Original hand painted production animation cels of Frodo, Sam, & Aragorn from "The Lord of the Rings," 1978, Ralph Bakshi; Aragorn cel hand signed Ralph Bakshi in ink upper left; Matching production numbers lower cel edges; Set on a lithographic background; Size - Frodo, Sam, & Aragorn: 9 x 11 1/2", Image 9 1/4 x 12 1/4"; Unframed.
Long ago... ...in the early years of the Second Age... ...the great Elven-smiths forged Rings of Power. Nine for mortal Men. Seven for the Dwarf-lords. Three for the tall Elf-kings. But then, the Dark Lord learned the craft of ring-making... ...and made the Master Ring. The One Ring to rule them all. Read more: https://www.springfieldspringfield.co.uk/movie_script.php?movie=lord-of-the-rings-
Ralph Bakshi was very familiar with J.R.R. Tolkien's writing very early in his career and had made several attempts to produce The Lord of the Rings as an animated film before finally securing funding from producer Saul Zaentz; in collaboration with distributor United Artists. Bakshi's film The Lord of the Rings would be based on Tolkien's books The Fellowship of the Ring and the first half of The Two Towers. The story follows a group of hobbits, elves, men, dwarves, and a wizard who form a fellowship on their quest to destroy the One Ring (made by the Dark Lord Sauron) and ensure it's destruction in Mount Doom. The screenplay was written by Peter S. Beagle (based on an earlier draft by Chris Conkling). The film features the voice talents of William Squire, John Hurt, Michael Graham Cox, and Anthony Daniels; and it was one of the first animated films to be shown in the Dolby Stereo Sound System.
Original Ralph Bakshi signed production animation cel of Sam and Aragorn without the background.
Close up of the Ralph Bakshi signature.
Publicity for The Lord of the Rings heralded it as "the first movie painting" which was created by "an entirely new technique of film making." This was accomplished through the extensive use of rotoscoping, a technique whereby scenes are first filmed in live-action but then later traced onto animation celluloids. The result is a blend between traditional cel painted animation and live action sequences.
"I was told that at Disney the actor was told to play it like a cartoon with all that exaggeration. In Lord of the Rings, I had the actors play it straight. The rotoscope in the past has been used in scenes and then exaggerated. The action becomes cartoony. The question then comes up that if you're not going to be cartoony, why animate?... It is the traditional method of rotoscoping but the approach is untraditional. It's a rotoscope realism unlike anything that's been seen. It really is a unique thing for animation. The number of characters moving in a scene is staggering. In The Lord of the Rings, you have hundreds of people in the scene. We have cels with a thousand people on them. It was so complex sometimes we'd only get one cel a week from an artist. It turned out that the simple shots were the ones that only had four people in them." — Ralph Bakshi
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