Original Production Animation Drawing of the Old Hag (The Witch) with the Apple from "Snow White and the Seven Dwarfs," 1937

Original production animation drawing of the Old Hag (The Witch) with the poisoned apple from "Snow White and the Seven Dwarfs," 1937, Walt Disney Studios; Graphite, green, blue, and red pencils on watermarked five peg hole paper; Production numbers stamp lower left and numbered 12 1/2 in graphite pencil lower right; Size - Old Hag: 6 3/4 x 4 1/4", Sheet 12 1/2 x 15 1/2"; Unframed.

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"Dip the apple in the brew. Let the sleeping death seep through." - Old Hag (The Witch)

Development on Snow White and the Seven Dwarfs began in early 1934, and by June Walt Disney announced to The New York Times the production of his first feature, to be released under Walt Disney Productions. Before Snow White and the Seven Dwarfs, the Disney studio had been primarily involved in the production of animated short subjects in the Mickey Mouse and Silly Symphonies series. However, Disney hoped to expand his studio's prestige and revenues by moving into features, and he estimated that Snow White and the Seven Dwarfs could be produced for a budget of $250,000 (this was ten times the budget of an average Silly Symphony).

Snow White and the Seven Dwarfs was to be the first full-length cel animated feature in motion picture history, and as such Walt Disney had to fight to get the film produced. Both his brother and business partner Roy Disney, as well as his wife Lillian attempted to talk him out of it. The Hollywood movie industry mockingly referred to the film, while is was in production, as "Disney's Folly." Disney ended up having to mortgage his house to help finance the film's production, which would eventually ran up to a total cost of $1,488,422.74; an absolutely massive sum for a feature film in 1937!

After a long and difficult four years, on January 13, 1938, Snow White and the Seven Dwarfs made its New York premiere at Radio City Music Hall. The film ran for five weeks in a row, the first motion picture to do so, and it could have played longer if not for prior commitments of the venue. It was to be the theatres' most successful engagement in all of the 1930s. The film was loved by everyone and Disney, along with his animation team, had managed to make an animated film that the audience would believe! The crowd would be sad and cry when Snow White bit the apple and was placed in a glass casket; and they would laugh, smile, and be happy during the song and dance numbers with the Dwarfs. However, Disney was criticized by some for making a very scary film for children.

When the movie was played at Radio City Music Hall on its first release, the theater managers had to replace the music played when Snow White runs into the Dark Forest; because they were nervous that the kids would be too frightened upon hearing it. Snow White's run into the Forest had another result;  young children were still so scared by the sequence, that they wet their pants. As a result, the velvet upholstery of each and every seat held by a child, had to be replaced prior to every showing of the film.

The Walt Disney film's version of the Evil Queen changing into an Old Hag is very different compared to the original story. In the Disney version, the Queen uses her dark magic powers to actually transform herself into an old woman instead of just taking on a disguise; as in the Brothers Grimm story. Animation provided a transformation scene that is truly spectacular and the Disney team even made the event greater by utilizing the multi-plane camera; to make the room itself appeared to spin. This sequence along with the flight of Snow White through the Dark Forest; caused the British Board of Film Censors (now, the British Board of Film Classification) to give the film an A-certificate (children had to be accompanied by an adult) upon its original release. This resulted in a nationwide controversy as to whether the Forest and the Witch were too frightening for younger audiences. Nevertheless, most local authorities simply overrode the censor's decision and gave the film a U-certificate (Suitable for children).

Walt Disney's response to the idea that the film was too frightening for children was, "I do not make films primarily for children. I make them for the child in all of us, whether we be six or sixty." This may have been his statement, but he never made another film with such a scary villain. Every film after Snow White had the main villain accompanied by a comedic sidekick; such as Maleficent and her Goons, Cruella de Vil with Horace and Jasper, or Medusa with Snoops.

The famed animator Joe Grant created the initial sketches of the Witch, which had some basis in the early Witch drawings from Arthur Rackham's illustrations from "Hansel and Gretel." After Walt Disney approved the character design; Norman Ferguson was given the task of animating her. There were early concerns that the Witch would be viewed by the audience as more of a laughable and entertaining clown rather than an evil old hag; however, Norm's animation skill won out and the character seems even more menacing than her prior Queenly form. The Witch is the only character in "Snow White" to look directly into the camera and therefore address the audience. With her one tooth, expressive eyes, and boney hands; Ferguson had a lot of choices in which to invoke fear and to scare. Despite her slow movements and apparent frailness, we all know there is pure evil afoot!

Close up of the Old Hag (The Witch) production drawing.

The voice of the Queen was provided by Lucille Leverne and she also wanted to read for the part of the Witch. Leverne was a veteran stage actress and was perfect for the Queen, with a real regalness to her voice. When she was in the sound booth and Walt Disney heard her reading the role of the Witch, he stopped her and said that her voice just did not work for that role. Lucille said to just wait one minute and left the sound booth and then quickly returned and started the reading again. Now her voice had changed to that wonderful raspy, gummy, and single toothed sounding Witch. Disney was amazed and asked how she had managed to get that perfect character voice, and Lucille replied, "Oh, I just took out my false teeth."

Close up of the production stamp.

Close up of the production number.

For Walt Disney animated feature films, there are 24 frames/second of animation film; meaning that there are 24 drawings corresponding to 24 hand painted cels for each second of film on the screen. Of course that number is for a single character and does not include other characters, background cels, special effects overlay cels, etc.; so the number of animation drawings and cels are many fold higher. For "Snow White," Walt Disney wanted to make some critical scenes stand out in the film, so he instructed that the number of drawings/cels be doubled to 48/second. These extra drawings were numbered as 1/2 drawings; so this drawing is numbered 12 1/2. What is even more special about the drawing, is that it is only 1/2 a frame off from the drawing pictured in the book "Walt Disney Animation Studios - The Archive Series - Animation," 2009. This is one of the finest books ever published that focuses only on Disney original production drawings, pictured from the Walt Disney Animation Archives. The Witch image below is on page number 52:

"Walt Disney Animation Studios - The Archive Series - Animation," 2009 cover and pg. 52.

After the Evil Queen transforms herself into the Old Peddler Woman or Old Hag, she prepares the poisoned apple. The apple is created and pulled out of the Witch's cauldron and turns a bright red, "To tempt Snow White to take a bite!" This wonderful eyes open drawing is from that pivotal scene. Drawings from this scene are extremely rare, and represent the best example in animation for the character! This work of art is a stand out for any vintage Walt Disney animation collection!

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