Original hand painted and hand inked production animation cel of Bashful set over an airbrushed wood veneer Courvoisier background from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Size - Bashful: 4 1/2 x 4", Image 7 x 5 1/2", Frame 17 1/2 x 16"; Framed with a wood frame, two linen mats, and plexiglass.
Ohhhh, go-o-o-osh" - Bashful
Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).
Snow
White and the Seven Dwarfs was to be the first full-length cel animated
feature in motion picture history, and as such Walt Disney had to fight
to get the film produced. Both his brother and business partner Roy
Disney, as well as his wife Lillian attempted to talk him out of it.
The Hollywood movie industry mockingly referred to the film, while is
was in production, as "Disney's Folly." Disney ended up having to
mortgage his house to help finance the film's production, which would
eventually ran up to a total cost of $1,488,422.74; an absolutely
massive sum for a feature film in 1937!
Although the initial concept designing of the dwarfs was relatively easy for the Walt Disney animation department, the actual animating of them proved to be difficult. The animators, already finding human figures difficult to animate, now had to animate dwarfed human figures. The great Disney animator Vladimir Tytla noted that the dwarfs should walk with a swing to their hips, and Fred Moore commented that they had to move a little more quickly in order to keep up with the other human characters.
Although the initial concept designing of the dwarfs was relatively easy for the Walt Disney animation department, the actual animating of them proved to be difficult. The animators, already finding human figures difficult to animate, now had to animate dwarfed human figures. The great Disney animator Vladimir Tytla noted that the dwarfs should walk with a swing to their hips, and Fred Moore commented that they had to move a little more quickly in order to keep up with the other human characters.
Framed original production animation cel of Bashful.
Bashful
is very shy and coy, and he has a crush on the beautiful Snow White.
His shyness prompts him to blush and he then covers his reddened face
behind his hands and beard; which is often accompanied by giggles.
Various Walt Disney artists were involved with Bashful's concept and
animation throughout the film including: Vladimir Tytl, Fred
Moore, Shamus Culhane, and Les Clark. The film and television actor
Scotty Mattraw provided the voice for Bashful.
This
is an absolutely wonderful original hand painted and hand inked
production cel of Bashful set on an airbrushed Courvoisier background. The
cel is from the scene in the film, when all the Dwarfs perform "The
Silly Song." The Dwarfs yodel and are also featured in a instrument
septet. Here Bashful is playing his accordion musical instrument. This is a perfect image of Bashful; eyes open, looking up, and with a great big smile. A beautiful piece of vintage Walt Disney animation artwork,
perfect for any collection!
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