Original production animation drawing of Cinderella dancing with Prince Charming in red, blue, and graphite pencils from "Cinderella," 1950, Walt Disney Studios; Numbered 157 in pencil lower right; Size - Cinderella & Prince Charming 6 1/2 x 6", Sheet 12 1/2 x 15 1/2"; Unframed.
The 1950 Walt Disney feature film "Cinderella" was based on the French version of the tale by Charles Perrault, entitled "Cinderella" and written in 1698. The film was the second in the series of great Princess films developed by Disney, the first being Snow White in 1937. The character of Cinderella is usually front and center in the pantheon of Disney Princess merchandise, perhaps because she is the only Princess not to be of a noble blood line who ended up marrying a Prince and becoming royalty.
Cinderella
was animated by both Marc Davis and Eric Larson, however the two
animators had different perceptions of the character, with Davis
preferring elegance and Larson opting for simplicity. This actually
worked in the film's favor, resulting in Cinderella being a much more
complicated character than her predecessor Snow White. As with other
Disney films, the studio hired actress Helene Stanley to perform the
live-action reference for Cinderella. She would later return to the
studio for the characters of Aurora in "Sleeping Beauty," 1959 and Anita
Radcliffe in "One Hundred and One Dalmatians," 1961.
Close up of the Cinderella and Prince Charming production drawing.
Close up of the Cinderella and Prince Charming production drawing.
According to Christopher Finch, from his book "The Art of Walt Disney":
"Disney
insisted that all scenes involving human characters should be shot
first in live-action to determine that they would work before the
expensive business of animation was permitted to start. The animators
did not like this way of working, feeling it detracted from their
ability to create character. The animators understood the necessity for
this approach and in retrospect acknowledged that Disney had handled
things with considerable subtlety."
About
400 women and girls auditioned for the voice role of Cinderella, but
the role ended up going to Ilene Woods. Woods, who at the time worked on
the radio and did not know anything about the audition, was asked one
day by her colleagues Mack David and Jerry Livingston to sing a song
from Cinderella. Without her knowledge, her recording was given by her
friends to Disney Studios. After listening to the material Walt Disney
immediately decided that he had found the voice with which to speak and
sing the character of Cinderella and contacted Ilene.
Close up of the production number.
Close up of the production number.
Prince
Charming was animated by Eric Larson, who according to Andreas Deja
"Confessed to some of us newcomers that he felt kind of embarrassed
about the stiffness in his performance." The Prince was voiced by
William Phipps, and after Phipps's initial audition; the studio was so
impressed with his performance that Walt Disney himself offered him the
role. William Phipps is perhaps best known for his roles in dozens of
classic sci-fi and westerns, both in films and on television. It is a
little known fact that Mike Douglas (yes of "The Mike Douglas Show")
provided the singing voice for Prince Charming for the song "So This Is
Love,"as the Prince and Cinderella danced together at the Grand Ball.
A
bit of trivia, not only is the name of the Prince never revealed, he is
never actually referred to as "Prince Charming" in "Cinderella." His
name was mentioned only in merchandise and, more recently in the various
films and TV appearances of the character. Prince Charming was the
first Disney Prince to participate in a duet with his respective love
interest, the first Prince to be featured in a wedding celebration, and
the first to dance with his heroine just after they met.
It
does not get any better than this; an original production animation
drawing of Cinderella dancing with Prince Charming for the first time at
the Grand Ball! Both Cinderella and Prince Charming are full figure and
Cinderella's eyes are open. An absolutely beautiful drawing, from the
most loved scenes in the entire film. The veteran Walt Disney animator
Marc Davis supervised the animation of this scene.
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