Original production animation drawing in red and graphite pencils of Pinocchio from "Pinocchio," 1940, Walt Disney Studios; Numbered 8A in pencil lower right; Production numbers stamp lower left; Size - Pinocchio with Rock: 5 1/2 x 2 1/2", Sheet: 10 x 12"; Unframed.
"Pinocchio,"
1940 was the second animated feature film produced by Disney, and
followed on the success of "Snow White and the Seven Dwarfs." 1937. It
was released to theaters by RKO Radio Pictures on February 23, 1940 and
was based on the Italian children's novel "The Adventures of Pinocchio"
by Carlo Collodi. The general plot of the film involves an old
wood-carver named Geppetto, who carves a wooden puppet that he names
Pinocchio. One night the puppet is brought to life by the Blue Fairy,
who informs him that he can become a real boy if he proves himself to be
"brave, truthful, and unselfish". Pinocchio's journey to become a real
boy is challenged by his encounters with an array of scrupulous
characters.
"Pinocchio"
became the first animated feature to win an Academy Award; it won for
both Best Music - Original Score and for Best Music - Original Song for
"When You Wish Upon A Star." Most critics and audiences agree that
"Pinocchio" is among the finest Disney features ever made, and one of
the greatest animated films of all time. In 1994, it was added to the
United States National Film Registry as being "culturally, historically,
or aesthetically significant."
Close up of the Pinocchio original production animation drawing.
Due
to the huge success of "Snow White," Walt Disney wanted more famous
voice actors for "Pinocchio." He cast popular singer Cliff Edwards (who
had made the first record selling over a million copies) as Jiminy
Cricket. Disney also wanted the character of Pinocchio to be voiced by a
real child. The role ended up going to twelve year old actor Dickie
Jones, who had previously been in Frank Capra's enormous Hollywood hit,
"Mr. Smith Goes to Washington."
Animation
began in September 1938 and just as in "Snow White," live-action
footage was shot for "Pinocchio" with the actors playing the scenes;
which was supervised by Hamilton Luske. The animators then used the
footage as a guide for their animation drawings by studying the human
movement and then incorporating many of those poses and scenes. The
title character was animated by Milt Kahl (initial design), Frank
Thomas, and Ollie Johnston. "When I was doing Pinocchio," Johnston said,
"I thought of the character being real, a living person, not a
drawing."
"Pinocchio,"
was groundbreaking in the area of effects animation. The animators gave
realistic movement to vehicles, machinery, and natural elements; such
as rain, lightning, snow, smoke, shadows, and water. In contrast to the
character animators, effects animators create everything that moves
around the characters. Sandy Strother, one of the Disney effects
animators from "Pinocchio," kept a diary about his year long animation
of the water effects; which included splashes, ripples, bubbles, waves,
and the illusion of being underwater. All of this attention to detail
contributed to "Pinocchio" being one of the first animated films to have
highly realistic effects animation. Ollie Johnston remarked "I think
that's one of the finest things the studio's ever done" and Frank Thomas
stated, "The water looks so real a person can drown in it, and they
do."
This
is a wonderful full figure drawing of Pinocchio underwater. His eyes
and mouth are open, he has his donkey ears and tail from his encounter at Pleasure Island, and he is surrounded by bubbles.
In order to to weight him down, he has a rock tied to his donkey tail. This is large image of Pinocchio as he goes about searching for his father Geppetto, who was swallowed by the whale Monstro. A great vintage Walt Disney production drawing, perfect for any collection!
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