Original hand painted and hand inked production animation cel of the Raven from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Set on a lithographic background; Size - Raven: 5 1/4 x 3 1/2", Image 9 3/4 x 13 1/2"; Unframed.
"Have a bite!" - Old Hag (The Witch) speaking to her pet Raven 
Development
 on Snow White and the Seven Dwarfs began in early 1934, and by June 
Walt Disney announced to The New York Times the production of his first 
feature, to be released under Walt Disney Productions. Before Snow White
 and the Seven Dwarfs, the Disney studio had been primarily involved in 
the production of animated short subjects in the Mickey Mouse and Silly 
Symphonies series. However, Disney hoped to expand his studio's prestige
 and revenues by moving into features, and he estimated that Snow White 
and the Seven Dwarfs could be produced for a budget of $250,000 (this 
was ten times the budget of an average Silly Symphony).
After
 a long and difficult four years, on January 13, 1938, Snow White and 
the Seven Dwarfs made its New York premiere at Radio City Music Hall. 
The film ran for five weeks in a row, the first motion picture to do so,
 and it could have played longer if not for prior commitments of the 
venue. It was to be the theatres' most successful engagement in all of 
the 1930s. The film was loved by everyone and Disney, along with his 
animation team, had managed to make an animated film that the audience 
would believe! The crowd would be sad and cry when Snow White bit the 
apple and was placed in a glass casket; and they would laugh, smile, and
 be happy during the song and dance numbers with the Dwarfs. However, 
Disney was criticized by some for making a very scary film for children.
The Walt Disney film's version of the Evil Queen changing into an Old Hag is very different compared to the original story. In the Disney version, the Queen uses her dark magic powers to actually transform herself into an old woman instead of just taking on a disguise; as in the Brothers Grimm story. Animation provided a transformation scene that is truly spectacular and the Disney team even made the event greater by utilizing the multi-plane camera; to make the room itself appeared to spin. This sequence along with the flight of Snow White through the Dark Forest; caused the British Board of Film Censors (now, the British Board of Film Classification) to give the film an A-certificate (children had to be accompanied by an adult) upon its original release. This resulted in a nationwide controversy as to whether the Forest and the Witch were too frightening for younger audiences. Nevertheless, most local authorities simply overrode the censor's decision and gave the film a U-certificate (Suitable for children).
Walt Disney's response to the idea that the film was too frightening for children was, "I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty." This may have been his statement, but he never made another film with such a scary villain. Every film after Snow White had the main villain accompanied by a comedic sidekick; such as Maleficent and her Goons, Cruella de Vil with Horace and Jasper, or Medusa with Snoops.
The famed animator Joe Grant created the initial sketches of the Witch, which had some basis in the early Witch drawings from Arthur Rackham's illustrations from "Hansel and Gretel." After Walt Disney approved the character design; Norman Ferguson was given the task of animating her. There were early concerns that the Witch would be viewed by the audience as more of a laughable and entertaining clown rather than an evil old hag; however, Norm's animation skill won out and the character seems even more menacing than her prior Queenly form. The Witch is the only character in "Snow White" to look directly into the camera and therefore address the audience. With her one tooth, expressive eyes, and boney hands; Ferguson had a lot of choices in which to invoke fear and to scare. Despite her slow movements and apparent frailness, we all know there is pure evil afoot!
Original production animation cel of The Raven without the background.
 Close up of the original production animation cel of The Raven without the background. 
The
 voice of the Queen was provided by Lucille Leverne and she also wanted 
to read for the part of the Witch. Leverne was a veteran stage actress 
and was perfect for the Queen, with a real regalness to her voice. When 
she was in the sound booth and Walt Disney heard her reading the role of
 the Witch, he stopped her and said that her voice just did not work for
 that role. Lucille said to just wait one minute and left the sound 
booth and then quickly returned and started the reading again. Now her 
voice had changed to that wonderful raspy, gummy, and single toothed 
sounding Witch. Disney was amazed and asked how she had managed to get 
that perfect character voice, and Lucille replied, "Oh, I just took out 
my false teeth."
After
 the Evil Queen transforms herself into the Old Peddler Woman or Old 
Hag, she prepares the poisoned apple. The apple is created and pulled 
out of the Witch's cauldron and turns a bright red, "To tempt Snow White
 to take a bite!" The Hag, speaking to her pet Raven, says "Have a bite!"
and suddenly thrust the apple in her hand towards the Raven. The Raven quickly leans back and covers his face with his wings, as black feathers fly into the air. An extremely rare full cel of this very scarce character, and the only Raven cel I have ever seen or offered for sale in my almost 30 years of collecting and dealing!
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