess Ariel, Prince Eric, and Max from "The Little Mermaid," 1989


Original hand painted production animation cel of Princess Ariel, Prince Eric, and Max with matching Wedding Veil cel from "The Little Mermaid," 1989, Numbered 123 and V123 in ink lower right corners; Walt Disney Studios; Set on a lithographic background; Walt Disney seal upper right; Size - Princess Ariel, Prince Eric, & Max: 8 x 15", Image 11 1/2 x 16 3/4"; Unframed.


"The Little Mermaid," is an American animated musical fantasy film and the 28th film in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and released by Walt Disney Pictures to theaters on November 17, 1989. The film was based on the Danish fairy tale of the same name by Hans Christian Andersen, which tells the story of a beautiful mermaid princess who dreams of becoming human. The film was written, directed, and produced by Ron Clements and John Musker; with music by Alan Menken and Howard Ashman. The voice cast includes: Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, Buddy Hackett, and René Auberjonois.

Original production animation cel of Princess Ariel, Prince Eric, and Max without the background.


 Original production animation cel of Ariel's Wedding Veil without the background.

There was more money and resources dedicated by the Walt Disney Studios to "The Little Mermaid" than any other Disney animated film in decades. Aside from its main animation facility in Glendale, California; Disney opened a satellite feature animation facility in Lake Buena Vista, Florida that was within the Disney-MGM Studios Theme Park at Walt Disney World. Their first projects were to produce an entire Roger Rabbit cartoon short, "Roller Coaster Rabbit," and to contribute ink and paint support to "The Little Mermaid." Another first for Disney films of recent years, was the filming of live actors and actresses for motion reference material for the animators. Broadway actress Jodi Benson (who was predominantly a stage actress when she was cast) was chosen to play Ariel, and Sherri Lynn Stoner, a former member of Los Angeles' Groundlings improvisation comedy group, acted out Ariel's key scenes.


Close up of The Walt Disney Company seal.

The Little Mermaid's supervising animators included Glen Keane and Mark Henn on Ariel, Duncan Marjoribanks on Sebastian, Andreas Deja on King Triton, and Ruben Aquino on Ursula. Originally, Keane had been asked to work on Ursula, as he had established a reputation for drawing large powerful figures, such as the bear in "The Fox and the Hound," 1981 and Professor Ratigan in "The Great Mouse Detective," 1986. Keane however, was assigned as one of the two lead artists on the petite Ariel and oversaw the "Part of Your World" musical number. He jokingly stated that his wife looks exactly like Ariel "without the fins." The character's body type and personality were based upon that of Alyssa Milano, who was starring on TV's "Who's the Boss?". The effect of Ariel's hair underwater was based on footage of Sally Ride when she was in space; and scenes of Sherri Lynn Stoner in a swimming pool were used in animating Ariel's swimming. A challenge in animating Ariel were the colors required to show her in various changing environments, both under the sea and on land. By the end of the film, the animators required a total of 32-color models; not including costume changes. The sea-green color of her fin was a hue specially mixed by the Disney paint lab, and the color was named "Ariel" after the character.

Prince Eric was designed by Glen Keane and animated by Mathew O'Callaghan. O'Callaghan worked at Walt Disney Animation Studios beginning in 1981 and ending in 2007. Eric's voice was supplied by Christopher Daniel Barnes, who was only 16 years old at the time. He is best known for providing the voice of Peter Parker/Spider-Man in the 1994 television series Spider-Man: The Animated Series. Eric's dog is his loyal Old English Sheepdog named Max. Max was animated by Russ Edmonds and the voice actor was Frank Welker. Welker has done over 800 different character voice roles in animated films, television shows, video games, and commercials; and he is listed as the number one "All Time top 100 Stars at the Box Office" in terms of the total revenue generated by the films in which he has participated. A bit of trivia: when Max growls at the Prince Eric statue, the snarling was reused sound from Toby in The Great Mouse Detective when he made stairs out of his left ear while he, Basil, Dr. Dawson, and Olivia were leaving Ratigan's lair.

"The Little Mermaid," 1989 was the final Walt Disney full length feature film that used hand painted animation cels. This is an outstanding original production animation cel setup of Princess Ariel, Prince Eric, and their loyal Old English Sheepdog Max. The setup is from the end of the film when The Little Mermaid, Ariel marries her Prince Eric. This is a very large cel image spanning an incredible fifteen inches long. A absolutely spectacular addition to any animation art collection!

Original Production Animation Drawing of Mickey Mouse from "Mickey and the Beanstalk" section of "Fun and Fancy Free," 1947


Original production animation drawing of Mickey Mouse in red, green, and graphite pencils from "Mickey and the Beanstalk" section of "Fun and Fancy Free," 1947, Walt Disney Studios; Numbered A13 in pencil lower right; Size - Mickey Mouse: 4 1/2 x 4", Sheet 10 x 12"; Unframed.


"Fun and Fancy Free," 1947 was the 9th Walt Disney animated feature film and was released to theaters on September 27, 1947. This was the fourth package film produced by the Walt Disney Studios as a way to save money during World War II, and it helped to finance Cinderella and later films such as Alice In Wonderland and Peter Pan. "Fun and Fancy Free" is composed of two animated stories that are joined together with live-action segments. The first story is Bongo and is hosted by Jiminy Cricket and narrated by Dinah Shore. Bongo tells the story of a circus bear cub named Bongo who longs for freedom from captivity. He is able to escape the circus and in the wild falls in love with a female bear named Lulubelle. He realizes he must prove himself worthy of being a mate for Lulubelle by besting another bear named Lumpjaw, who is a romantic rival for Lulubelle's affection.

The second story is Mickey and the Beanstalk and is hosted by Edgar Bergen. The segment had originally been planned to be a full length feature film, but due to the war effort and Disney's governmental contraction for the production of animated propaganda films, the story line was significantly edited down to a run time of 73 minutes. Mickey and the Beanstalk is a retelling of the English fairy tale Jack and the Beanstalk featuring Mickey Mouse, Donald Duck, and Goofy as three peasants who discover a temperamental Willie the Giant's castle in the sky through the use of magic beans. The three heroes must battle the greedy but lovable Giant in order to restore peace to their home, Happy Valley, be retrieving a stolen singing Gold Harp. The voice of Micky Mouse was provided by Walt Disney, but this was his last performance as he was becoming too busy with other projects. Walt was replaced as the voice of Mickey for future shorts and films by sound effects artist Jimmy MacDonald.


Close up of the original production animation drawing of Mickey Mouse.

This is a rare and wonderful drawing of Mickey Mouse from the vintage 1947 Walt Disney feature film "Fun and Fancy Free." Fred Moore was the supervising animator for the film, animated Mickey Mouse, and his handling of the title character is, as always, brilliant! Moore started working at Disney Studios in 1930 when he was only 19 years old. He perfected the squash and stretch of characters, which showed that they had real mass and in the process making them even more believable than ever before. There is no wonder that Walt put him in charge of the Dwarfs for "Snow White."

I think Freddy Moore was able to pull expressions and movements from Mickey better than any other animator of the day, and this drawing really showcases his skill; which by 1947 was at it's peak. The drawing pictured here is a very large, full figure, eyes and mouth open image of Mickey Mouse including his tail. He is from the scene when he is trying to convince Willie the Giant to change himself into a fly, as he had spotted a fly swatter on the table next to him and had plans to, at the very least, escape from the Giant. It just does not get any better as a piece of original artwork from Walt Disney's last voice performance as Mickey Mouse, and here is an absolutely perfect piece!